Surf rock continues to ride wave of popularity
What: Anonymous Henchmen, Low Long Signal and Virgin Mary Pistol Grip
When: 9 p.m. Saturday, Feb. 28
Where: Reverb Lounge, 6121 Military Ave.
By MarQ Manner
The surf rock scene in Omaha has tripled in size over the past several months, which brings us to a known quantity of three surf rock bands in town. The newest group to hit no-coast Nebraska is Anonymous Henchmen (pictured below).
The band has only a handful of shows under its belt, but the musicians in the band are well known and accomplished in the area. Matt Lorence, Johnny Leonovicz, Joe Shea and Kait Berreckman go by numbers instead of names on stage and wear old-school robbers masks. The sound is surf music, but the style and the way they perform it is not traditional. They use experimental methods and Lorence’s fandom of many generations of surf music to create something new.
They call it “post revival."
The band recently participated in the first "We Don’t Coast Surf Festival" at the Slowdown and will be bringing their sounds to the Reverb Lounge this Saturday night (Feb. 28). The band will be performing with Virgin Mary Pistol Grip and Low Long Signal. I caught up with Matt Lorence (21) and Kait Berreckman (4) to talk about the forming of the band and what makes up a “post revival” sound.
MarQ-How did Anonymous Henchmen get together?
Matt-When I left the Subvectors, I took it as an opportunity to play surf guitar as I was playing bass out of necessity. I recruited a friend of mine who had been playing in punk bands and hadn’t played in a while and got him out of retirement.
Kait-He wrangled me at O'leaver's open mic, and he thought since I wrote songs she could play bass.
Matt-I had been in Texas, and so I had not seen her before and thought maybe she wasn't in a band yet.
MarQ-Have you ever played surf music before Kait? Were you a fan of the genre?
Kait-It has all been totally new for me. I tell people it is more experimental suf. It’s not like we have one style and it might not be what our parents think of surf.
Matt-I can't say we are a revival band because that revival happened in the 80’s and 90’s. So I say we are post revival. .
Kait-The songs are super new and so we are still trying to figure out how we are wanting to play them, There is growth as well.
MarQ-Matt, you are a fan of bands like Man Or Astroman, Shadowy Men on a Shadowy Planet and acts in that vein along with the classic surf sound.
Matt-The newer bands are all uniquely different from each other, but back the 60’s it was hard, unless you went really deep, it was hard to pick one from the other. We want to sound different from other bands We have a synth and I don’t know how to play it and I play it, and Kait plays it and we have a theremin. We are just trying to be as different as possible with it.
MarQ-what has been the reaction from surf music fans?
Matt-When I started playing surf, the dormant surf band fans came out of the woodwork. You would see them at Dick Dale and such and they started giving a lot of feedback. It’s been positive.
Kait-When they announced I was in the band I got like three friend requests right aways and was like who are these people?
MarQ-Are you finding it easier to book shows, or is it hard being one of only a few surf bands in the area?
Matt-We just played rockabilly night and I am seeing surf influence in a lot of the indie rock bands.
Kait-That is the cool thing about doing instrumental music. That allows us to fit onto a lot of different types of shows. I think it is a very versatile genre and I think the sounds go across a lot of genres.
MarQ-So you guys wear masks covering your eyes and use numbers instead of names. What has been the reaction to that onstage?
Matt-The reaction from people that were not expecting a surf band are hilarious. For this band,I wanted to have a gimmick to make it more fun. It hasn’t been a bad idea yet.
Kait-We are honing it.
MarQ-So what was your reaction to being asked to play in this band.
Kait-I was drunk. I was like ‘this is weird, but cool’. I wanted to play more music and do things to be weird. This sounded like the most different thing that I can do. I was like ‘you know I don’t play bass’, and he was like ‘yeah you will be fine’. I didn’t have a bass, and he is like ‘you will be alright’. This has been a huge stretch for me and it has given me more confidence to be more badass and in my playing and in my music. He lets me play his Gretch and that is my payment for trying desperately to play the bass.
MarQ-What are your recording plans?
Matt-We do have plans to collaborate on an EP with Kait Berreckman Band and some surf songs with her singing .
Kait-I am writing some lyrics and melodies and incorporating my style into it.
Matt-There are other surf bands that will add a singer and do a whole album and you will get the mix. Since Kait joined the band it seems like a logical choice I am hoping to do that record as we do our record as well.
Rocker goes 'Underwater' with new collection
What: Matt Whipkey, with John Klemmensen & the Party and Kait the Berreckman Band
When: 9 p.m. Friday, Feb. 20
Where: Waiting Room, 6212 Maple St.
By MarQ Manner
Omaha singer-songwriter Matt Whipkey is back with his new album "Underwater," the follow-up to the acclaimed double-album "Penny Park." "Underwater" is probably Whipkey’s hardest set to categorize, as it really feels like a culmination of all his work, or as he says, “At this point, I just sound like me."
It’s 10 solid songs that will be released on vinyl with a download card. Once again, he has gone all-out and put together a great package to match the music. Whipkey will be celebrating the release of this album on Friday, Feb. 20, at the Waiting Room Lounge. I met up with Whipkey and we went through "Underwater" track by track.
MarQ - What were the highlights through the process of releasing the “Penny Park” album?
Matt Whipkey - The highlight was to execute this idea in my head that was pretty daunting. To do a double album and finish the story. That part to me was the most difficult part. The reception was pretty great and that is always encouraging to me. That is a double record and the best selling thing I have done in a long time. We got great press out of it, and even national press, and then winning the OEAAs was a nice cap. It came out during some personal turmoil, and myself and the band were able to see this crazy vision through. After that we felt like we could do anything. I felt like the sky's the limit artistically.
MarQ - That was a lot of material that you put out at one time. How long did it take you to get back into writing for “Underwater”?
Matt - I am sort of an undisciplined writer in the way that I am going to sit down and write songs. I have put out more albums than a lot of people. That summer after “Penny” came out I was writing some songs. In January of 2014, we started to write this record and we wrote it in three months in the winter and it was just bang, bang, bang. It wasn't on purpose, it just was kind of what happened. Once it gets going it's just kind of easy. I also had the Whipkey Wednesday shows, and that was a good outlet, as I could play those songs out live and they got a good reception. One things feeds another. They came out quick. I didn't know I was making a record...because honestly the “Penny Park” process was such a process, I didn't see a record down the road for a little while beyond this. So this is great.
MarQ - Where did you record?
Matt - With Scott Gaeta, the same place. It was a mixture of that and stuff I do on my own in various places. We have a really good relationship at this point. Travis (Sing) left and Bob Carrig is playing bass in the band. We worked these songs out with Travis and recorded with Bob. I was writing more songs because we don't rehearse every day. So half the songs on the album are just Scott and I. There were a lot of reasons why, but it ended up working out pretty well. I would add a song, come to Scott’s and he would sit in the booth and take notes and we would play them two more times. So we got a basic take in 30 minutes and they have a different sound.
MarQ - With “Penny Park” you experimented with some different sounds for you. With this record you have not exactly gone back to your roots.
Matt - With “Penny Park,” we explored some more textures and sound, and it was good to do that. With this there was a conscious effort. “Penny” used a lot of drum machines and keyboards, and the only rule here was that everything had a be a real instrument. They are rock and roll songs, some of them are moody. I can dress it up in many ways. There is a focus on guitar and we used hammond organ. I wanted to make natural songs without synths. Some are simple songs and lyrics are very important. The less time I think about how to define the the music, the less it sounds like a label. I think at this point in my writing, and ten albums in it's going to sound to like me. It's fun to challenge myself to not sound like me. Country music has gotten so bad, I might feel the need to go out and do a twangy country record. Basically I don't feel any limitations on what we sound like.
MarQ - Let’s go through the songs. “Underwater.”
Matt - Well, “Underwater,” one thing I wasn’t afraid of doing...I wasn’t afraid of using very specific names of people. It talks about people I have met. The first line is about this woman I met named Mary Claire, and it was an interesting conversation and she factored into the song. I went out a lot when writing the songs. It was winter time and cold, and I did not go to the typical places I go. I met this guy from Tyler, Texas, and my buddy Nick Neary thought it was a good thesis statement for the record if you are underwater. The last verse is kind personal. I have a lot of fun when I play it. I can twist it live how I want, it is kind of spoken word and it is kind of folksy. Underwater can have a lot of meanings. When I was young I almost drowned, and I still kind of have flashbacks to that. I still have that vision of being at the bottom of that pool.
MarQ - The new bar anthem ”1:59.”
Matt - That song has a few different meaning. These upbeat songs with bummer lyrics...I have always been a fan of that. I like the contrast of those things. We had that song, the first song I wrote, “Robber and Cops.” I remember watching Kyle Harvey, and his lyrics were depressing and they were great songs, so I was going to write a happy sounding song with Kyle Harvey lyrics. This is a bar anthem about chasing last call. I get to the bar late sometimes. I have this odd lifestyle, the musicians lifestyle...so yeah that is “1:59.” It makes me laugh. I hope other people get a kick out of it. People like that song.
MarQ - ”Please Don’t Be Long”
Matt - All of these songs were written in that short time period except this melody and keyboard line. This is something I have played since I was 18 years old and finally I was like, lets make something out of this. New words and the chorus is new. So it is the blending of two things. It is a very personal thing and kind of me looking at my shortcomings. Tara Vaughn sings on it and it has a big guitar freak out at the end, and it sounds loose because we only played it twice. It's cool to have people that are an important part of your life be part of your music. I know there is a lot of people I can call up as a session musician, but I like having people that are a part of my life on the record. That gives the music a much more personal feel.
MarQ - You wrote a song about Gary Flannigan, a long time Omaha music supporter who passed away.
Matt - Wonderful friend, amazing supporter, I don't like to use the word “fan” to describe him. He was...his enthusiasm kept the machine going. It’s an easy business to get bummed out in, and to have someone like Gary in your life to come out and encourage you and help you. He was a really good guy and a great friend and he passed away when we made “Penny Park.” We were not able to talk about him on that album, and I knew I would at some point want to. It was the anniversary of his death and that song wrote itself. It took an hour. You kind of get that weird feeling that you have a co-writer.
MarQ - ”Not To Worry”
Matt - Another personal song, it's about somebody you don't see eye to eye with. We all run into those people. Someone who values their opinions and they will argue something even though they could be proven wrong. It's got a really kick ass riff. Korey Anderson plays the solo on this song, and hats off to him it's a great solo. We recorded it at his house.
MarQ - ”Dreams Of Kathleen.”
Matt - Another personal song. Of all the songs on the record, that was the song I was like, "Do I put that out?" I like the song, and it means a lot to me. It's not a negative song. It’s just a song about two people that care a lot about each other and it just doesn't work out. I played it at an O'Leavers open mic and Joseph Janousek was doing sound. It was good to get that out and he said it was a good song. If he didn't say that who knows, but it was good that it came out.
MarQ - ”Let Me Bleed.”
Matt- I think it is a very poppy song. It is short and it kind of has the bummer lyrics. I always feel better after I play it, so it can't be that sad. It addresses my shortcomings. What I am best at doing is not perceived by society as good at anything, unless you become famous. I am a consistent songwriter, we have a band that is solid, and people are like 'what do you make?’ I have stuck through it much to the detriment of many things in my life. Some people sell insurance. I lay out the words. Lyrics are a funny little secret, it’s really right there. You don't have to break into my room and look under my bed, these things are put out right there. Musicians and songwriters put themselves out there more than anybody. Songwriters put into songs what people tell to therapists. It can be fake sometimes and sometimes we say it is fake even though it is real.
MarQ - ”Calendar Smile.”
Matt - This song is kind of like, I woke up one day, I think it was Saturday might have been a Sunday. It was an S day, not one of the other five. I had this riff and it is this song about going out and it has some mysterious phrases and I still don't know what they mean. It means a lot to me on a lot of different levels. You spend your time in a place, maybe a bar, and bartenders are always nice and it is a temporary escape from your everyday world. It's about being stuck in a place while the person you are thinking about or singing about is elsewhere.
MarQ - ”Sam”
Matt - Sam is about my friend Charlie, he was kind of my companion. He is a wonderful person and one of my favorite people. His job is that he does this legal work that takes him places for two months, that is his line of business. We hung out that whole winter. It's good to have a friend. I like songs that are about friends. ...like “Gary Flannigan.” I am a huge Springsteen song and male friendship is a fascinating thing to me. It was was quick song and it meant a lot to me. It was the last song written for the album. At this age in my life, I have all my friends and I have the best friends in life, but a lot of my friends are settled down and that is great, but its good to have a partner in crime to be young at heart with when you are going through a phase.
MarQ - ”Not Going To Change”
Matt - I would say this is one of my favorite songs ever written. It goes through talking about my mom, and my friend James, and this woman on the last verse. Changes to life and stuff, and there are some things you shouldn't have to change. there are certain things you should hold onto. I walk a certain way and if you accept that great and if you don’t I will walk away. It’s not a song I would have understood at 22.
This coming Sunday we celebrate the 9th Annual Omaha Entertainment and Arts Awards at The Doubletree Hotel in downtown Omaha. This is a celebration of this past year in music, visual arts, theater, spoken word and comedy. I am a Music Chair for the Omaha Entertainment Awards and have been for about six years now. We are coming off of our strongest year to date, with a successful awards show this past year, two of our strongest music showcases to date and a successful visual arts showcase. We have a very strong Board of Directors with a lot of young blood and people who really contribute to the arts here in the area. I have been involved in one way or another since the OEAA’s inception nine years ago, have seen the ups and downs and really think we are on strong footing these days.
In the music category I feel that our nominating committee, the public vote and our voting academy have picked a strong group of nominees this year. We have tweaked the categories in music over the years and I feel like we really have people where they belong and that the categories are defined better than they ever have been. Feedback from the artists and the Omaha music scene have helped us to define those categories. There are about 35 first time nominees in music by my count, which shows the strength and ongoing growth of our music community. We will also be giving away “technical” awards in music for the first time for Studio Producer and Live Music Engineer.
In addition to watching artists win and celebrate their awards, the Omaha Entertainment and Arts Awards will have many performances throughout the night. The night will start off with a cocktail hour at 6PM and music from the Omaha Guitar Trio. The awards show will feature last’s years Artist of the Year and Album of the Year winner. Matt Whipkey, performing a new song off his upcoming album “Underwater”. We will also see a collaboration between two of Omaha’s finest roots bands, The Prairie Gators and The Dirty River Ramblers. I am very excited to see this cajun and bluegrass mashup. The closing mashup from DJEM and Linear Symmetry is sure to be fun and funky. There will be a spoken word performance from Devel Crisp and other surprises also. After the last award is given out, we will head to The Hive for an after party featuring Best Blues nominee The Hector Anchondo Band and Best Hip Hop and Album of the Year nominee Marcey Yates. You do not have to be a nominee or artist to attend either of these events and we hope that you will join us for both.
Heading into the rest of the year we are looking forward to our Summer Showcase in Benson on June 5th and 6th and getting even more involved in the community along with the community getting even more involved with our organization. I think this will be a stellar year for the arts in the Omaha area and the OEAA’s.
Omaha's Sub-Vectors release new CD
What: Sub-Vectors, with Life Is Cool, Edge of Arbor and the Decatures
When: 9 p.m. Saturday, Jan. 10
Where: Waiting Room, 6212 Maple St.
By MarQ Manner
Omaha doesn’t coast, but we do have a couple excellent surf bands in town. Having played for about three years now, the Sub-Vectors are the grandaddy of the small scene here in town. The band is releasing its second album, along with a bonus bootleg disc, called "Music on the Bones" at the Waiting Room this Saturday night (Jan. 10).
The band members always find themselves on eclectic lineups and their CD release party is no different, with the band being joined by Life Is Cool, Edge of Arbor and the Decatures.
The Sub-Vectors first outing on disc and local stages found the band playing traditional surf and spaghetti western music. Now with a full cycle under their belt and the addition of bassist Dave Keim, the band is expanding its sound creatively and even adding a bit of psych rock into the mix. People purchasing "Music on the Bones" this weekend will get a bonus treat of songs with horns, live cuts and special tracks. I met up with all three members of the band this past week in Benson to get caught up and talk about the new album.
MarQ - What has been happening with the band? Have you guys been touring or playing out of town?
Trenton Albers - Well, Dave (Keim) is new. We are kind of weekend warrior type guys. We play like once or twice a month in the Omaha area.
MarQ - What has been your favorite show since you joined the band?
Dave - The "Mint Wad Willy" CD release party at Barely Street.
Trenton - We closed Saturn Moth’s show at the Waiting Room and that was pretty cool.
MarQ - Where did you record the new album?
Trenton - We recorded in Lincoln with Sean Joyce. Matt Hova's old studio. We met him when we did our first CD. He recorded us live on KZUM the next week and we were like, "We have to have this guy do our next album." We contacted and found him on Facebook and did a couple good sessions. We did our first session in July and our second session in September.
MarQ - Where does the name "Music On The Bones" come from?
Sam Riggs - Music on the bones, or music on the ribs, happened during the Soviet Union regime when they outlawed a lot of western music. People had to find a way to listen to music. So, these people found way to get music out and they would find albums and put them out on used X-ray sheets. It was crude and it was cheap, but it was a way to get that music out there.
Trenton - Everyone looks at piracy in our day and age as a sin, but back then it was a way to keep music alive.
Sam - Kind of goes with our DIY nature, too.
MarQ - So you have a full-length that comes with a bonus disc of extra tracks. That is highly unusual in today's market.
Trenton - I think we just wanted to go above and beyond our last album. We had a 13-track first album and we had a lot of material. We had some some things already done when the first one came out. We added Dave to the band and that added a new dynamic as well. Then with the bootleg disc, we had horns on it and we have a song with John Tingle (Digital Sex) on it.
MarQ - Tell me more about the bootleg disc.
Trenton - On the bootleg disc there are three tracks that are live with hand-recorded tracks. There are three horn section tracks, and then kind of a mix with tracks. You get five old album tracks and six new album tracks with live versions of the song and the song with John Tingle.
MarQ - Where are the live tracks from?
Dave - We recorded the live tracks at Waiting Room and Slowdown and Side Door, which is closed down now. Also the Barley Street.
MarQ - How has the sound of the band changed since the last album?
David - It’s kind of funny, I guess...the songs almost came a little more experimental. I think I brought a different dynamic, since we are a 3-piece. I started to explore with tracks and I think there is a lot more texture.
Trenton - It’s kind of like new suit.
Sam - Our first album was more traditional and this is more what we want to do.
Trenton - Part of the new sound was also Sean Joyce’s style. He has recorded a lot of different styles, but the one he likes most is death metal, so he brought a heavier style to it. It’s not your AM radio sound like the first one had.
MarQ - Dave, had you played surf music before?
Dave - I am new when it comes to surf and I think that helps with the the sound. I bring my background to it.
MarQ - What is the songwriting process of the band?
Sam - It’s pretty collaborative, but I start with an idea and everyone throws their take on it. It has worked thus far.
Trenton - Sam writes most of the material, the structure or seeds of the song and then Dave and I kind of add our flavor.
MarQ - Now that you guys have been out there for awhile, do you find that it is easier to book gigs with bands of different styles?
Dave - We have found that we have become friends with a unique kind of bands, so the shows are always kind of diverse anyway. Those are the types we have been playing with. Soon we will be playing the first all-surf show.
Trenton - I book the shows and we always book a large variety. That is what we have to do to fit in with other bands. I think the bands now get what we do.
Dave - It is amazing the type of people that you see that end up liking surf.
When: 8:30 p.m. Friday, Jan. 9
Where: The Waiting Room, 6212 Maple St.
By MarQ Manner
The End In Red is back with its third album, this time self titled, along with a refreshed lineup adding original member Matt Herrle back into the fold and new drummer Jeff Wolf. The band has been touring the midwest and has really built a stronghold across the state of Iowa. They maintain a large audience here in Omaha and will be celebrating their release of their new album at the Waiting Room this Friday, January 9. They will be joined by Awaiting Eli, We Be Lions and Civic Minded for what is sure to be a packed house.
The band has received multiple Omaha Entertainment and Arts Awards nominations over the past couple of years and have solidified themselves as one of the progressive and heavy rock luminaries of the area. I met up with a portion of the six-piece band this past week to talk about the new album, Iowa and their live show.
MarQ - What has been going on with The End In Red?
Joel Weisenburger - We picked up Matt. He used to be our original guitar player. Went and did his own thing for a little bit and he is back on keyboards.
Chris Downing - Me and him started it all.
Joel - We have another drummer Jeff Wolf .
MarQ - Matt, what brought you back to the fold?
Matt - My kids grew up. I had twins and I had to take care of them. Ben took over on guitar and he does better. There is no reason for me to do that and I play piano decently enough so I came back.
MarQ - How did you find Jeff (Wolf)?
Chris - Jeff is into what we do and he is a promoter in Iowa and people know him. He toured with Screaming for Silence on bass and made a lot of good contacts across the country.
MarQ - The End In Red seems to play a lot of out of town shows. How is that going for you?
Chris - We play out of town more than we do in town. We have played a lot in Iowa. That is going really well for us, we are actually having our own release party in Iowa.
Joel - It is fun to get out of town and hang out.
Chris - Every out of town show we have played have had more than 100 people.
Joel - The new material is getting a good reaction.
MarQ - Where did you record the new album?
Chris - Drums at ARC with Jim Homan and everything else in the basement on our own. We have been working on it for over a year. We are satisfied with the outcome. We didn't want to rush it and throw sh** together out there.
Joel - We wanted to capture the sound correctly.
MarQ - Tell me about some of the songs.
Chris - First track is “Fair Trade.” We called it that because when we wrote that, the guitar parts, it had a trippy groove and the guitar players were trading parts. It had nothing to do with the lyrics of the song.
Joel - Sometimes we call it that name as a scratch track and then we keep the names.
Chris - That is probably the heaviest track.
Joel - Open with an ass kicker.
MarQ - What else?
Chris - ”The Empty Ocean." That song just has a cool groove and it is tripped out and experimental and rocking and at the same time it is a cool track.
Joel - That is my favorite on the album.
Chris - ”Five Languages." That was the first that we mixed and everything and we were going to try to spin that as the single. That is one of my favorite songs on the album.
Joel - That is is a different sound for us. It doesn't have the darkness that we usually have. That song is about a situation I was in where I screwed up pretty bad, and I realized I could talk and talk and talk, but it’s really about your actions.
Chris - ”Visitation." We just put that out online today. That is just dark. ”Ghostown," that one is a combination of Rush and Minus The Bear. I wrote that song after a Rush show and it was inspired by a Geddy Lee bassline.
Matt - ”Coma” is the slowest song ever done by this band.
Joel - It is a beautiful song.
Matt - It has has a slow Deftones sound.
Joel - It is about a dream that you don’t want to wake up from. You are feeling so peaceful that the house could be burnt down and you wouldn't care.
MarQ - So what is the vibe of the album?
Chris - These here are five minute songs instead of seven. This reminds of a lot of stuff on “All Things Fade” and we still have the heaviness of “Black Wings” but mellow and more progressive.
Joel - It’s kind of a happy medium and I think we have found that happy point in between.
Matt - This one sounds like everyone has their part to play.
Joel - It sounds more layered.
Chris - It is definitely more layered .
MarQ - You guys have been playing Omaha stages for a long time now. What do people expect from a The End In Red show?
Chris - We are not a jump up and down choreographed jump around band. We try to do our thing and take you for a ride. A lot of our stuff is not party music.
Joel - We hope the audience is wowed and appreciates our musicianship.
Matt - I want the crowd to say those were good songs.
What: ShooK on3, P-tro, Galvanized Tron, Triple Threat
When: 8 p.m. Friday, Nov. 7
Where: The Hideout, 320 S. 72nd St.
By MarQ Manner
A couple of years ago around this time I was turned onto a track by Omaha rapper ShooK On3 via Facebook. I took a listen and was surprised by the professional production, the quick and clever rhymes and wondered why I had not heard of an artist this developed here in my hometown.
I looked at his Twitter account and he has more than 23,000 followers. His YouTube videos for his music have more than 20,000 views. And videos of him playing the game Halo have over 120,000 views. How do I not know this guy?
I went out that week to try to meet him, and luckily he had a gig at the Hideout that weekend with that year’s Omaha Arts and Entertainment Awards artist of the year Galvanized Tron. The event was a food drive that he had put together spur-of-the-moment to help put some items on the shelves of the Food Bank of the Heartland. His live performance was focused and the rhymes even quicker than I had heard in the tracks sent to me. There was an intensity about this artist. In talking with him later and getting to know him over the last couple of years I found that the intensity comes from a positive and grateful place, but also a passion for everything he does in life, and I mean everything.
ShooK will be doing another food drive this Friday at the Hideout with himself, P-tro, Galvanized-Tron, Triple Threat and more performing. The event is called Hun Donate and is sponsored by The DOM Group and excellent Omaha hip-hop blog Say Hey There Music. I recently spent an afternoon with ShooK On3 talking about his history, his music and also his legend as a Halo player. It was the hardest interview that I have ever done, as for the first time in over 15 years of interviewing artists I could not keep up. ShooK’s mind is always going, he is passionate about literally everything and when he gets on a rant he is basically rapping off the cuff. It’s almost as if he can go right back into any moment in his past at any time and his memory and his ability with numbers is something to experience. What follows is a rough interview that just touches on the highlights of our conversation and I know nothing about Halo or it’s culture (it seems as he is an icon in the culture or at least very well known), and I honestly came out of it even more confused about the gamer world. His gamer life is important, and possibly one of the most important parts of his story, but I got so lost in the conversation that this will focus on his music. So with that in mind, here is a peak into the artist and person that is ShooK On3. What you should know is that he is a performer to watch, a genuine person who cares a lot about others. a multi-OEAA nominee, and a fascinating person with many layers that are barely scratched here.
ShooK On3- This is my second coming.
Shook On3-I am focused on marketing as that is the best chance I have at doing it. I still write everyday and you can be the most incredible artist, but if no one knows about it.... I hate Reverbnation, but I made it a point to get to number one so I could diss it. The majority of hip-hop artists have a bad attitude, because people didn’t come to their show. It’s because people didn't know about them. I spent eight hours a day posting on Reverbnation.
MarQ-How did you get started in hip-hop?
ShooK On3-We would go to parties on Thursday’s with people who I met playing Halo on the internet. I saw someone freestyle at a party and saw the way his face fell and then the peoples reaction to him and so I knew I wanted to do that. I came from Springfield (Nebraska), I was wanted to do it right. My first writings were terrible typical shit that you would hear on the radio. I had such a medicine ball of tension, stress anger and depression. That was my way of getting it out. It was like a puzzle. I am super perfectionist about it. It takes me a long time to write verses. We started recording in my parents basement. I sound proofed it. I spent 18 hours reading about frequencies. I want to have a studio and have the best sound and the best recordings.
MarQ-How did you get started performing?
Shook On3-A girl I went to high-school with knew TekniQue Omaha, and he wanted to do a song with me. May 17th 2012 was the first time I hit the stage. Tek and I did this thing called The Showdown. It was like 90 or something people and we ended up winning this thing. The crazy thing is the first time I went to The Showdown, that was the first time I could pick up whatever people thought of me. There were two people that talked to me with respect and that was Galvanized Tron and Saint Mic. TeckniQue I owe a lot of respect to. He sped it up for me. We got open up for Hopspin. I want to be myself. I don’t want to be this kiss my ass person. I open the door for people. I say thank you.
MarQ-So when did you start recording and collaborating with artists such as Galvanized Tron?
Shook On3-I started hanging out with Danny Che and Tron and they are the most influential people in my life. Not just hip-hop, but in life. Without them I am still at The Hideout every night, not that that is the bad thing. Dave Blackman (Hideout owner) does so much for this scene. I don't think hip-hop would thrive in Omaha without him. When I quit everything for a girl I had two jobs. I met this guy Vish at the gas station I was working at. He was like ‘I have this thing and you can come and record. We recorded in this closet with a mic and pantyhose for a filter. The only times I have ever felt like this was when we won the tournament (World Series of Video Games), and this. Without Vish I don’t ever record. That was before I started recording myself in the basement. Without my parents none of this happens. No video games, no rapping.
MarQ-What does ShooK On3 mean?
ShooK On3-ShooK On3 to me is the kid in high-school who is gaming with the nerds. The ShooK is from Goodie Mob. It is B-Rabbit in Eight Mile beating Pappa Doc when everyone didn’t think he could do it.
MarQ-Tell me about some of the songs off of “On The Rise”.
ShooK On3-”Sick of Being Tired” is about whenyou try so hard to be what everyone wants you to be, but you are like why? “En Feuego” means “on fire” in Spanish. A friend sent the track to me and I wrote the hook in 15 minutes. I don’t talk about how I am better than you, and I have a big problem with how to relate this to people and what I am trying to convey. I don’t have fans I have friends.
MarQ-What would you like to achieve?
ShooK On3-I have had a lot of people, specifically artists in Omaha that are like, ‘you are the one that is going to bring us out of here’. I hate that. I am no different than anyone else. I see something and I know what I want and I try to get it. I want to change the world and that is why I am with the girl I am now because she I want to be remembered. I want to change the world and I am not sure what it is, but I want to change it to be a better place. I think music is the most logical choice. Eminem could change the world, The Beatles could change the world, Michael Jackson could change the world. I want to show people that if you want to do something you can do it.
By MarQ Manner
I have been watching Mitch Gettman perform since he was a young teenager. His talent was so evident then – he always got saddled with the, “Wow, he is so good for his age” tag.
Now an adult and having experienced living in Chicago and putting out a recent full length album, “Don’t Stop Living,” there is no more “for his age” to hide behind, not that he ever wanted to. And I am sure he is glad that is behind him. Thankfully, Gettman has turned into an artist searching for honesty in music and has become quite a prolific artist already, with the follow-up to his last full-length and putting out his current EP, “Nothing Stays The Same,” in between.
Mitch’s search for honesty in his music has found him recording music both at home and at Hidden Tracks Recording and keeping things as minimal as possible. Gettman and his band will be celebrating the new EP at Reverb Lounge on Saturday (Oct. 18) with Brad Hoshaw & the Seven Deadlies and Edem. This is possibly the strongest local lineup at the recently opened Reverb to date.
I met up with Mitch to talk about the new EP and to have him catch us up on what he has been doing since returning to Omaha.
MarQ Manner - So, I feel like you may have gone through a time of experimentation and trying out different styles and sounds over the past couple of years. Seems like something different each time I see you perform. Catch us up.
Mitch Gettman - I have been back in Omaha for about two years. When I moved back it took me a couple of months to adjust to things and get situated living here again. I started writing songs really quick. I never stopped writing songs, but different places and different things. I started the last album in 2013 and I met up with Jeremy (Garrett). I hadn't been in touch with him in a while and I was a little nervous that he wouldn’t take me back, but we hit it off real quick again.
I had all of these songs that I had written in Chicago and we got going. He hooked me up with couple devices so I could record on my own or at least lay down some demos. With that last album, “Don’t Stop Living,” I recorded the demos on my own and with scratch vocals and I would take them to Jeremy and we would take it from there. We worked on that for a year.
I haven’t really felt like stopping. I fell in love with recording and that experience of being able to do it no matter what time it was. This is how I was able to do this EP. As soon as I finished "Don't Stop Living" I started working on another album. Then I decided to take time away from it and do the EP, and record these songs that I had written one, two years ago...whatever. Two of them are new songs, and I wanted to do something different and not release two albums back to back. I was living with my stepmom earlier this year, and I recorded this myself and I tracked it there. I recorded it over two weeks and then I took it to Jeremy and we mixed it in about two nights. It was a real simple cut and dry process. We were real happy with how that turned out.
MarQ- How are you going to put the EP out?
Mitch - To be honest, I don’t know if this is a good or bad thing to say, but I am broke. It takes a lot of money to press it. I would love to put it on vinyl, but don’t have the money. Digital isn't a bad thing as people listen to music on their computer anyway. I do. The whole point of it anyway is to get these songs out there.
MarQ - Are you not into the Kickstarter model?
Mitch - It’s a great idea and it seems to work for a lot of people, and I have always had a hard time with procrastination and keeping up with things. I started to put one together with “Living,” but got frustrated with it and spent my tax return on it instead.
MarQ - How was the reaction to the last album?
Mitch - I don’t know. I don't think I am ever really satisfied with what I do. Whether it is the content or the promotion or anything, really. I am a perfectionist by nature. I wasn’t disappointed with the reception, because there was a reception. I didn’t sell very many copies. I still feel like there is the majority of the world that has never heard it.
MarQ - What is the oldest song on the new EP?
Mitch - ”Restless All The Time." I wrote that when I still lived in my parents place and I was a junior and senior in high-school. That is a song I forgot about for months on end and then I would have a show and I would remember it. I like the song. It is a song I have always liked. For some reason it just never fit into a track listing with anything else I have done before, and it never seemed appropriate for anything else. It was a song that I was keeping for something like this.
MarQ - What about the other songs?
Mitch - ”Overture," that was the song that inspired me to make the EP because I wrote it a few months ago and I had this arrangement in my head. I started recording it and I decided that rather than release it as a single I would pair it up with other songs I did not know how to release. Two of the songs I wrote the music for years ago, “Fortunate Thieves” and "Poisonous Apple." “Poisonous Apple,” I wrote that on the piano three years ago and I had the melody and I could never put lyrics to it. Earlier this year I was messing around with it, and so that one was done. “Fortunate Thieves” was the same way. I wrote that last year when I was doing a little touring in the region. I wrote it that night after a gig when there was not much going on and I came up with the music and some lyrics and the chorus, but couldn't figure out anything more, and when I started to record this EP I came back to write it. Wanting five tracks helped me to push the lyrics and have this come out.
MarQ - What is going on with the next album?
Mitch - I have a lot of it done. All the drums and all the bass parts are done. I have a lot of guitars on it already. Most of the vocals, but I haven’t worked on it since I started on this, which was two months ago. I will focus on some tunes and add all of the colors to it, if you will. Right now it just has a foundation. I am hoping to have that out in spring of next year. Hopefully on vinyl (crosses fingers).
MarQ - Where do you find yourself going musically from here?
Mitch - It is hard to say. Ever since I have been back I felt good about what I have been doing musically and artistically overall. I just had so much creative courage. I have been really trying not limit myself to experimentation and trying to take a minimalistic approach to a certain degree. “Stop Living,” and this and the next album ... the approach is to take a lot of first takes whether it be guitar or drums or vocals. To me it is about the music. Nothing is really easy. I am trying to be as honest as I can be.
MarQ - You have a band again. How does that feel?
Mitch - We are a four-piece. Adam Stoltenburg is playing guitar and keyboards for me. Then John Oschner is playing bass. Sam Burt is playing drums. It is fantastic, I couldn’t be more excited. Nothing feels better than playing a show with a band. You turn it up. The four of us have been taking these songs and, I don’t want to say re-writing them, but making them a little different and letting them put their own spin on the songs. It relieves the pressure on me as well from keeping the crowd entertained, as they are all entertaining individuals.
What: Ten Club, Virgin Mary Pistol Grip, Icares
When: 8:30 p.m. Friday, Sept. 19
Where: The Slowdown, 729 N. 14th St.
Tickets: $10 in advance, $12 day of show
By MarQ Manner
Loch 22, a new promotions and event company in Omaha, will launch this Friday, Sept. 19, at the Slowdown. I’ll be sharing insight from my interview with them in the future – for now, you can find a lot of information on the group at this event. I know they are going to pull out all the stops, including more than $1,000 in raffle prizes.
Playing are Pearl Jam tribute band Ten Club, reunited Omaha rock band Icares and the debut of Virgin Mary Pistol Grip. This will also be VMPG’s CD release party. Made up of members of Manna and Supercell, the band features longtime Omaha musicians Jales Hupke in the frontman role for the first time. I met up with Jales this past week to talk about the formation of the band, the songs and their new CD.
MarQ- What is the story behind the new group Virgin Mary Pistol Grip?
Jales - Most of us live in Omaha so it’s a lot easier. If we want to practice on a Wednesday or Thursday we can, and plus we just wanted to change the sound up.
MarQ - How did this project get started?
Jales - The drummer and I and Dan got together two years ago and kind of jammed. We just kept getting together and jammed we didn't have any songs. Then we started going back and listening to the rehearsals. We had about six songs done and I wanted another guitarist so I brought in my brother to play guitar. We finished all of the songs and recorded a bunch of them and I thought it needed a little more melody here and there and my buddy is a really good musician and so he plays keys. I gave him the songs and he added a lot to them. So there it goes. This will be our first show.
MarQ - Do you feel like the songs are more personal this time than with Manna?
Jales - I would say it is more personal. I use mostly things that I have been through and things in my life than in our other project. Plus, I was the guitarist before so I didn’t have a lot of say on the subject matter. The drummer is really into the the 50’s and 60’s and he brings that and it kind of helps the songwriting process.
MarQ - So you are putting out a CD during your first show?
Jales - I have always had this vision that if I ever fronted my own band, I wanted to put out an album at our first show. It is annoying when you go see a band and really dig them and they do not have a CD.
MarQ - Where did you record at?
Jales - Sioux Falls with a friend of mind. Manna recorded with him in 2001 and he is really good. It’s really hard not to use him and it is good and not expensive. Cathouse Studios.
MarQ - Tell me about some of the songs.
Jales - "Whiskey Flats" will be the first single. These were song lyrics I wrote in 2003, and it has been sitting around until I started my own band. It's about a person going through sh*t looking for a person to be with, that ray of sunshine and finally finding them in the end. Failed relationships and all that. “Car Crash” is the most personal song. I have had two friends in the past five years that have died in drunk driving accidents. Skyscraper has to do with...it’s about 911. It’s about being in that tower and do you jump out or not? It’s about seeing that and how surreal that would be. They are choosing to jump out of that building, they are choosing this death over that death.
MarQ - Where did you get the name Virgin Mary Pistol Grip?
Jales - I was at a graduation in 2005 and a bunch of people were talking about movies and somebody mentioned something about a Clint movie with him using a gun with a virgin mary pistol grip. I always wanted to use that name since then.
MarQ - You are playing the launch event at Slowdown for Loch 22 Productions. Why did you choose that as the place to play your first show?
Jales - When we were thinking about releasing the album we were looking for a place and I am a huge Pearl Jam fan and I wanted Damon and them to play the end of the night so I could talk to people and he was starting this up so we discussed that we should release this album and show what this company can do and help new artists. He said, "Hey, do you want to help out?" And so I have been the street team guy and have been going to talk to people. I have been friends with Damon and we always talked about doing things together so we finally decided let's do it. We kind of share the same goals of making it a music community and we want to use this to bridge that a little bit.
MarQ - Sum up Virgin Mary Pistol Grip.
Jales- It is kind of more, and it is not totally different, than Manna or Supercell, but it is different enough to where there is more melody and dynamics. I am either going for it or I am not. I am not going to half-ass anything.
What: The Raleigh Science Presents: The Summer League Party featuring Marcey Yates
When: 9 p.m. Thursday, August 28
Where: House of Loom, 1012 S. 10th St.
Web: Click HERE
By MarQ Manner
He goes by Marcey Yates and Op2mus and he is a talented Omaha producer and hip-hop artist. He has just released a slew of releases after spending two years promoting his 2013 album "The MisEducated Scholar." This year, he has released “The Sophomore Slump,” “Social Studies,” “Flamboyant Gods” (with Mars Black), “Vanilla Sky,” “Donut Holes: The Dilla Tapes” (with XOBOI) and more.
He is out playing live shows (he just performed at the Omaha
Entertainment and Arts Awards Summer Showcase), and on Thursday, August 28, at the House of Loom he will celebrate all of his releases with Raleigh Science Presents: The Summer League Party.
I met up with Marcey for conversation about his career and what possesses someone to release this much music in such a short time.
MarQ - Have you lived in Omaha all your life?
Marcey Yates - I am from Omaha and I went to Benson High-School.
MarQ - When did you get started with music?
Marcey - I guess I started practicing on my flows when I got out of high school in 2003. My brother was into the battle rap scene and he would battle at Jonesy's. I always wanted to be a producer for my brother. I was exploring the hip-hop thing when I was in junior high and it was underground East Coast and West Coast stuff, like the deeper underground sounds of the East Coast and West Coast. I thought those dudes were just the sh*t. DJ Premier is who I look up to as far as beatmaking and 9th Wonder. Later on I started to favor guys who did both, like Kanye with College Dropout as he was onto something different. I was really like just ripping up parties and that is why I surprised a lot of people when I came out as an artist.
MarQ - So did you get to produce for your brother?
Marcey - I never got to make a beat for him. I started trying for three years to find the right equipment to use. When I started he traded in hip-hop for church...he became a pastor. I had all of these beats. I went through a period where maybe I was giving some beats to an artist, but they were not recording them to the tracks and sitting on the beats or they weren't making something good with them. So I started writing to them myself. I was always recording my own stuff, and before I knew how to put it together I used my refund checks from college and put it together. I really put my craft together at UNO. I was making beats in between class at the commons and started doing Mav Radio and leaking my tracks to see what the response was there.
MarQ - When did you first put something out or perform as an artist?
Marcey - In 2010 I first put something together and it was called "Raleigh Science Project." Raleigh comes from the city and I had named my youngest boy after the city. I liked the name. That is a collection of all my production and the work I did for others like XOBOI who I recorded, and Mars Black and Jamazz. Then I have another extended family out in Cali. Then I went to Arizona to go to school, so basically I was nobody. When I was in Arizona I did about five mixtapes. I went to school for audio engineering for production. So I recorded a lot out there and did a lot of shows out there.
MarQ - What are your thoughts on those recordings now?
Marcey - Keeping it real, I thought those were just part of the learning process. They are still dope, but I had not mastered my flow yet. I was doing an internship with Live Nation and I got to meet a lot of people. So you can think you are really close, but I have always tried to position myself and make the best of it and see what happens. I went to LA as that was a goal and it kicked my butt and I went back to Arizona and did my internship there. When I got done with that I had the options of being a big fish in a small town or a small fish in a big town. I kept my eye on Omaha.
MarQ - What was your first big release here in Omaha?
Marcey - "Miseducated Scholars," it was raw hip-hop and I was coming from a real hungry perspective. I was determined to get my name out there for one. I felt like I needed to do that because the relationship I was in (musically) wasn't doing me justice and I felt that someone was trying to stand in my way. I've just been on this grind. You have your ups and downs but as long as you keep an agenda.
MarQ - What are your thoughts on "Miseducated Scholars"?
Marcey - It was really good..I had Rick Carson (Make Believe Studio) do my record for me. It gave me an outlet to meet people. It was 19 tracks and there was anticipation for it. It helped a lot. That record led me to get the Omaha Magazine write up. It was different from the norm. The normal stereotype that people have of Omaha hip-hop is that of a negative connotation. I think guys like myself and Conchance and Black Jonny Quest change that.
MarQ - How was the reaction to that record and how many albums have you put out?
Marcey - I used that as a platform to get me into venues and get write-ups, and it was a good record for me to use. I pushed it. I would take my projects to Make Believe. I put it in Homer’s and I put it in a lot of shops. I got a good response and kept pushing it. It came out in 2014 and I had a lot of songs that I recorded. I had never stopped recording. I had another two records that I had ready. I had a plan for 2014 where I was going to flood the market and am going to make this work so that other artists are going to get mad at me because they are going to think I am hogging. I felt like I could separate myself from a lot of artists based on the workload. I dropped "Vanilla Sky/Social Studies" next. It is based on the movie. I dropped that and then I didn’t go through Make Believe this time, I went through myself. I wanted to get that name out there for producing. I did go to school for engineering and I have to pay to make some records, but if I have to put out records as much as I want to I can't afford to. So I dropped those records and before that I dropped that Dilla tribute. Me and XOBOI did the "Donut Mixtape." "The Vanilla" record I got on iTunes and Spotify and the response was really good and I push that to a lot of people that maybe want me to do some shows and events.
MarQ - So you have put out a slew of product this summer. What are people’s reactions to that?
Marcey - They are surprised. Some already know my work ethic and so they know. I think other artists don’t like it too much. You can always tell. I don’t rely on social media, but I can tell when someone does not like it. Lately I have had a lot of people reaching out and I see people tell me literally that they see what I am doing and say they are stealing pages from my playbook. There are people who don't have access to an outlet, but you have to have something presentable. I think I am forcing a lot of people to step their game up. The bar is officially going to be raised. I didn't come out with a single or a record in two years and I didn't write the same record again. You have your starting point and where you want to be, but people don't know what to do in the middle. It is a business so you have to study it.
What: Matt Cox Album Release Show, with Sarah Benck, the Filter Kings and the Electroliners
When: 9 p.m. Friday, August 8
Where: Waiting Room, 6212 Maple St.
By MarQ Manner
Matt Cox is one of the area’s most respected songwriters and performers. He's won five Omaha Entertainment and Arts Awards and cultivated a loyal fan-base of both music fans and musicians. His comforting voice, honest lyrics, subtle drawl and guitar-driven songs pull the listener in.
Cox's new album, Nishnabotna (pictured above), finds him writing his
most personal album to date, and it's a solid work from start to finish. The album is made up of solo tracks and songs with his band, along with area musicians and it gives roots music fans a lot to take in an absorb. It’s his best work to date.
Cox will celebrate the release of Nishnabotna FRIDAY (August 8) at the Waiting Room Lounge with a stacked lineup that also includes Sarah Benck, the Filter Kings and the Electroliners. I recently talked with Cox and bandmate Walker Gerard about the writing and recording of Nishnabotna.
MarQ - Why the title Nishnabotna?
Matt Cox - It was sort of an idea that I have had for awhile, like a few years back. Things kind of happened last winter with the family stuff and my mom passing and grandparents. I spent a lot of time back home and I wanted to pay tribute to where I come from. We have space that is on the Nishnabotna River outside of Shenandoah. This was a chance for me to do an album that is a different thing from my last album. That was a full band record and this is more like “My Last Dollar” (Matt Cox album from 2009) though there is still band stuff on it. Some songs are four or five years old and some are new and written since I gave been playing with my new guys.
Walker Gerard - We have names sire. Matt Cox and the new guys?
MarQ - The song Nishnabotna is an instrumental. Tell me about that track.
Matt - That is an instrumental that I wrote years ago camping down by that river. It is an instrumental that I don’t play live, but that I have. Do I record it? It’s something I have in my head. The album is supposed to be on vinyl and that will happen soon and that is the segue between side one and side two. It’s almost an intermission of sorts on the two sides. We played around in the studio a lot with how long this should be and should it be with the acoustic part or with the drums. It was also going to be two parts and then do a reprise. There were a couple of songs that did not make the album and I felt like it was going too long so how would I put another instrumental on this album and how would I squeeze it into two sides?
MarQ - When listening to the album you mention places a lot. Was that by design?
Matt - Certainly on some of them. I never thought of that. “Country Rose” I am very much talking about back down on the farm and that area. We have 300 acres and there is no one around. It is a real secluded spot.
MarQ - How about “Gavin’s Point Dam”?
Matt - I wrote that during the Missouri flood when the river was out of the banks. I played so many benefit shows that summer and we were trying to travel with the “Tracks” album and we were always trying to navigate around that flood. That song came from that experience and I know people whose houses were wiped out and I know people whose homes were obliterated in my hometown of Hamburg.
MarQ - And “Gainesville Girl”?
Matt - ”Gainesville Girl”, I am proud of that song and it really kind of comes from spending a lot of time with a person and how arguments and battles and life can seem so extreme and the littlest things can seem so much bigger and blown out of proportion. It’s about the chaos of relationships and you want things to work and that’s the goal there.
MarQ - This album seems to have more personal songs on it versus fictional or story type songs.
Matt - This is one of the most personal albums I have ever done. I have listened to it to death and almost every song on it has some personal meaning. “Montgomery County Blues” was written when my friend Tom Debuse passed away, which was a tragic mystery. When I wrote the song it was shortly after he passed, and he was a good camping buddy and a supporter of my music. I can picture him. After four or five funerals last year I can picture many people with lines in that song now. It’s interesting to see how songs can grow after they are written.
Walker - I have always felt like there was emotion tied to it even when playing it.
Matt - ”Two Weeks Notice” I wrote two years ago when I was still working at the Pizza Shoppe and it’s just about not liking your job and wanting to settle down with a girl and not scrub floors anymore and do what you want to do. “Cherokee” pays tribute to my grandma and grandpa and the Cherokee that is in our history. I have always been tied to Native American history. I wrote that around the time I wrote for the Christmas at Pine Ridge CD.
MarQ - Who all played on the album?
Matt - My band, Walker Gerard, Vern Fergesen and Colin Duckworth. We had Steve Byam come in one afternoon and lay down some pedal steel with us. Steve is a pro and has been doing studio and pedal work for years and he really did a great job. Bret Vovk came in and did piano on “Gainesville Girl”, he has always been a fan of that song. Vern plays piano on the album, but I thought that Bret loved that song so much that he would really do it justice. Justin Kephart from Dirty River Ramblers came in and did mandolin on two weeks notice. I have been asked who the girl is singing backup on the album, but that is Vern.
MarQ - Where did you record this time?
Matt - Jeremy Garrett’s (Hidden Tracks Studio), we started pretty much a year ago last August. Went in one day with my acoustic and laid down the scratch tracks. It was like these are the songs I got and we will see what happens with them. With the album “Tracks” those were songs that we had been playing for years and we had to record them before the band moved. A lot of these songs have never had drums on them before or had a band on them before. We were not in a position as a band to go in and record them. The songs changed in the studio. Let’s see what we can turn them into. When people were putting their style on it and then I want to try songs that have never had drums on them like ‘Gavins Point Dam’’. It was neat to use the studio as a creative space and go there and really work on the song. That sounds obvious, but there are different ways to do it.
By MarQ Manner
More than 20 years ago, as a long-haired teenager, I saw a tall man in a leather jacket tower over a crowd of rabid metal fans from the stage at Sokol Hall. That man was Benn Sieff and that band was Nightmare.
Nightmare formed out of the tragic death of Sieff’s brother, Tim, and a need to play music as part of the healing process. The band was celebrated as one of the top metal bands in the area, and Nightmare played many packed shows and opened up for many national acts, mostly at the Ranch Bowl.
Nightmare is back after 20 years and are ready to take the stage again with a lineup that consists of Sieff, Barry Engle, Randy Cotton and Rick Halverson. The show on Friday, July 25, at the Waiting Room Lounge will also feature Black on High and Members of the Press. The first 50 paid admissions through the door will receive a free download of the unreleased album, "The Brainfathers.”
I met up with Sieff at Jerry’s Bar recently to talk about the reunion, his emotional connection to this band and its music, and also got a few fun stories from back in the day.
MarQ - How did the band originally form?
Benn Sieff - In 1986 my brother Tim was murdered and he was in a band called Black Nyte and I had a band called Controversy. After he died we decided the best way to honor his memory was to do a full-length album, including songs of his that were unfinished. “Nightmare Grim Grace” was the name of that album. I was in high school and we had my brother's band's singer on it and my brother's band’s bass player was on it.
So we put that out. We had some radio play with it, but it’s not that great of a recording. It was a memorial. I brought it down to Homer’s and they had two other local recordings down there, Cellophane Ceiling and Dark Night. I moved to Omaha and we started doing shows at Sokol, and then we did a big live recording at Bell Hall and we pretty much sold that out.
The Ranch Bowl booked us to play there and we had a big run at that venue. In 1991 we recorded at Paisley Park (Prince’s studio in Minneapolis) and we had a lot of legal problems and bad contracts and record deal promises. We had to hire an attorney to get the recordings back and it took two years. At that point we had lost steam. I think when we played last it was 1994 or 1995.
I remember quitting the band, and breaking it up, as I felt like what we were doing was very honest and real for me and it was a vehicle for me to heal from my brother's murder. I took it too seriously and it burnt itself out.
People thought it was cool, and then for a short span we put together a hybrid band, which was the The Brainfathers. We recorded an album, but we never put it out and it has a lot of songs written by Nightmare that remained unreleased. Randy (Cotton) had been playing in a lot of other bands like Ravine and he recently moved back a couple of years ago and he mentioned getting all the members back together. We were not able to get everyone back together, but It’s what I call ‘the best of the best’ that had been in the band.
MarQ - What do you hope to bring to the stage with Nightmare after 20 years?
Benn - What I want this to be...we are rehearsing and it is a workout...it is physical and fast and it’s pretty easy to fall back on that bicycle. I don’t want it to be pretty good and have a reunion for the sake of it. I want it to be as good or better than it was back then, and I think it is. It is aggressive and tight, and it has been 20 years. Looking back, I didn’t realize that the songwriting was there then. It’s metal music, but it lends itself to hooks and stuff. That band carried me through the most difficult time I have been through. It had a purpose to it, and it had a lot of passion and intensity to it. Unfortunately, that is what breaks up bands also.
MarQ - You opened up for a lot of national artists, but tell me about opening for Ice-T.
Benn - That was at our height where we were playing soldout shows and Ice T had the band Bodycount. Ice-T sat on stage the entire time we played. I saw him come on when we started and he never left. We always ended with a cover tune and we ended that night with “Peace Sells” and we walked off the stage and walked by Ice-T, he leaned over to his guitar player and was like, ‘A’w, man, they are doing Megadeth and sh**."
MarQ - Who are some other national bands that you opened for?
Benn - Fates Warning, Type O Negative, Overkill, Electric Love Hogs. The Ranch Bowl would book us for three nationals in one week. I got a call from Jim Watson and he was like, "You got three shows, do you mind if I grab one of those?" Those three shows were Life, Sex, Death, a band called Failure that we had never heard of, and this other band we had never heard of called Stone Temple Pilots. He asked for Stone Temple Pilots, and we were like, "Sure, man." Guess which show was sold out?
MarQ - What was the scene like then?
Benn- There were people that I got some flack from, and maybe they were jealous, but we were one of the first original bands to ever play Ranch Bowl. We always encouraged supporting local music, and we did New Music Mondays, and my stance on that was it didn’t matter to me, a mixed media show was a more interesting show, but it didn't always fly. We had Nosferatu and Diabolic Possession open the shows and it didn’t matter what style of music it was, it mattered to me that it was local. We struggled to play with bands that were there on the weekends, at the end we couldn't play with Zwarte and them. We would play for a few hundred people and we walked out with $50 so we weren’t making a lot of money or anything. At the height we did 52 shows in one year, and three-quarters were at the Ranch Bowl. I can’t even remember them all. We opened for Dream Theater and they would not move their keyboard rack. It’s a keyboard rack...that is moveable equipment.
MarQ - Was there label interest in the band?
Benn - Who knows. We had signed a contract with a guy that was a producer and he was supposed to get us in the door, but we never had anything on the table.
MarQ - What are you hoping to get from playing on stage with Nightmare again?
Benn - I think this show is going to be an absolute blast and I am checking myself so I don't get too far into the emotions that go into a vehicle and memorial. For me it was personal healing and to go back into it you have to put up your shields and everything. I want it to be authentic, but I don’t want go down that road again.
Those years of metal music, that was really honest and very real to me, but I needed a break and wanted to do nothing that was metal. So I did funk-rock with Silicon Bomb and then Bennie and the Gents. I wish back then I was paying more attention and enjoyed it more and wasn't as worried about if the sound was great and the business side of it.
I miss these songs and I am excited to go up there full volume and full speed ahead. I am excited about doing something original with the group and see what we can do next. That is what I'm most excited about.
What: Old Bones, Civicminded, Nightbird
When: 9 p.m. Friday, July 18
Where: The Sydney, 5918 Maple St.
By MarQ Manner
The stand out show this weekend is at the Sydney on Friday July 18 and features a varied blend of styles with bands that feature some of the most tenured musicians from the area. Hardcore/metal band Old Bones (pictured above) will headline a show that will also feature the slightly aggressive New Wave and alternative rock sound of Civicminded, and the debut of Nightbird that features Gerald Lee from the Filter Kings and Bad Luck Charm.
Old Bones are four guys from the punk scene of the '90s and early-2000s coming together to create music that they love from a scene some of them had fallen away from. The band is putting less effort into “making it” and more effort into having fun and allowing it to be break from everyday life both creatively and as guitarist Ryan McLaughlin put it, to “keep me sane”. I met up with Ryan this past week to talk about the project, getting back to his roots, the album they are recording and becoming an adult.
MarQ - How did Old Bones form?
Ryan McLaughlin - It goes back 15 years. I used to get together with (Jeff) Heater with some ideas and songs and nothing ever became of it. I was playing in the Curtain Calls with Emmy (Ryan Emswile) and there was always a guitar amp laying around (Chris) Crutcher’s place. So one of the first things we wrote was off a riff that I wrote with Heater in 1997. From there Dave Konig was singing for a little bit and that one show brought on Jordan Brand who has been in serveal hard core bands in town. He is a dude I knew from back in the Cog Factory days. Timmy Wilson plays bass and Emmy plays drums and Jordan does vocals. Another interesting thing about this band is that it is the first time I have ever played guitar in a band. All of these songs I wrote on guitar and I just never had the balls to do it before, so it has been nice for me.
MarQ - So as far as the band that is playing live now, when did that start?
Ryan - I would say 2013. We have played under 10 shows. You become an adult and the dream of being a rockstar passes in the wind with two kids and a mortgage. So now it is a way to keep my sanity because of two kids and a mortgage. This is kind of like me full circle over 20 years. You start out as a 15 year old kid in your room playing a tennis racket listening to Metallica and Pantera and here I am doing it. It’s me doing something I never stopped loving, but now I write it. I had never written anything in 20 years and this came out in my influences.
MarQ - Go through some of your history.
Ryan - Started playing live in 1993, we were in a band called Black Dahlia and we hit the streets and were 15 and playing at Capital. Then I was in Red Menace and we eventually added Jamie Massey on guitar and that morphed into Race for Titles. I had a punk rock band at the same time called Coffin Killers and then I played in the Curtain Calls for a little while. I also did the Cure Tribute band for a bit. So now Old Bones and getting back to the metal thing.
MarQ - Where did you record?
Ryan - We recorded with Bryce Hotz. We call him the Rick Rubin of the punk and hardcore scene in Omaha. He has a basement studio and has a great understanding of punk and heavy music.
MarQ - What is the title of the album?
Ryan - "Prey Drive" - it is just something that Jordan came up with, and it sounded cool and fit the style. Nothing deep behind it.
MarQ - You said you are writing on guitar now. What is the songwriting process for the band?
Ryan - Jordan will come to me and tell me what the lyrics are about. He is doing the lyrics and so I think that is fair. Even though I write the song I don’t tell anyone how to play bass on it. I think most of the lyrical content is about what we know in Omaha. A lot of it is about setting shows up, being a part of the scene 20 years then vs. now and politics and different things. I don’t think it is terribly deep. We are not getting into our feelings or anything. We are getting in our experience.
MarQ - What is it like playing hardcore and metal again?
Ryan - It was cool getting back into it. Having been back into, for a lack of a better word, the indie scene, I kind of lost sense of it, but there is some kick a** bands doing some cool sh*t. Bent Life is doing a tour of Europe. You don’t hear about much outside of Saddle Creek. Relentless Approach is out touring and Purgatory is out touring. Again, just like the hardcore scene has always been. You find trouble in booking shows. You end up doing things at the West Wing and booking basements or at the Hideout because Dave lets us play there. There are people that are into it and it is a grassroots effort as it always was.
MarQ - When and how will you release the album?
Ryan - Hopefully by the end of summer. Everything is recorded and a just getting a solid mix down. We will be just doing a bandcamp free download thing. I would rather people just dig it and listen to it.
MarQ - What are the plans for the future. In previous bands you toured and even were signed to an indie label at one point.
Ryan - I am proud of everything I have ever done, and with Race for Titles, we did tour and did put out two records. I broke up that band with my drinking, and I know that. I have discussed that with all of those guys and there is regret there. My personal issues held that band back. That first record turned out great and got a lot of respect from writers and fans, and as far as a local band we did more than many ever did. Red Menace ended when it should have and that was an an organic ending for that band. Race For Titles ended because I was a drunk. I have been clean and sober for five years. I f**k around with people and tell them I am born again straight edge. You start having kids and it is about them now. I lived my life behind the music and it is time to act like an adult.
CD release party for Arson City
What: Arson City, with the Zero Sum, Faded Black and Devil in the Details
When: 9 p.m. Saturday, June 28
Where: Waiting Room, 6212 Maple St.
By MarQ Manner
Arson City is a fictional Mecca where former Emphatic vocalist Patrick Michael Wilson and former members of the Wreckage have landed. The hard-rock concept band features all the members as characters in the city complete with back stories, enemies and fans that are called “citizens.”
The band is releasing their second EP entitled “Not Coming Home,” which is the first collection where the band really focuses on the storylines happening throughout Arson City.
On stage, the band members dress up, have a four-person percussion group called “The Horror Squad” and encourage fans to dress up as “citizens” of Arson City. The musicians maintain their aggressive and energetic style seen in previous projects, but they amp it up and have some fun with Arson City.
Arson City will put out the welcome mat for new “citizens” this coming Saturday, June 28 at the Waiting Room. The band will be joined by the Zero Sum, Faded Black and the Devil In The Details. I met up with two of the guys this past week in Benson to talk about the new EP and the concept for Arson City.
Patrick Michael Wilson - Once I left Emphatic I thought I was going to be done with music all together. It left a sour taste in my mouth with the record labels and such. They are as big and intense as you heard it was. The other guys were in The Wreckage and they parted ways with Grant and their drummer called me up and said would you come jam with us? It’s in my blood, so I was lying to myself that was I was not going to do music anymore. It worked out great as I really like this music a lot.
Matt Oliver - It was July of 2013 when we all started getting together.
MarQ - Did a lot of the fans from your previous bands jump on board with this project and were you surprised?
Patrick - I wasn’t too surprised. I had a lot of fans on my Facebook page and there was a lot of people who were excited about it. The Wreckage had a lot of fans also.
MarQ - When was your first show?
Matt - We opened for Trapt in August 2013 and we got a great response. I didn’t know what to expect. There were a lot of people there to support us.
MarQ - Did you guys bring songs to the project from before or start from scratch?
Patrick-We were writing songs before we knew what we were. We just didn't know we were writing music for this. It’s a concept band where I am the Mayor, and Arson City is a fictitious place. This new EP is about the citizens of Arson City and so this is a better represents us.
MarQ - How did you come up with the name Arson City?
Matt- Arson City had come up because we were throwing band names in the pot. Patrick latched on it and everyone else was ‘eh’, but he really pushed for it.
Patrick - Then I was like guys lets do something really weird and creative. None of these guys knew they were going to play dress up when they joined the band. They were like we are from Omaha and I said it is a world that we make up.
MarQ - Tell me about the concept.
Matt - So Patrick had this idea to write back stories on these characters who had the idea of revolt and revolutions. We got the charectors together and did photos with Chris Tierney and we would release the charecters one by one and people really liked those stories. So that prepped them for that first show.
Patrick - We have four alternate percussionists when the stage is the right size and they are the Horror Squad and they come up on certain songs.
Matt - Even our merch girls have backstories. They are the roller derby girls.
Patrick - I didn’t want to sexualize the women in Arson City. I wanted some bad ass girls so I made them derby girls. I wanted to make it about rock and revolution. There is so much I can say about the stories.
MarQ - Does playing a character on stage change the way you are used to performing?
Patrick - When I was with Emphatic I was already playing a character. I am a different person on stage. I am very aggressive onstage and demand the crowds attention. When I am out in the city I am more laid back. Emphatic was preparing me to be in this and. This is the band I want to be in.
Matt - There is nothing that has changed. Patrick is definitely has the same crowd control and he gets the crowd pumped up. Everyone that is in this band is like that though on stage. That makes it a lot of fun for people out in the crowd.
MarQ - Where did you record the album?
Patrick - We went to Scotland South Dakota, which is a town of 800 people. There is this studio there that is a diamond in the rough. We went up there over two weekends and it was fun, but there is nothing and Yankton is the closest place to go. We would go to a bar to eat dinner and these people knew we were not from there.
MarQ - Who recorded it?
Matt - Jeremy Schafter with All Poetic Audio. We heard about him from some friends and he gave us a decent deal. He bought this fiveplex that he converted. Two units are him and his wifes house and two are his studio and one is where the band stays. He was on our assses and he was not like ‘do you like that’ but he would say ‘no do it again’.
Patrick - There was nothing to do so you go there and you work on music and you have a job to do and a limited time to do it. So you have a great time working out there. We are really proud of it.
MarQ - Tell me about some of the songs on the album.
Patrick - The opening song is called “CIty Of Fire” and it is an intro to the city for people who might not know us. It is about a city that is a post apocalyptic shithole. It gives everyone a glimpse of where we are going and the gist of the band. The second track is called “Frankenstein” and wrote it around the doctor in Arson City and Mark is the doctor. I wrote it about someone surgically changing the way your mind thinks. The title track which is “Not Coming Home” is about my own experience and it is about a girl that is living in a shitty area and had abusive parents and shitty boyfriend she is getting out and going to Arson City. “Stop Us Now” is about the revolution going on in Arson City. I listen to a lot of talk radio and my govt pisses me off, not the military, but Republicans and Democrats and II am not happy with what is going on. The people who think they cannot do anything need to come together to fight for what they do not have.
MarQ - You were on 89.7’s Turn It Or Burn It today. What song?
Patrick - ”Not Coming Home”, we have the full band version and the acoustic version. I like the acoustic version.
Matt - I like the full band version. That has been a pretty big fan favorite.
MarQ - Have people gotten into the stories and characters?
Patrick - On Halloween we had about forty people dressing up and it is totally cool. A lot of people are doing the steampunk thing as they are feeling it. It is funny because I wanted to call my fans something and I was thinking “arsonists” and some girls said ‘I cant wait to be a citizen of Arson City and I was like ‘there it is’. It the biggest tribute in the world to have people that are buying into our nerdiness.
Billy McGuigan & Bros host benefit in B-Town
By MarQ Manner
What: Billy McGuigan
When: 7:30 p.m. Friday & Saturday, June 20 & 21
Where: Bellevue East High School, 1401 High School Drive
Tickets: $25 in advance, $30 at the door (reserve tickets firstname.lastname@example.org
Billy McGuigan has carved out a career in entertainment that has found him touring the country and playing the music of Buddy Holly, the Beatles and others. He has performed and toured for many years with his production of "Rave On!" where he dons the famous spectacles and performs the hits from “the day the music died."
In his Beatles tribute "Yesterday and Today," he is able to play the music his father loved as much as Billy does now and with his brothers Matthew and Ryan. Those of us here in Omaha may have seen a rare performance of Me2, a tribute to U2, in which Billy plays pretty spot on Bono.
Billy’s third touring show featuring a wide variety of music called Rock Legends is what fans will see the most of this weekend at Bellevue East High School. Billy McGuigan will be performing on June 20 and 21 at his alma mater raising money for an arts scholarship in his father Bill McGuigan’s name. I met up with him to talk about how he got started with "Rave On!," and how he built it into a successful career.
MarQ - When did you first realize you wanted to be a musician?
Billy - I always wanted to be an actor. My brothers and me and my dad would get out the guitar and play Beatles songs and so that was already around. In high school I thought I was going to be an actor, you know, and do "Saturday Night Live," and what not. I got to college and was like, "Yeah this is going to be hard." I was in "Tony and Tina’s Wedding" at the Millard Ballroom with my brother and this guy Chuck, who was also in it, from California. Me and my brother and him would play out at Sean O'Casey's and we became a little band called Final Approach. We played the Music Box, Dubs, Pastimes and places like that. I put all that acting away because even though only a few people were at those shows there was that connection with the audience. It was like training camp for me and I was learning what it was like to play for four hours.
MarQ - How did "Rave On!" start?
Billy - I got a call from the Omaha Community Playhouse and they asked if I was still acting. I wasn’t, but I was sure that I still could as it’s not something you forget. They said that they were doing this Buddy Holly show and they needed someone who could act and sing and I was like, "I think I can do that." They auditioned me at Dubs and I played one song and it was “Ain't No Sunshine” and they left. I called the next day and I said I can come in and do a Buddy Holly song and they said, "No, you got the part."
MarQ - It continued after its initial run and evolved into your show. How did that happen?
Billy - They had a waiting list of 1,500 people to see that show. They are a community theater and so they were closing it and not extending it. I called up Colleen Quinn at the Funny Bone and she said to do the show there. I had people like Emo Phillips and Larry the Cable Guy and others that would give me notes that are still in the script.
MarQ - When did this all happen?
Billy - The Playhouse show closed in October of 2002, and we did it on off nights in December and then brought it back in February and that summer. I would get calls to do the play in places like Albuquerque and Des Moines. The career that was supposed to end kept on going.
MarQ - So with "Rave On!," "Yesterday and Today" and "Rock Legends" this has become a fulltime business for you.
Billy - When we moved to the Playhouse with "Rave On!" in 2003 and 2004, and it went from Funny Bone with people drinking and having fun and then to the Playhouse where we needed a set and a script, I was like, "Wait a minute." I had Buddy Holly’s widow also trying to sue me. My lawyer was like, "Incorporate, so if she sues you, you won’t take the hit." We sold out every December and I was like this could be something. Then I thought, "I can do the Beatles because that is what I was really into and I could get my brothers involved and we could do it for my dad. I wanted to have some shows and when we were done with "Rave On!" I could bring in the Beatles. In 2008 we signed with a booking agent, which meant we went from Midwest to nationwide. They closed in 2010 and we started doing it in-house.
MarQ - People probably do not realize how much work goes into touring constantly.
Billy - It starts with one thing I am bad at and that is having to go to people and say this is legitimate and say I need some backing as I need to get through these times. The money. I come from the background of being a poor kid. The business is to be two years ahead. We drive 25 hours to get to this gig, but it’s like we worked two years to get to this gig. The payoff is seeing it work and making it work and seeing it kill.
MarQ - Do fans talk to you or treat you like the artist you are portraying? Do they consider you an expert of the subject you are performing?
Billy - I am very aware of what a tribute artist is and how they are perceived. The only way I am an expert on these musicians is that I have played it so much. Someone will come up and say, "You do realize that he said this, and you said this." If I said it that way it doesn’t work in the show. With the Beatles we do it as ourselves so there is less of that. We have done shows where I am telling people that I am Buddy Holly for two hours and they said, "That was the best Billie Holiday I have ever seen." So we failed then.
MarQ - Explain your love of the Beatles.
Billy - My dad was in the military and so when I was in kindergarten we moved to Germany when we were five and six years old and we didn't live on base and we didn't have American TV, so all we did was listen to music. My mom liked disco, the Bee Gees and Linda Ronstadt and my dad liked the Beatles and I realized quickly that I didn’t like what my mom listened to. My dad always talked about the Beatles like he knew them. As I do this now, friends of mine will come to a show and say you were always doing that as a kid. I always love it. The 1980’s came around and we started listening to metal music. In 1993 my father took me to see McCartney and we had really good seats and me and my dad really connected. He is crying and I am crying and that was it. It just struck that chord that was never hit again since.
MarQ - What other bands have influenced you? Who else do you enjoy?
Billy - Whatever band that is good on stage. I will go on YouTube for hours and watch Queen. I love watching a band go onstage and destroy the crowd. I love that, and that is a lost art form. Queen blows my mind. The Doors also, and my brothers always introduce me to stuff and I love it.
MarQ - You play often with your brothers and tour with them also. How does that work with them also being in original music band Moses Prey?
Billy - That was a weird transition. When we first started doing "Yesterday and Today" they they won a battle of the bands and I was like, we have shows booked. I think they have realized that the Beatles can be their job and we have a deal that if they get a deal and have to move to L.A. then go for it.
MarQ - How do you keep up the energy and keep the show fresh?
Billy - The Beatles thing I can do every night. The Beatles thing is starting to take off and people are getting it. They tell us their stories and we tell them ours and then it is a lovefest. We got a lot of resistance, "You can’t be a Beatles tribute band without the hair and clothes," but we can, and that is the hook. We just played Olympia and Tacoma, and it was this revelation and people got it and we just played Denver and people got it. I don’t know if there is a correlation between the two states and them getting it.
MarQ - Have you ever had any rock and roll legends from the era see you play?
Billy - The guy that actually wrote the songs “Rave On” and “Oh Boy,” his name is Sonny West and his family flew him into Oklahoma to see us. I was like ‘Sonny what is your story...why is it that you wrote the song and there are two other songwriters listed on the it, and he told the story and your heart just broke. Tommy Allsop and Sonny, we put those guys on a show in Omaha. That was surreal and both those guys have met McCartney and I was like, "Don’t tell me about Buddy, but tell me about McCartney."
MarQ - How did the idea to do two homecoming shows at Bellevue East High School on June 20th and 21st come about?
Billy - In the Beatles show we have been doing a lot more video so I have been transferring video I have on stage in high school and of my family. I was watching it and had an emotional feeling seeing my dad younger than me and then the high school and thinking how do you get to this point where you are living the dream that you wanted? It’s not "Saturday Night Live," but it is what I want. It went back to my dad who worked for a living and didn't like his job and probably wanted us to play football, but he always supported us every step along the way. I have had help and it is at that point that I can now help and so we are doing the scholarship in my father's name and will help a Bellevue student with their career in the arts.
Civicminded is back with a new album, new attitude
With Paria and the End In Red
When: 9 p.m. Friday, May 23
Where: The Slowdown, 729 N. 14th St.
By MarQ Manner
Long-running band Civicminded has played sporadic shows over the last few years. It’s been six years since their debut album, but now they are back with “Fan Fiction” and a newly found love for the band, for each other and their longtime companionship, and with a batch of songs that has more life and invention in them than anything the band has done to date.
The songs are accessible, interesting and with an urgency you normally would not find in a band that for all purposes had been on hiatus. It’s really not all that surprising considering the lineage and experience of the members of Civicminded.
The band will be releasing “Fan Fiction” this Friday, May 23, at the Slowdown on a massive bill with the End In Red and a reunion of Omaha hard rock legends Paria, who have not played a show in many years. I sat down with some of the members of Civicminded recently to discuss the new album, what they were up to during their “break” and what we can expect from Civicminded in the future. Vocalist and songwriter Lawrence Deal could not join us in person, but weighed in via email.
MarQ - When was the last Civcminded album?
Corey Wilson - 2008.
MarQ - The band has played shows, but also a lot of other things have been happening.
Corey - Dave (Collins) has been in every other band in Omaha, but mostly Bloodcow.
Phil Reno - I was in Lonely Estates and Malpais. We decided it was time to get back together in the room and start playing again. We have been in a band of some sort together since high school.
Corey - We haven’t circled the wagons until recently. It felt nice because it felt like we were becoming a cover band so it was nice to start writing again.
Phill - We got back together and started playing as a four piece and then brought in Corey and he fits like a glove.
Corey - Thanks fellas!
Chris - And he wears a suit as well.
MarQ - When did Civcminded form?
Chris - Civicmionded formed when I quit Lower Case i.
Phil- When you tried to quit Lower Case I. Maybe around 2000.
MarQ - So when did you guys originally start playing together?
Phil - It was Lower Case i. The singer wanted to move on and I wanted to do something different and he was trying to quit, but we were sitting out in Matthews Pub and Lawrence and was like let’s go play something and about five minutes in I knew we had something.
Chris - Two weeks later I was pretty sold on it.
Phil - We wanted to start fresh. Lawrence has a very good vision for how the songs go.
Chris - The producer inside of his head
Phil - He looks at songs layers. Like he is already three steps ahead in a good away and “I am going to put a harmony here or this here,” and we’ll find it. He has an excellent vision. He is like that across the board with his bands. He shines on the new record he does some really cool stuff.
MarQ - So how do you write like that?
Phil - We all just get in a room and write. He does all the vocal melody and words, but we all just bash it out. It happens organically at practice.
Chris - It never feels forced.
Phil - He will have a vocal melody as soon as the riff is done. It is pretty incredible.
MarQ - What is the name of the album?
Phil- “Fan Fiction.” Lawrence really wanted it. He has a reasoning behind it.
Lawrence Deal - We came up with the name “Fan Fiction” for the album, which was a topic that was really fascinating to us. It’s the idea of somebody taking something that wasn't theirs and expanding upon it...either because they didn’t like the ending, or liked it too much! There is also the idea of how those words contrast. We released a video with Aaron Gum for “The Vandal” couple months ago. We've always been a big fan of doing things in house as much as possible. We have a great group of friends on this record with Jim (Homan) and Aaron, we promote our own shows, we book our own gigs. Everything is self funded, DIY, and we are proud of that. We dont have the aspiration to fit into this category or that category, we just want to make the best music that we can. Lyrically, the songs are all over the place, a song like “3 to 1 (Permanent Motion)” deals with the idea of what happens in the afterlife and "Inviting" which deals with anxiety and sexual attraction. Musically, Phil, Chris, Corey, and Dave were able to really spread their wings on this record. They were very experimental with the instruments that they used on this record. Multiple basses, Bass 6, electronic drums, Baritone guitars, synth, etc. The writing process is very laborious for us, but we think that its been worth it on this record. We've always been somewhere in the middle in this town. Indie rock fans think we are too mainstream, and mainstream rock fans think we're too indie. I think the truth lies somewhere in the middle. We've put a premium in the quality of the song and a "hook" as long as its well thought. We never want to be simplistic on purpose or to be "art for art's sake." We have never really cared about labels and trends, we didnt care in 2006, and we definitely don't care now
MarQ - Where did you record?
Phil Reno - ARC with Jim Homan. There are a couple of tracks that we did with Aaron Gum. Mostly it is at ARC and we finished up at his Screen Door studios. I have a feeling we will be going back soon and recording a follow-up. It won’t be another five year wait for sure.
MarQ - Were you passionate about putting out a full-length recording?
Phil - For this one here. I think looking forward I would rather have more stuff out in a shorter span of time. The days of ordering a 1,000 CDs are kind of over.
Chris - Thank god. How many boxes of CDs are in your basement?
Phil - I just have Lonely Estates CDs.
Chris - I still have Lower Case i CDs.
Phil- We did order some CDs for the show.
Chris- Limited Edition.
Phil - Get them while they are hot.
MarQ - Are there some stand-out tracks on the album for you?
Phil - I really like the whole record from start to finish. There is a couple of standout tracks for me as I wasn't sure how they were going to stand out.
Chris-There is a chorus in “Inviting” that is so poppy and happy it is something that we will never do again.. Completely different beast than we anticipated.
Phil - “3-2-1” I like as well. That turned out really well. I like the feel a lot. I think that Dave wrote some really cool drum stuff. It has this pseudo U2 feel.
Phil - Alyson from Break Maiden sings on a song. We have never had a guest before. She killed it and she will be playing it with her at the show on Friday
MarQ - What are the plans behind this album?
Phil - The dream of being this huge rockstar is non-existent. It is about getting out and playing music with my friends. I think it’s reasonable to say we will play in a three and a half hour radius, but we won’t be going out to NYC or anything.
Chris - It’s playing with best friends and enjoying it. That is what I want right now.
Corey - For me it is recording songs that people will continue to listen to. When you make something that ripples out and months and years down the road. Playing shows that are memorable and being a part of a healthy scene that supports each other. It is just elevating the music scene in Omaha.
Phil - Plus now-a-days, you do not have to go tour around anymore. You never know where you can break of if you will. If we break in Pittsburgh we will be in Pittsburgh. We like playing all these songs and we will not stop.
By MarQ Manner
You see the members at local bars and you see them out supporting other bands, but you haven’t seen the band on stage recently. The Seen have been hard at work writing and recording new material for what will eventually be their official Make Believe records debut. The band did play a secret show with Cursive at O’Leavers during the later bands Omaha live album recordings. The Seen had not planned on playing until the release of the album, but the thought of not partying with their fans on Memorial Day weekend must have been too much. They have also been out watching some other bands and want to share the stage with them. The Seen will be performing at The Slowdown this coming Saturday May 24th with hip-hop group The Both and The Audacitours. I hung out with Matt, Josh and Aaron from the band recently to get caught up on what is going on with their recording and what the future holds for the band.
MarQ-So it has been awhile since the band has played. You are recording new material right now-why a show this weekend?
Josh Soto-We were going to wait to start playing again until we had a new record, but we thought it was a good time to do a show it is Memorial Day weekend and we made it cheap. Let’s mix it up and have a bunch a bands.
MarQ-When was the last time the band played?
Josh-In town was the Cursive secret show at O’Leavers for the live album.
Aaron Maxwell-We played in Chicago in January.
Josh-We have been working hard to build up Chicago and that has been doing really good. That was the first Omaha show that we had played since August or September. It’s been a considerable while since we have had a presence on the live seen in Omaha. We have added a lighting guy since then....it is not on the level of Pinnk Floyd....but adding a atmosphere to the show and someone that understands us and the songs. We practice with him to get it dialed in.
MarQ-So how has the recording process been going? .
Matt Benson-Time consuming. We have just been anal about everything that we have been trying to push out.
Josh-I think as a band we are realizing that you don’t graduate from band college after four years and that we have been doing it for four years. We are trying to that right songs that showcase members of the band and utilize the talents that we have and maximize our full capacity. Als that they are songs that we want to play. There are more dynamics to it. Some of our previous stuff has been high energy and aggressive in some ways. The songs have more groove and have more space, but they are still big and they are still smashers.
MarQ-How else has the band evolved?
Aaron-We have grown as a band and we know each other a lot better. We have played together a lot better.
Matt-IIt is more mature and we know each other a lot better. It is a more mature sound.
Josh-When we did the first EP I had only known you guys a month. We grabbed onto what we liked and did the surface stuff. This last record was a long process and we dug in deeper. And now we can dig even deeper into each other. When we played Lincoln last I played them (the rest of the band) The Cure and they hadn’t even listened to them before and it blew their minds. We are digging elements out of each other. It takes a lot of time. There are cool new elements.
Matt-We have changed a lot individually. You changed your gear. You changed your gear. I shrunk my drum set down.
Josh-We will look back and remember when you had six dudes put together your drum set and needed this much space to put it together. We are working more bare bones. We are hopeful dudes and like anyone that has come out with us can attest to that. We work our ass off in our jobs and in our real life to play music. We have all realized that no one is going to come give us a big bag of money to go out on the road. We know we have to do what we have to do to make it happen. It could be today that a song hits or it could be never. As long as we enjoy ourselves and are excited about what we are doing. I love these songs.
Matt-They are fun as hell.
MarQ-So are you going to do things differently with this upcoming release?
Josh-One hundred percent. That is the big thing that we learned. We put out the last reccord and had a great response and a great show. We didn’t know what we were doing and a tour didn’t happen. We had all this momentum and just didn’t do anything with it. We are working with In Momentum touring now and so we are booking stuff for September already. Nothing we can fully talk about as it is not set in stone and we don’t know if the album is going to be be ready. We were scared to go out with these new songs as we didn’t want to burn them out before the record came out.
MarQ-Talk about your show with Cursive at O’Leavers. What was that like?
Aarron-It was right after their four week stint at the Waiting Room. We had talked about those shows a year ago and we had talked about playing with them. They announced all the Waiting Room shows and I was bummed that we didn’t get on them. We got called that day about playing the secret show at Oleaver’s and they were like ‘will you come play that with us’. One of our songs is now “Crystal Wolf”, we took the name of their fake band that night. Those guys are great and they have been our big brothers in the music scene. They are the most gracious dudes and have given us a lot of advice and a lot of guidance. That was a great night.
MarQ-Will the new album be on vinyl?
Josh-That is a big thing about Make Believe record is that they put their releases on vinyl. We have been with them from the get go. We were one of the first bands they recorded. We just hadn’t made it official. It was by around the end of the last album that we talked with them about making it official as a Make Believe band.
Matt-And we are going to be the maiden voyage for their new studio. We are going to start recording before it is fully built.
Josh-We spent a lot of time in the old space. It is really sad when that ended. We did some videos there and it was a second home for us.
MarQ-What is next?
Josh-We have not stopped doing shit.We still practice two times a week there has never been a vacation.
Aaron-Now we are planning to shoot our own videos and stuff like that. We have to do a lot of stuff on our own. Buck (Blanc) is really with photo and video and his concepts are great. We are building content.
Keep On Truckin’
24 Hour Cardlock keeps trucker songs alive and well
What: 24 Hour Cardlock, with the Willards Band and Township & Range
When: 9 p.m. Saturday, May 17
Where: Venue 51, 1951 St. Marys Ave.
Web: Click HERE
By MarQ Manner
Nebraska is the birthplace of the greatest trucker song of all time, C.W. McCall’s “Convoy,” written by Bill Fries (who was C.W. McCall) and Chip Davis of Mannheim Steamroller. It is probably the equivalent of “Freebird” or “Mustang Sally” to Omaha and Canadian band 24 Hour Cardlock, a group known for playing original trucker songs along with some of the classics.
Omaha and Canadian band? Yes, 24 Hour Cardlock exists in both Vancouver, Canada and Omaha, Nebraska – and revolves around one man, Bill Arab (pictured above). Arab is an accomplished musician from Vancouver and the 24 Hour Cardlock idea began there
(and is resurrected now and then) and continues actively here in Omaha.
The Omaha group (also featuring Marc Phillips, Vero Bautista and Matt Michaelsen) has been ramping up efforts locally and performing on a more regular basis. The band will be performing on SATURDAY (May 17) at Venue 51 with the Willards Band and Township & Range. Arab also puts together the annual Canada Day show at the Waiting Room Lounge, where local bands and musicians pay tribute to their Canadian counterparts. That event will take place on Canada Day, July 1. I sat down with Arab at Jerry’s Bar in Benson to talk about his career thus far and what is happening with 24 Hour Cardlock.
MarQ - When did you first realize you wanted to be a musician?
Bill Arab - I wanted to be a bass player, I played tuba as a kid, because I was a fat kid. It is weird that this is around the time that people started listening to music rather than just having music on. Me and my friend realized that it was different for us because we wanted to really play. I always wanted to be a bass player. At that point I kept hearing stuff that bass wasn't doing when I listened to music. That is why I started playing. I wanted hear and not what I was hearing. So I was told that I had to play guitar or something chordal first. So I sold all the food groups-candy apples, popcorn, caramel corn.....and I washed dishes and I bought a bass. I played bass for a long time in a lot of bands. I play music because I like songs...rather than be a real cool bass player or something else. I like playing songs. If I cannot make a song better then I shouldn't be playing it. After the song is written I am an extremely useful guy to have in filling things out and doing arrangements. I should have started producing a long time ago, but I like playing.
MarQ - Do you like playing bass, guitar or being a front man better?
Bill - It is hard to say. You sorta like everything you do. If I can play bass in a really good rock band then that is where I am really, really happy. I love doing the Cardlock, but it is weird being in the front. I am used to being a supporting player.
MarQ - Give me a history of who you have played with.
Bill - My first band that did anything was The Lynch. I have a history of being in bands with bad names. They were a cowpunk band just around the time that cowpunk started we didn’t know it was a thing. There was Jason and the Scorchers and KD Lang, We opened up for her and Chilliwack and some others. We were lucky there and we had a manager that had a bunch of cover bands and he wanted to get into this alternative music thing. Our first gig we were playing in front of a couple thousand people and some of them liked us. Most of our gigs were punk gigs and they liked us. So we had an odd mix. We opened up for Youth In Asia and we thought we were going to get killed. They really liked us. If I would have known that I would have played better. A lot of little bands after that went nowhere. I was playing in a polka band that payed the bills and that is the only time I was a professional musician and that was paying for the other five bands. I was in a band for a blues open mic and we were playing the same songs every night. That is when we realized that we can do this-we put this together in 45 minutes. We realized you do not need two years of rehearsals before you can play. Then I played with a singer-songwriter and then back to Vancouver and I decided I wanted to be in just one band at a time.. I didn’t want to become a millionaire - I just wanted to put something together. And that band was Thurston and that band did pretty well...then the singer-songwriter quit his own band. It being a three piece that was not going to work out. Then we joined Genius and Zu Zu Petals (not that one) and then became Imp of the Perverse. The first record was produced by so and so from James which was just by luck. He hung around and did the arrangements and then had to go. It helped immensely. That was pretty good. The second album was really good and we did the release party and the band broke up. Kristy Thirsk...Delirium....pretty much all their big hits are her...but she had not done anything by herself in like five minutes and Shane was like you have to play bass with her and I heard the songs and was like OK so Tuesday or Thursday? We did four or five tours up and down the coast, but they were all showcases as she was trying to get signed. We had dinner with Chip Stoner who signed Hootie and he was a really nice guy and we can forgive him of that.
MarQ - How did 24 Cardlock start?
Bill - I started Cardlock in 2002 and then I moved here. We had played four our five shows up there and I will record a song up there when I am there. We will usually play an ovarian cancer fundraiser and then one other show in Canada. They are guys who play all the time anyway and so it will be one or two rehearsals and that is it. It is super fun and you look out and people are really enjoying themselves.
MarQ - So what are you doing with the group currently?
Bill - The band has to be good. It just can’t be funny. It seems like there is always this with almost every form of music until dimly lit older men are playing it and not enjoying himself and people are taking it very seriously. That happened with jazz. Not all of it and they are certainly to do that with bluegrass. As much as I am shocked that most of the people from this part of the country do not like real country music, but there are a lot of other people and that is what they grew up on and they like it. I am always trying to be clear that we are not making fun of country music, but we are playing country music that is kind of funny. There has always been funny country music. It’s like with blues it can be overexposed and you sing about all the things that are wrong...and the pickup...and the dog died...and there are a lot of songs about killing the one you love. It’s not saying to go out and kill the one you love. I think that is usually authentically felt in any music that lasts. There is a lot to be said for pop music. I love a good disposable three minute pop song.. You have a lot of the people doing songs on the same equipment and with the same influence and that is not where the authenticity is.
MarQ - How do you describe 24 Hour Cardlock?
Bill - I just go ‘we play trucker music’ and people go ‘what is that’? I think that is great because there is no way to describe it. If I am serious about it, what I am trying to do is all of the things that I like about this music. .I am staying inside the idea that this is music that you would listen to if you were driving a truck and going a long way. That does not mean it is twangy stuff as there is my rock influence...I do not consider myself a country guitar player...it is kind of a distraction in a way. All of this stuff when I say it is authentic, it is not. I didn't grow up in Oklahoma. I try to have a knowledge of it and play funny songs, but respect it.and have fun with it. Only one slow song per set. I started writing songs that were country and not funny and I wondered if that was for Cardlock or not. So I guess I pigeonholed myself. The guys in the band are like ‘yeah I like this music and I am willing to throw in’ and this is how this stuff progresses.
MarQ - What is next for 24 Cardlock?
Bill - It has always been a side project. It was me and my rock-star friends in Vancouver. It was never serious. I had talked about doing a band with nothing but trucker music for two years. We were also talking about doing a band that was just fun and not serious other stuff. My friend said are you going to do this or talk about it for the rest of your life? So I set up a date and slapped things together and they were mostly covers and for some reason writing truckers songs came pretty easily. The jury is out if they are still pretty good or not. When I came here it was difficult to find people to put into a band like this that were good enough players. Now it is a more solid lineup. I want to do a lot more shows over the summer. We took a break for awhile and I moved. Well, say I had a sex change and hanged back mostly. I have an EP four songs that just need the voices on them. Unfortunately the vocals are the worst part of the band. It will be half and half as some was done in Vancouver and some was done here. It is called Bi-Coastal.
By MarQ Manner
Omaha music fans and musicians may know Mark Gregory from his time heading Brazen Productions, a supportive area music booking and video promotions company. They may not have heard from him in a while, though. He has spent some time learning music theory from a unique source and putting together his latest project – a band that he is fronting for the first time, Clear The Day. Clear The Day just recently released their debut album “Listening” along with a college radio marketing campaign. I caught up with Mark recently to talk about learning music theory, his family's music history and the band’s new album. You can catch Clear The Day on May 17 at the 402 with Vintage and Zach Short. The band will also be performing June 15 at Storz Trophy Room Grill and Brewery when they play outdoors on the patio during the College World Series.
MarQ- You were involved in the Omaha music scene for a long time and then took a break. What have you been up to?
Mark Gregory - I stopped to study music theory with my grandpa as he has a masters in music theory. I studied with him for a couple of years. I was doing the Brazen Promotions things and we were trying to do videos and getting away from shows. We had a band cancel at the time and the guy doing the video said I had good songs on my guitar and he took video of me. He said I was good and I put the videos on Craigslist and You Tube and and I have a hodge podge of musicians from across America playing with me.
MarQ - When did you know that you wanted to lead a band?
Mark - I always knew in the back of my mind when I did guitar at 15 that I would be in a band. I never had confidence in my music theory.
MarQ - What are some of the projects you have been in?
Mark - The first band I was in was Naked On a Sunday Morning and we played the Ranch Bowl in the early 2000’s. In 2008 I was in Mass Quantities and both of those were Jake Johnson bands. This is my first project every where I wrote all the music. I was ready to do my own project.
MarQ - What is your writing process?
Mark - I just write the rhythm and the lyrics and they write up their own parts. I do some conducting and arranging, but for the most part everyone does what they want to sound good.
MarQ - Where did you record at?
Mark - With Jeremy Garrett. That was the best recording experience I have had. It’s funny, with Jeremy’s dogs there is this particular song that you can play....and the dogs will go nuts. It wasn't our song, but he would be like ‘check this out’ and it was pretty funny. We also recorded some of the guitar parts down at our guitarists loft.
MarQ - Does music run in your family? Obviously with your grandfather.
Mark - My grandpa both sides of my family were musicians. So my moms dad was in the Omaha Symphony when he was 19 years old. My dad was a drummer and my uncle was a drummer. I felt like that (learning music theory) was the necessary step. And even to this day I haven’t applied the music theory to these songs on guitar. As it stands right now I just know it on piano. It was something I wanted to do. He is 92 and he is getting up there. He would help me with theory and I would help him learn the computer.
MarQ - Are there any songs that stand out for you on the album?
Mark - The song “Crazy Love” is about arranged marriages one hundred years ago vs. today's common moving in with your girlfriend or boyfriend before you get married and how that has worked out for us in the 21st Century. Not so great for me. I dated a girl from Nepal and she was the first person in her family that was not an arranged marriage. One hundred years ago it was pretty common.
MarQ - How would you describe Clear The Day
Mark - Alternative rock, alternative country.Indie rock-whatever.
MarQ - Do you write more personal or observational?
Mark - It’s all pretty much personal on the CD. I have a goal of doing other types of songs in the future. All of that is personal stuff.
MarQ - What is the title of the CD? And why did you choose that?
Mark - It’s called ....Listening. It’s the title track the title song. We didn't know what to put on the album cover. We knew we wanted to make an album but didn't know how to. So we just threw on the wackadoo which is is the interesting instrument in our band. We just called it Listening as you can listen to the beauty in everything even a shitty wackadoo. The song “Listening” is about listing for signs from God or The Universe or whatever. How could you do that when you are working all the time and have two or three jobs? How can you even stop and listen for a second?
MarQ - You have paid for a college radio marketing campaign. How is that working?
Mark - We are half way through our campaign..They say our add’s are 25% above average. I would say that 20 markets are in the top 100 markets.
MarQ - What made you take the chance on this type of campaign?
Mark - I went to Iowa Western and was Music Director at 89.7 The River. I knew even if your record might not get played that they are getting it. It’s really just a test market. You are not going to get rich or famous on college radio. We are testing in the demographic and it is too early to tell if it was worth it or not as we have not completed the campaign yet.
MarQ - So when you know which markets react will you tour?
Mark - I am ready to go in a sense. Where I am at in my life personally and intellectually and financially I could totally go on tour if I had to as I am not stuck in a job that I have had for 10 years that is depending on me. If it doesn’t work out I am fine with that too. My grandpa had a chance to go on tour. He played in big bands in NYC. I played with drums with all the big bands and got offered to go on tour with Jimmy Dorsey. He turned it down and came back and married my grandma, and here I am. I am fine with it. I just wanted to make the record and this is personal milestone for me and I am going to go balls to the walls with it and spend decent money on recording and going to college radio.
By MarQ Manner
Omaha hard-rock band Break Maiden is set to release its first self-titled album at the Waiting Room on FRIDAY (April 25). The band has been around since 2011 and features the strong vocals of Allyson Leigh (Schneiderwind). Break Maiden has a hard-driving sound and an energetic show meant to bring everyone in attendance into the fold. The band’s Waiting Room performance is a stacked affair with three bands that could headline on their own, including We Be Lions, Dirtfedd and the Matador. I met up with Allyson and Wes Graffius at Jerry’s Bar in Benson recently to talk about the new album and the Omaha hard rock scene.
MarQ - How did the group get together?
Wes Graffius - We started back in March of 2011. Bob Harman is who started the group. He wanted to start a hard rock group with a female vocalist. We then found Allyson.
Allyson Leigh - On Bandmix...I think they found me on bandmix.com.
Wes - We have been around for three years now.
MarQ - Did you find it hard to fit into the music scene and get gigs at the start or was everyone pretty supportive?
Allyson - The other bands in the scene were really welcoming and supportive. Each of us have individual friends in bands and they were good with putting us on shows. It is supportive and it is not a competitive scene. Some of the bands that helped us in the beginning were Fizz and Cannonista. Shamrocks was great and gave us some of our first opportunities. Dave Campbell put us on some shows and saw that we work really hard.
MarQ - Allyson, how did you get your start singing?
Allyson - Growing up I was always singing and in the choir through high-school. In college I didn’t do anything musically really. When I graduated I realized I really missed doing music. I was thinking about the Omaha Playhouse and trying out for a show, but that is a commitment. I was in a cover band for two years and then wanted to write songs and found these guys. It took me awhile to find my sound and voice.
MarQ - What is the songwriting process for Break Maiden?
Wes - A lot of our songs start with Bob on guitar with song structures and when that is in place Alyson will come up with lyrics and vocals.
Alyson - They will usually record it and I will spend a long time listening to it coming up with lyrics and melodies and stuff.
MarQ - How does it feel to finally have your first album out?
Alyson - Really good.
Wes - It has been a longtime coming.
MarQ - Where did you record?
Alyson - ARC for a lot of it and Jim Homan’s Screen Door Studio for some of it.
Wes - It was a lot of fun. I wish I could spend every day working in there.
Alyson - I loved working with Jim. He is laid back but will tell you what is needed.
Wes - Jason Mraz was in the other studio at ARC while we were there.
MarQ - What is a stand-out song for you? Is there a song that has a personal meaning to you?
Alyson - All of them have a meaning and story behind them. The one that is most personal to me is “Not That Far." I had a close friend that passed away. I think everyone has been through it and it goes in waves where it is not that bad, but then it sucks...and during one of my more optimistic moments I wrote it saying we are all going to see each other in the end.
Wes - “Catch 22” is about a stripper.
Alyson - There was a breakup during the writing so there are some aggressive breakup songs. They are not Taylor Swift songs, though.
MarQ - It seems to me that the hard rock scene in Omaha is very supportive of each other.
Wes - I think what really helps is that scene is the supportive of each other. There are a handful of bands that are really close that have helped us and we help them. I think that is a big part of what drives that. One group sees another band and that helps.
Alyson - There are a lot of times where we will send out invites on Facebook and they will share and they will do that for us. You go out to a show like that and you will see people from 10 to 15 bands out and it grows from there.
MarQ - What have been some of your favorite shows.
Wes - We played a sold out show with Saturn Ascends....and that was a good feeling to be a part of that.
Alyson - There was a show at the Slowdown and someone had Smarties on the stage for some reason and they said to throw it out. It was fun to throw out candy from stage.
MarQ - Where did the concept for the album cover come from?
Alyson - We have a song on there about Christopher Allen, which is about a con-artist criminal. Some of it is pulled from real life and some of it is fictitious ... We thought it would be a cool idea to have a criminal with Break Maiden across his eyes.
MarQ - What do want the audience to walk away with from one of your shows?
Alyson - If they walk away saying that is a lot of fun - that is a win for me.
Wes - I really like seeing a lot of energy and that pumps me up. So I try to convey that personally on stage.
By MarQ Manner
Lincoln groove rock band Stonebelly will be releasing their second album “Perspective In Perception” this Friday at the Hive with Two Shakes, and in Lincoln on April 12 at the Zoo Bar with Rock Paper Dynamite.
The band members have found themselves to be a mainstay of both the Omaha and Lincoln music scene, relying on their passion for playing long sets of material. The three-piece band is more open to sharing the stage these days and “dialing back” the length of some of their performances. The band claims straight-ahead rock, groove, psychedelic rock, reggae and the blues as influences that can be heard in their music. I spoke with vocalist and guitarist Mike Hollon over the phone about the new album and what is happening in the Lincoln music scene.
MarQ - How did Stonebelly get started?
Mike Hollan - We started in late 2010. Kevin (Korus) and I just started jamming in his basement. We got together and found a bass player and hit the ground running quickly with shows. I don’t know, nothing too fancy about it. MarQ - Where were the first shows that you played at? Mike - First couple of shows were at Duggan’s Pub, and then we got an opportunity to play a Saturday at the Zoo Bar and got our foot in the door there. We have played them all and just played Vega, and that is really nice. But we consider Zoo Bar our home bar.
MarQ - How would you describe the sound of the band?
Mike - Groove rock is what it is to me. It is kind of a blend of genres and you can hear a lot of different influences. It is straight-up rock, but there is blues and reggae and psychedelic in there also. There are some songs that I don’t even know how to describe.
MarQ - Will this be your first CD?
Mike - Our first album, we released in 2012. It was a learning experience as we had never been in the studio before. We took on a big project with 14 songs. We learned a lot and then we started on this one. I am into it, as it sounds like where we are at. I think that is what an album should be. It felt a lot more comfortable.
MarQ - What is the name of this album?
Mike - “Perspective in Perception.” It was more kind of a thought that I had. I was really kind of thinking about how often your perception changes so much based on your perspective. You could see one thing and I see another and people are either understood or misunderstood, for better or worse based on that. It really does depend on where you are at based on your perspective.
MarQ - How does the band write?
Mike - Generally, I will write them. I like to try to finish them mostly as far as changes and words for the song. I bring it to the band to work on dynamics and input. Everything is alway open, but I bring the songs to the band. So far that is how it has worked.
MarQ - Are there any songs that stand out to you on the album?
Mike - The first song on it, “Rising,” has a lot of personal meaning and elements of other peoples lives that I have seen as well. It is about if you get knocked down you have to keep going and don’t let things bother you. “Devils Mind” flowed out of a conversation with a friend of mine. It is more sound-wise telling the story that religion needs good and evil and what if the devil changed his mind and became a good guy and would he be forgiven as well? Sonically, it sounds like he is denied at the gates.
MarQ - Lincoln has really stepped up its game in recent years with new venues, great bands and solid local music community. What is your take on the Lincoln music scene?
Mike - I think it is great. It is a really special scene and it is very specialized where things are happening at all these bars that within half a block of each other. You can play one and the other venues can’t help but see your name and who you are playing with. We do our best to promote the venue and promote us. I don’t know how to describe it. The Zoo Bar was known for blues the whole time and now they are not afraid to take a chance on rock band or strange indie bands. The Bourbon ... we just played on the big stage there the other night. Now you have Vega, which is stretching things out more. We have been working Omaha a lot more also and we have had such a great response.
MarQ - Where do you play in Omaha?
Mike - We played at the “old” Hive and we just played the Hive in December and then this Friday for the CD release. I like Venue 51 and it is a blast and doesn’t seem like the same thing it was. Barley Street is fun ... Side Door is fun ... we have even played Stiles and T-Henery’s before.
MarQ - You guys sometimes do three sets in a night?
Mike - Sometimes we do. We were up to doing three sets some places. There are some bars, if you bring your own PA you pretty much have the whole night. I will say this, and having a new bass player and his take on this helped, it was a nice way to dial that back again and play more with other people and not have to do the whole night. They are kind of tiring, but a lot of fun.
MarQ - It’s pretty rare to see an original band play that much material.
Mike - It is interesting, too, because people think to do those you have to play covers. It has been my idea that if you believe in the music, just play it. They booked you not to hear some shi**y covers, so I think we try to be passionate about it so that it connects with people. For just being a trio we try to mash different styles and if one song isn’t for you maybe the next one will be. We are not a dance band but we groove, we are not a blues band but there are elements of it, we are not a psych rock band but there are elements. There is so much music out there on computers and people do not have to go to a show, but they come up and buy shirts and pay to get in and that means so much to me. When we first started out we had a saying that was “1 or 100,” we are going give it our best no matter what.
By MarQ Manner
It’s a band that is passionately adored by millions of people – perhaps more than any other band. It’s not a band that the critics, award shows and snooty music fans loved. So it is with some surprise that KISS will be finally going into the Rock & Roll Hall of Fame on April 10.
The band is somewhat indifferent to the nod and will not be performing at the ceremony. This is heartbreaking to some KISS fans who have waited for this moment and fought for it for many years. Omaha KISS fans can take some solace in the fact that area tribute band KISSology will be playing Friday, April 11, at the Waiting Room Lounge.
KISSology is made up of longtime Omaha musicians and hardcore KISS fans who go by the stage names of Almost Ace, Pretty Much Peter, Practically Paul and Just About Gene. When the makeup is off they are Richard Schultz, Brian Chandler, Scott Chandler and Jeff Decker. KISSology brings the whole show to the stages they play and don’t just limit the music to KISS’ “make-up” era. All KISS is fair game for this tribute act. I spoke with Almost Ace (Schultz) about how the band came about, playing outside of their comfort zones and what KISS means to their fans.
MarQ - How did KISSology form?
Almost Ace - Jeff Decker put out the idea on Facebook. He decided on Gene and me as Ace. We looked for people who were able to commit to the bit and put on the boots, shave the beard, and put on the make up. So that took awhile. Then we found Scott and he was able to do all that for Paul. We thought finding the drummer would be the easy part – you don’t have to sing as much – and Scott recruited his brother Brian on drums. They have vocal ability and great background singing with each other. Instrumentally, we all got to work, as none of us are playing our original instruments in this band. We all had to learn our instruments along with everything else that goes along with it. That brings some freshness to it. I traveled back to being that 12-year-old kid.
MarQ - Why did you choose Ace Frehley?
Almost Ace - Probably because Jeff already claimed Gene. That is the real reason. Gene was spoken for and this is who I was most qualified for. I don’t have the vocals to do Paul and cannot play the drums like Peter.
MarQ - How did you find the costumes, and how accurate are they?
Almost Ace - Here is the deal on the costumes. There is an entire Internet underground of people that are into these costumes. There are people who make them, collect them and wear them. You get the Halloween costume and realize they are only good for one night. From there you work with some guys that will special-order make them for you and you get some pieces from them and then there are some you just have to make for yourself. Which one version is quote-unquote right? The band used so many different variations of every costume. It comes down to having the total package and we did our best with whatever element that we could improve to add to the whole impact. There is a website in Germany with all the versions of every costume and they vary. Ours sure as hell look like KISS costumes I will tell you that.
MarQ - You play different eras of KISS songs, correct?
Almost Ace - We do everything from the first album up until 2000. We are not against the ones newer than that. We don’t reject any of the music.
MarQ - What has the reaction been?
Almost Ace - I got a really good compliment in Kearney where someone came up after the show and was like, “I could tell you were the kid that wanted to do this and now are happy that you get to do this.” Obviously just the pure excitement of it is coming across to people. That is part of what you get having guys that are lifelong fans, professional instrumentalist but not playing in our comfort zone. We had to learn new instruments. I am not used to playing long guitar solos so it is new and exciting. I am sure Brian would say the same about drumming as it is all fresh exciting fun and new for him. People are reacting to this huge batch of “I can’t believe that I am doing this” excitement and then they give it back to us.
MarQ - Why does KISS mean so much to you?
Almost Ace - When I discovered KISS I was a music fan, but I didn’t have that much of a frame of reference. They were so transgressive and I was in single digits and discovered KISS. You had whatever was on TV, like Lawrence Welk or Sha Na Na, and then there was KISS. People did not like KISS where I was ... there was about three people that liked KISS. It was so transgressive and so dangerous. How could you not like that?
MarQ - What does KISS going into the Hall of Fame mean to you?
Almost Ace - It doesn’t mean anything to me. They were what they were before and they are what they are now. Gene said, “Our fans voted us into the Hall of Fame a long time ago.” It’s just another batch of marketing. Good for the Rock Hall that they get to have an exhibit and sell tickets. There are KISS fans that it does mean a lot to. For me, that I can see real KISS today and they are still doing it and these 60-year-old men are still up there doing it with the grind of the boots and the makeup.
MarQ - You have mentioned the boots a couple of times. Is that a chore?
Almost Ace - It is like going back to basic school. We practice in the boots and walking up and down stages. We have been wearing flat shoes all of our life and to do it and be dramatic and manipulate, bend and pose in them it is physically the most demanding piece of it.
MarQ - What can KISS fans expect from the KISSology show this Friday?
Almost Ace - They should expect four fans on stage and 400 fans in front of the stage living out a childhood fantasy for two hours.
Omaha guitarist John Larsen has been surprising audiences at local open mic nights, hard rock shows, songwriter nights and even hip-hop events. His touch style of playing is pretty unique to the Omaha area, and both John’s style and ability stands out and impresses the bearded types, those with a spike through their nose and leather jacket rockers alike.
John’s start into the musical world is also unique. We sat down to talk about that, finding musicians to play with, his composing process and more. John will be the featured artist this SUNDAY (April 6) at O’Leavers Open Mic Night. He will also be performing on April 26 at the Waiting Room Lounge with Blue Martian Tribe. Be sure to ask John about his “Live At O’Leavers” recording if you run into him out and about.
MarQ- How did you get started playing the guitar?
John Larsen - It started with an Andy McKee video. The video is called “Drifting”. A friend had randomly sent that to me on Facebook. I had gone to highschool with him and he sent it to me randomly and I wasn’t even going to watch it. I was like ‘who the hell you talking about’? I had put up a Jack White video and said it was the best guitar solo ever and got this sent back. I watched his video and then I watched it about 40 more times that night and 4 days later I went out and bought an acoustic guitar. I strummed every acoustic guitar in Omaha. I wrote down every name and model as I knew nothing about guitars. Three months after I bought this guitar I figured out that I could plug it in. I was checking another guitar and asked why it sounded differently and he looked at me like I am an idiot and said it’s made out of a different kind of wood. So I bought that one as I liked the sound of it better.
MarQ- You have told me that you were nervous when you first started playing live. John - I still struggle with that. There are days that are better than others. I will never be completely comfortable to walk up and play. I was going to school to become a teacher. I made it all the way to student teaching...I have anxiety and I can not give speeches. The difference with music is you can drink a little bit before you go up there. The first time I went I had A xanax and four beers. I have never taken a xanax in my life. I have done it twice during open mics, but never before and never since. The first time I played it was crazy, when I hit that last note I jumped up and walked out and smoked a cig. I didn’t even say thank you.
MarQ - You recorded some live tracks at O’Leavers.
John - I am going to put down a couple of songs to give out to people and see if people respond to it. Then I will look at making an album of it. Recording for me is going to be a bitch. I don’t have choruses where you play once and you can loop it. I don’t know how to write songs so there is a repetitiveness to it that I don’t think I have learned yet.
MarQ - How do you compose your songs?
John - The first group of songs was me trying to learn “Drifting” and getting frustrated and something else happened and I came up with a song. I only wanted to learn “Drifting” and other things started happening and I came up with eight songs before I got “Drifting”. It is touch tap, tug and pull until you have something. My smartphone has a recorder on it so I would record it and try to relearn it the next day and see how I did.
MarQ - Do you find it hard to find other acts that are compatible with you when playing live?
John - I think more so up here (points at head). I am going to be self conscious no matter where I play. The best response I have gotten is from the heavy metal shows that I have somehow gotten involved with. Those guys seem to love that sh*t. They all are in love with their instruments. When they see something they are not used to it intrigues them. I was on a New Music Monday (Waiting Room music series) and I saw the lineup and here is two heavy metal bands and a guy with an acoustic and I thought everyone was going to leave and go see what is playing at the Barley Street. I have played hip-hop shows where they like me. Not everybody likes me though. This guy came outside at Barley Street while I was smoking a cig and and opened the door just to look at me in the face and say that is not how you hold or play a guitar. I went to look for him after but he was gone. He looked at me with such intent. That was the first time my cage ever got rattled.
MarQ - What do you like to see people come away with at your shows?
John - It always depends on the night and how you feel. I will be playing a show somewhere and everyone listens and people will come up and say great things at the end. And then you will play a show and not one person will clap or say anything good. Depends on the night, the place and the crowd. It will eat at you and will boost your ego where it shouldn't or tear you down when it shouldn't.
MarQ - What are your musical goals?
John - I want to get an album out. A legitimate CD eventually. I don’t feel that I am proficient enough to do it yet. I don’t know if anyone is patient enough to record me yet. Every musician's dream is to be able to support themselves with their music if there is a realistic way of doing it? Maybe not for me. I don’t sing, I will never be on the radio. I don’t expect it. I don’t ever want to be in a situation where I can’t go out and play when I want.
MarQ - You were nominated for Best New Artist at this past years Omaha Entertainment and Arts Awards. What was that like?
John - That was crazy. Who would have thought? I didn’t have a guitar and didn’t play and then I am playing and nominated and people like what I am doing. This is one of the first things I have done that people actually like. Usually I just get in trouble.
MarQ - Who are some of the artists that influence you?
John - Preston Reed, Kevin Horrigan, Justin McCean, Don Ross....I could go on for days on that shit. My favorite band in the world is White Stripes. Jack White is probably my favorite musician. I like good hip-hop, the old stuff....so I pull from everything. For percussion you learn a lot from hip-hop and what is catchy and I try to put that in my songs. I pull from an Outkast song or from ‘Seven Nation Army.”
MarQ - Who do you enjoy playing with locally?
John - (John) Klemmensen because he is awesome. Michael Wunder. I like playing with the End In Red and Black On High and We Be Lions it is always fun playing with those guys. I like some diversity. When there is a guy with an old school spiked mohawk standing in front of you and loving you, well I love that. It is so great to have a stereotype broken right in front of you.
With Two Shakes Friday, April 4
The Hive, 1207 Harney St.
With Rock Paper Dynamite
Saturday, April 12 Zoo Bar, 136 N. 14th St., Lincoln
By Marq Manner
Omaha ska band the Bishops is heading toward its second decade as a band. The first time the band members were around came during a time when many ska-punk bands and a new wave of young punk bands were playing local venues. The Bishops reformed some years back and find themselves one of the only bands in the genre in the region.
The band performs a fun mix of two-tone ska, traditional ska and reggae. They are the go-to band in the area to play with legendary ska bands as well as currently touring national bands. The Bishops have recorded very little over their career and will be celebrating their first full-length CD Time To Move along with their 19th Anniversary show at the Slowdown on Saturday March 29. The band will be playing with Rhythm Collective, Stonebelly, Faded and 23rd Vibration. I talked with members of the band this past week in Benson.
MarQ - So my first question is: You are celebrating your 19th Anniversary. Does that mean you won’t be making it to 20?
Mike Bechtel -You never know with this band.
MarQ - What has the band been up to since we last talked?
Mike - Besides trying to get this CD done? We have balanced playing locally with playing regionally. We play out of town at a two-to-one ratio. We have played Denver, St. Louis, Minneapolis.
MarQ - You play Des Moines quite a bit also.
Mike - Yeah, we are almost a local band there and we play the the Fistful of Ska festival there.
Dan Burger - Lots of really good bands at that festival.
MarQ - You tend to be a band that not only gets asked to play with touring ska bands in Omaha, but also to do short tours with these bands.
Mike - Yeah, we play with the English Beat and we have one coming up with the Slackers in St. Louis, Kansas City and Springfield.
MarQ - Why do you feel that you get all of these gigs?
Mike - It’s been 19 years in our genre and also the amount we play out of town and in town. Ska fans are not a large fan base, but it is a loyal fan base. It’s like the Platte River as it is a mile wide but a foot deep. If someone knows Ska we are one of the names that come up.
Dan Vaughn - We push and push to get shows out of town.
Dan Burger - I have been super impessed with Mike over the years. If he sets his mind on something I would not bet against him. It works.
Mike - There is something we haven’t announced yet. In Denver at the beginning of May we will be playing with Prince Buster Jr. Prince Buster has been sick and his son has been picking up his mantel and this is one of his first gigs. A DJ called us out to be his backing band. We are learning a set full of Prince Buster tunes. Half of the Two-Tone catalog was either Prince Buster tunes and Toots and the Maytals tunes.
Dan Vaughn - I love Prince Buster. He is my favorite Jamaican artist, and this will be amazing playing with Prince Buster Jr.
MarQ - The Bishops also seemed to be one of the first bands to really play the Old Market in recent years. There is now a push for live music there.
Mike - In the last year the music in the Market has taken off. You always had T-Henry's doing shows and we did that venue. Stiles, when Andy moved to the Old Market, we started shows there. We have to haul sound down there and it is always a good crowd and now we have Parliament and the Hive down there.
Dan Vaughn - There was no entertainment there and now you cannot walk into a bar without entertainment.
Mike- The Dubliner did not stop having live music, but they seem to be adding it a lot more recently.
MarQ - Tell me about the new album.
Mike - We recorded it at ARC. It is a mix of older Bishops tunes from the first go-around and newer stuff that we wrote before we recorded it. Workign with AJ (Mogis) is a treat. It took us awhile, a little tweak here, a little tweak there. I think we are pretty happy.
MarQ - This is your first full-length album right?
Mike - We never put out a full-length before. We put out a live six-song cassette in 1996, and we did a 4-track demo CD, and we were on a couple of comps. We never had a full CD. When we got back together we did a six-song demo EP. It’s sad and funny that it has taken us this long.
MarQ - You said it is a mix of older and newer songs. Did the older songs get retooled?
Mike - They are pretty much as it was back then. We are better musicians than we were back then. They pretty much are like they were in the day.
MarQ - Is there a clear separation of older and newer songs on the album?
Mike - I think that someone that maybe knows the band well they might be able to pick some of the old and the new and hear an evolution, but we mixed it up so it is not half new and half old.
MarQ - What do you to see happen at a Bishops show?
Mike - Lots of dancing and a good time.
Dan Vaughn - There is nothing better for me than to see a crowd walk away after having a great time. That is the best feeling ever.
Mike - Some musicians want to touch people or change their minds and leave an artistic impression. With Ska you want people to have a good time.
MarQ - How would you describe your style of Ska?
Mike - If someone thinks about Ska and they think back to the '90s it is more of the ska-punk genre. When we started the band and re-started the band we hearkened back to both the roots of the genre and the Two-Tone arena in Britain and we kind of wanted to meld them a little bit. I think with the melding of those two we have done a fairly good job. We have our own sound that is not the crunchy hard ska, but also not purely the traditional sound, either.
Dan Vaughn - I remember the first time I saw the Bishops I was blown away. I never knew that Omaha had a ska band besides some ska-punk bands. When they asked me to do it I was like hell, yeah. They got me into more Two-Tone and stuff thanI already was.
MarQ - What is next for the Bishops?
Mike - We have the Fistful of Ska festival going on. Omaha is going to have its first-ever big reggae show this summer out at Riverwest Park. They have Jamaican bands coming in for that. Don Minot, Errol Organs, the Bishops, Rhythm Collective, 23rd Vibration, Dread I Dread, and the Dropsteppers. We will be doing the Prince Buster Jr. shows and the thing with the Slackers. We have a lot on our plate. We will be taking a month-and-a-half of downtime after the festival and do some writing in the fall and some Chicago dates and hoping for some Ska fests in Canada.
MarQ - So you fee like things are moving in the right direction?
Mike - Yeah, actually. The last couple of years things have come along nicely and they keep getting busier. If you would have asked me when we first got back together if we would be running around like we are, I would have said, "Hell, no."
I walked into the Bottomless Glass recently to do an interview with Jason Earl of the Jason Earl Band. What I found was a line-dancing class taking place at the bar. I sat down and waited while scoping out the scene. Soon, Jason walked into and received hand waves from the dancers and a shout-out over the microphone from the dance instructor. Then they proceeded to do a line dance that was created for one of Jason Earl’s original songs. This was quite possibly one of the most impressive starts to an interview that I have ever done.
Jason is an impressive guy. He is a firefighter by day (and probably night also) and a country musician when not also playing the part of husband and father. In a year and a half he has gone from trying to put together a band that fits him to being nominated for an Omaha Entertainment and Arts Award, headlining country venues around the area, and playing after-parties for some of the biggest country acts coming through town. And on Saturday, March 22, the Jason Earl Band will be performing at Bushwackers Saloon for the “Country Night” of Marchi Gras 6, a Benefit for the Sunshine Kids. They will be performing with Brothers Osborne, and Crossfire Country Music. I spoke with Jason about his beginnings, songwriting and the country music scene in the area.
MarQ - How did you get started as a songwriter and performer.
Jason Earl - Three years ago I started performing live. I have been playing for nine years. I was a basement player and singer. My wife tried to get me to go out and book some gigs. I was like, “There is no way that anyone wants to hear this.” One day she came home and she had gotten let go from her job. We had three little kids and she said “If you were ever going to do this it is now.” I got a gig in three days. The first two years was just solo acoustic shows. The band just came about 15 months ago. They had parted ways with their front man and asked if I was interested and I said no a couple of times, but we worked out a deal and started the Jason Earl Band.
MarQ - When I saw you recently you seemed to have a lot of personal story songs. Can you tell me about those?
Jason - I never played or sang until I was 32 years old. My wife, she gets pregnant and we find out that she is going to have a boy. I started to worry about what kind of dad I was going to be. I made a list of things that a little boy would ask his dad how to do. Throw a baseball and play a guitar was on there. I started to learn how to play just in case he came and asked. I got obsessed with learning the guitar. Until he was born I would play five or six hours a day. I always wrote poems and short stories, and so as I am practicing I am putting words to what I am playing. Low and behold I have my first song! You cannot spend that much time practicing and not get it. Pretty soon I had a bunch of songs. Are these songs that you play every night? There some things that you think are funny that you just sing for your family. What I found is that I can tell stories about my family, my life and my relationship.
Marq - How did the band get started?
Jason - We decided we would get together and see what happened. They were receptive to original music and we started booking shows as the Jason Earl Band. I do my own promoting so I have to spend my own time on the computer and on the phone. At first it was very difficult as it was “Jason Who?” I was determined to get as many shows as I could last year. And this is just the start of our second year. We went from nobody at our shows to being nominated. Word of mouth has been my best friend and social media is there, but word of mouth. The fans tell me I am very approachable and that I am easy to talk to. That is all I want – to play music and meet some cool people. I consider the first year a huge success, and this year will be mammoth as this will keep getting bigger and bigger. I am surrounded by people who are ethical and moral. They don’t screw people over. People ask who my musical influences are and I usually answer the same way…I like George, Alan, and Toby, but I look at guys around here like Chad Lee and Jimmy Webber that are just bigger than life to me, because when I started doing this they were very instrumental in getting me started in the right way. From simple stuff from just how to bid for a show. These guys do it for living.
MarQ - Have you put out any albums or EP’s?
Jason - I made a CD of original music in 2012 that was produced by Chad (Lee) with songs that he either wrote or co-wrote and I sold them at shows until they were gone. Now as a band we are looking to put out an EP of original music for later this year.
MarQ - It seems like there are more country bands in the area these days. Would you say that is the case?
Jason - Country is really starting to thrive more in Omaha. When I first started doing this, Chad and Jimmy were the only guys that I could think of solo-wise that were playing around here. It seemed like it went away and now it seems like it is driving a little bit. It’s coming back and people are booking shows and so that tells me that country music is coming back again. There are plenty of great crowds to play like here at the Bottomless Glass and some of the acoustic shows that I play like at the Waterfront. Those are smaller but still good crowds. There is a little place called Buck’s Bar and Grill (Venice, Nebraska) and it’s a great place to play and a good crowd. Some of the best shows and most fun shows are in the smaller bars with one-hundred people. They are so much fun as they are right in front of you and bumping into your microphone.
MarQ - Do you find is easier to play a large venue or a smaller venue?
Jason - I think the music translates easily in the same way all over. Not just the venue’s though we have the rodeos that we do and the fairs that we do.
MarQ- Well, is that a different feel for you? Playing large outdoor shows versus a small bar? Jason - It is not different to me, and this comes from Jimmy Webber. He told me I have to play the same show for 5 people as I do for 5,000. You have to train yourself to do that. Is it easier to sing in front of a large group? Hell, yeah. You get that energy and it’s hard to train yourself to play for five people, but those five people might go tell their five friends and on and on and that is word of mouth.
MarQ - Do you value word of mouth more than social media?
Jason - No. Word of mouth has been my best friend. Word of mouth is comforting and makes you feel good. Someone saying “Wait until you hear this guy play – it is awesome!” Or “Hey, I was in Nickerson, Nebraska and someone asked me what my Jason Earl shirt was about” and that is word of mouth. Social media is a huge tool and it has been a massive tool for me.
MarQ - Do you find yourself writing mostly about personal experiences?
Jason-Up until recently, I did write about my person experience. I had to open myself up there a bit because there are other songs that I wanted to write. I tried to put myself into a character role and write from that perspective. What if I was in this position and writing a song? I have been writing with a couple guys here in town, Jason Hamor and Jeremey Starkel and with Chad Lee. I found that co-writing is probably easier because you can bounce off each other. I do still enjoy writing things that are personal though as those are the best songs.
Waiting Room, 6212 Maple St.
By Marq Manner
We Be Lions are an energetic rock band that has been packing in audiences into venues here in Omaha for years now. The band went through some changes around the last time I spoke with them and are now solid and releasing a full length album “Finger Prints” at the Waiting Room this Saturday March 22. Joining the band will be Voodoo Method and John Klemmensen and the Party making this one of the strongest and eclectic local lineups in a while. I met up with We Be Lion’s bassist Jacob Pirruccello in Benson to talk about the new album, how the band has really found themselves in this more recent incarnation and what is happening in the rock music scene in Omaha.
MarQ-It hasn’t been a super long time since I last talked with the band. What has happened between now and the last release?
Jacob Pirruccello-We were trying to figure out who to record with and where to practice. Trying to get all of our family and loved ones to understand that we are going to be super busy.
MarQ-Where did you end up recording?
Jacob-Infinate Studio with Jeff Fenn. We did drums at ARC and Jim Homan was the engineer.
MarQ-Why did you decide to go this route?
Jacob-We had a relationship with Jim in the past and we knew the environment. We knew that we would feel comfortable and have the time to perfect it with Jeff.
MarQ-What has changed within the band since the release of the last album? Jacob-I am not on the last album. When we started two years ago. We wrote and did the EP and toured on weekends to Minneapolis, Missouri, Iowa and regionally on the weekends. That kind of came to an end toward the end of the summer and that is when we started to write knowing we were going to do an album. Basically we haven’t played regionally in the last few months, but after this we have shows set up regionally. We have some pretty good shows lined up now.
MarQ-How were things different for you with this album versus the EP.
Jacob-We all were kind of thrown into things on that EP. We had just been together for a month. We did not know who we were at that time. We knew each other and had played together a few times. Learning each other’s backgrounds in the months before that EP is how we wrote that. Some of the bass line that we wrote I would not have written. Cody (Fox) did rap and I was fine as that was the vibe that they wanted. I am going to write some stuff to the hip-hop “rage” riffs. We wrote all that stuff in the studio.
MarQ-If I remember correctly Cody was working more on singing vocals rather than rapping.
Jacob-I think we were all in a transitional phase in that and we did not know where we were going. I was writing based on the history of everybody. Almost trying to make everyone happy and make myself happy also with the bass.
MarQ-What has changed now?
Jacob-Now that we have gotten to be with each other on a daily basis, talking and communicating and being around each other outside of music, we have gotten to know each other. You get to know what is important about people and you make that connection with your friends. It’s almost like unconsciously you write together…you write together without having to think-it just comes together.
MarQ-So you had to get comfortable with the new band?
Jacob-I knew he (Cody) has been around and toured Japan and all of that. I am just a dude trying to prove himself. After being friends and knowing that I do not need to be intimidated I know that we are in this together. It’s like having a girlfriend…the first couple of months you do not want to fart in front of them.
MarQ-How do you guys write?
Jacob-Ricky is constantly playing with a click track at home by himself-that is all he does. Novi’s influences are more old school 70’s rock…basically I am sure it is like everyone else…you come into practice and you have this great bass line and guitar lick and you are like ‘hey oh’! We will jam and me and Ricky will play before everyone gets to practice. I have wrote guitar lines for Novi and he has written guitar parts for me on bass. Even with the lyrics I will be like what if we change this to this. It is Democracy and we all work together when it comes to writing.
MarQ-So you guys have a veto power?
Jacob-We are comfortable with each other that we will tell each other if it is cheesy, ‘no we are not going to play that’ or ‘move on’. We are not afraid to make fun of each other…it is supposed to be fun…but we take it seriously also.
MarQ-What is the album called?
Jacob-Cody kept saying we need a fingerprint. He said that over and over and I was like 'why don’t we just call it that'. He was like ‘that’s good!’. We are working with a lot of people Gerard Pefung, and Derrick Joy and we have a lot more people involved in this album than we have before. Everybody who is involved seems to take it as seriously and I cannot express how much that means.
MarQ-Are there any themes to the album?
Jacob-The main theme would be finding that connection, whether it be with yourself or with somebody else. We did try to have a theme to this and most of the songs are about trying. The songs are down to earth and I think people will relate.
MarQ-What do you hope people will take away from your music?
Jacob-I hope that with music I can make people happy. That is the main thing with this. To make people happy. Give them some sort of idea or teach them something.
MarQ-I see a lot more support from music fans and other bands in the Omaha rock scene. What are your thoughts?
Jacob-Music is art, and even if you don’t like that style of music you respect that person because they are giving out that expression of art. That is their thing. Even though I don’t listen to heavy thrash metal I will come to see your band because I support this scene and I think that is how everyone is looking at it right now. We support each other and give it back. It might not be the colors that you want to paint with, but you are using the same canvas.
MarQ-What is next for the band?
Jacob-This is the beginning of We Be Lions, really. These songs feel more real compared to the other ones for sure. I think they have definitely matured from the past. Listening to the new stuff now, it's like every part is important and there is no filler that we put in there. It is a Tarantino movie. Every scene, even someone sitting at a table, is important to that movie and that is what it is like with our music. We took the time to think of the dialogue, the writing and the lighting and every little part.
The Zero Sum
By MarQ Manner
One of the best parts about running the weekly “Songwriters Night at the Library Pub” (Wednesday nights, no cover) has been discovering new songwriters here in Omaha. The other has been reconnecting with longtime songwriters that might not always be playing my usual hangouts.
One of these artists that I have been able to reconnect with is Mark Irvin, a veteran Omaha songwriter and a music teacher. You can usually find him in the summer playing vineyards in the area and year-round at venues more classy than I usually frequent. So it has been fun for me to have him out and hear what he has been up to over the past few years.
Irvin has a new album out called Common Sense, which he describes as a more simple take on his songwriting experience – one that previously had flourishes of jazz and more complex structures. Irvin writes with a clever wit, tells stories and creates honest tunes that can only come from experience. He is an appealing listen as a solo songwriter, and I hope to see him out with some musicians he pals around with soon. (You can follow his live schedule at markirvinmusic.com)
I caught up with Mark this past year over dinner at Mantra, and we discussed his history along with his new album Common Sense.
MarQ - Give me an overview of how you got started in music?
Mark Irvin - I did a lot of stuff backwards. I didn’t do music in school I found a beat up guitar at 17 and by the time I was 20 I was on the road off and on for a decade. I was with a group called Tight Fit, we did a show where we opened for Richard Marx and we got to spend a whole day with them and I went up to one of the guys in the band and asked what the next level was. This guy said you have to go learn music and that guy was Dave Koz. I put in my three month notice and I applied for music school at UNO. I ended up doing the teaching gig too. I taught jazz band for the last few years while playing bass. I got to do a lot of stuff with the symphony and the opera. I didn’t write for that whole time in college. I didn’t read music when I got there. So after that is when I started writing again is when I got comfortable. My first album came out in 2002.
MarQ - When you were with Tight Fit did you release any albums? What were you promoting when you were touring so much?
Mark - They had one or two out. The gigging was way different then, no matter where you were in the country you would be there three or five days out of the week. They would let you play a few originals, but you have to eat. I always think of the line in Almost Famous…when they are arguing about responsibility and he was like, “Didn’t we get into this to avoid responsibility.”
MarQ - Did you have musicians on your first album, or did you do it yourself?
Mark - I had some musicians, on a low budget. It is an album I would like to do again. I just did not have the know-how and the finances and I have always been really good I want to pay them to play. I am not an audio engineer. I know enough to get in trouble.
MarQ - Did you go back to gigging at that point? Touring?
Mark- Mostly locally as my teaching career was only about ten years old. Then I started gigging locally and filling in with bands. I ended up for working for four years with Rave On (Buddy Holly Tribute). I was filling in for the guitar player and the bass player and they parted ways with the guitar player and he wanted me full time and I was OK as long as I can still teach. It was nice for about four years and learned a lot. It was a great crew. It was so much different with the Tight Fit days. We stayed at different places and ate good food.
MarQ - How often did you release albums after that?
Mark - Next one came out in 2004 and then 2008 and so this was the biggest gap but basically about every four years.
MarQ - How has your sound on these albums evolved over the years?
Mark- Two albums ago was more expanded harmonies and the Jazz colors even though it was not Jazz. With this new one I shelved five songs as Jason said I had two records going on. This one had a simpler structure more country and rock-a-billy. I wasn’t going to force something that wasn’t there. It’s hard to give up a song, but Jason was like put them aside and said we had another album.
MarQ - Talk about the songs on Common Sense?
Mark - One of them…I won’t say the name is actually a true story. It is a verbatim true story, but it didn’t happen to me. Everyone puts their personal touch in it and I don’t want to do that too much. I am older now, but there are things that are now a big deal that wasn’t then and things that are a bigger deal now there were not then. I just wanted to do something simple…surrender…not to heavy thought just person to person. I know writers that do that anyway. The songs were written a lot quicker and so that was nice. You can always overkill it so it was nice to leave it like that. One big difference is that I do all the guitar work, and it’s not that others were not good, but they didn’t have time and I didn’t have the money. They could have done much better. I love getting new ideas. I wrote a song called “Move On” and people are already asking if there is a problem with me and my wife, but I was sitting in a booth and I heard two girls just ripping on her boyfriend. I love when people interpret stuff.
MarQ - So where can people find you playing currently?
Mark - In the summer I do a lot of vineyards, and I play at the Lauter Tun (recently closed) quite a bit. I get to mix in a lot of covers and then my original stuff. Doing my Library Pub stuff with you and there are people there to listen. I am always learning and you have to leave your ego at the door. I usually play once or twice a week, becauseI love what I do. I know a lot of teachers that have a part time job and I just have a really cool part time job. I have a core group and we have one or two musician practices at the start of the summer and they are to the point where I can give them charts, and they can play those songs and then over the course of the summer we find things that I like. The it’s like, “I have to remember this for the studio.”
Omaha's Electroliners release new EP
By MarQ Manner
According to Wikipedia, electroliners were “a pair of stream-lined four-coach electric multiple unit interurban passenger train sets operated by the Chicago North Shore and Milwaukee Railroad between Chicago, Illinois, and Milwaukee, Wisconsin.”
I mention this because I am not in the band, and because I have been asked this many times, and so I can only imagine how many times the band has been asked. That band is the Electroliners, an original country band and one of the rare groups where we can add “western” onto their description.
Most people not from Omaha probably think the clubs and streets are full of country musicians looking for gigs. The reality is that Omaha is a little starved for local and original country music as there are really only a handful of artists in town. Two members of the Electroliners, Travis Sing and Kate Williams, helped create that void when their popular band the Black Squirrels disbanded a few years back. They are now back onstage with Doug Kabourek (Fizzle Like A Flood, the Movies), Patrick D. White (the Third Men) and Stephanie Krysl.
The Electroliners are real-deal country and western band that swings and sways with lyrics that cover many of the traditional topics. The band is is nominated in this year’s Omaha Entertainment and Arts Awards for Best Country/Americana. You can help them celebrate the release of their new EP at the Waiting Room Lounge, 6212 Maple St., on Saturday, January 4th, with the Love Technicians and Mariachi Zapata.
I spoke with bassist Travis Sing this past weekend about the band, the upcoming EP and his other projects.
MarQ – How did the Electroliners get together?
Travis Sing – I was playing in Girl Drink Drunk with Pat and we were talking about old country music and stuff. I met Steph separately and would see her sing country songs at karaoke. I was missing Black Squirrels and here were three of us that were like-minded and so we met up and swapped CDs. I thought that Pat and I would be the ones writing material. Steph showed up and was like, "I wrote a song," and it was really good. So we have more than enough material with three songwriters. We had Wayne Brekke and Corey Webber in the group originally, but they fell off and we talked Doug into playing and I asked Kate to join. So it is a half-Black Squirrels reunion.
MarQ – What are some of the projects you have played in?
Travis – Darktown House Band from 1995 to 1997. That was one where it was folky and had a jazz thing and I got to play upright bass and it was a lot of fun. I moved to New England and played in a band there, and I played bass while they played banjos and stuff. We moved back here and I bought a standup bass and met Kat and already new Kate, and have for awhile, as we went to Creighton together. I had that upright bass and hadn’t played it for a couple of years and that became Black Squirrels. I still get people asking about the Black Squirrels even though that was three years ago that it was done.
MarQ – You guys subtly look the part of a country and western band. Was there thought put into that?
Travis – Not really. Steph wears the square dance dresses and Pat has some western shirts that he wore in the the Third Men and I have my western suit I bust out sometimes. It wasn’t that thought out, but I do like to dress a little better in this band.
MarQ – Do you write separately or as a unit?
Travis – We just bring our own songs to the table. Everything is similar enough that it keeps everything cohesive.
MarQ – What has been the reaction to the Electroliners?
Travis – For the most part, people seem to like us and the music is mostly upbeat. We still deal with those classic country themes, though.
MarQ – There are not a lot of country artists in town playing your style. Do you find it hard to fill out live lineups?
Travis – It’s great to play on a bill with Matt Cox or the Filter Kings, but I like eclectic bills and playing with other bands. I wanted something different for this CD release party, so I was like let’s get a Mariachi band! Steph, Doug and I are Love Technicians fans so we had to have them on the bill.
MarQ – How many bands are you currently playing with?
Travis – Three bands (the Electroliners, Whipkey 3 and All Young Girls Are Machine Guns) and I have my solo project that I need to start focusing on.
MarQ – Is it hard to balance out your schedule?
Travis – I have just gotten adept at it. I have rarely had a double booking. I think once or twice I got really stupid and booked when I had another band playing. Consider me lucky I guess.
MarQ – What are some of your favorite songs on the album, or to play with this band?
Travis – I really like “Last Picture Show” because it is my favorite movie of all time. I was going to write a tribute song to it, but not with the plot, but pictures and imagery. I wrote a song about a movie that is about a book. I like playing Steph's song “Francine” a lot. It is the first song on the EP and I had a stupid little bass riff I made up a long time ago, and we did it and and we liked it. How many songs start off with bass? Pat has this song about that is a groove, and how many country songs have a groove? They are fun to play and it is always a challenge as a songwriter because the song may be good but you have to play this again. Your part is what you make it.
MarQ – What sets your solo project apart from the other groups you play with?
Travis – I set out with that to be more of a goth country type of thing. Not every song is a dirge in a minor key, but it would not fit the Electroliners very well. It is more geared towards old dark folk stuff although not 100 percent.
MarQ – Do you see yourself as a group playing around Omaha or a band that will eventually tour?
Travis – Everyone is busy with their jobs and Steph has her family and that is fine with me. I like to go play in Lincoln or would do a one-off at the Chesterfield (Sioux City) or KC, but no real plans to go out of town and do that stuff. Now that we have a recording we should be playing a lot more around here.
MarQ – Who did you record with?
Travis – With Jeremy Garrett at his studio. It was great. He is one of those guys that is really relaxed and if something needs to be fixed he will be fair in his assessment. We recorded live with no click back so it has a live a feel to it with a little polish, or as Pat would say, "Travis, sprikle a little fairy dust on it."
Local rockers reunite for show at the Waiting Room
By MarQ Manner
The late-90s and the early-2000s was a time when local Omaha music was on a massive upswing. Omaha bands like Blue Moon Ghetto, Grasshopper Takeover and Clever were getting radio airplay locally and hitting the road. 311 already had their own “day” and festival somewhere other than Omaha, and local bands could fill the clubs. Saddle Creek Records artists were taking off in a different direction through a different scene adding to the diversity of the musical culture.
One band in the thick of the local scene was Mandown (pictured above, circa 2013).
Members of Mandown had been in Old Boy Network and Blue Moon Ghetto and were looking to have some fun while creating music. Mandown played shows locally and regionally to increasing success and in the end they put out two albums, including the lauded "Shoulders," which spawned the regional hit “I Would Fly Around You” (The Helicopter Song). The band would tour aggressively, “take it seriously,” get some label interest, and eventually called it a day.
Mandown put on some of their most memorable shows at the Ranch Bowl in the time after the release of “Shoulders.” The band had improved on those songs live and were also bringing new material to the stage. The shows were one big sweaty, bouncy party that people in that scene tried to never miss out on. You were always going to have a good time with a lot of people and probably get pretty drunk and dance until the end of the night at a Mandown show. Now, over 10 years later, Mandown will finally take the stage in Omaha again in our new party central, Benson, to perform at the Waiting Room Lounge, 6212 Maple St., on Monday December 23 with reuniting contemporaries the Fonzarellies and 8th Wave. Advance tickets are on sale through Etix and Homers Records in the Old Market.
I met up with three of the four members of Mandown this past week at Jerry’s Bar to discuss what the members have been up to and what brought about this reunion after so many years.
Marq - Give me a brief history of how the band originally got together.
Joel Kassera - Dave (Backhaus), Vince (Giambattista) and Jim Watson came into Homer’s when I was working there and asked me to play drums for Old Boy Network, which I did at the very end. Jimi moved away and we didn’t want to quit. These two guys were like, “You want to f*** around?” and five years later we are boxing in a parking lot in Arkansas.
Dave - We were all doing music full-time, and when all of our bands went defunct and we were looking for something else.
(There is then a debate on all of the facts about how they actually got together)
Joel - Apparently, we have no idea how it started. In the end it works out great because we are having a s**t ton of fun. There is nothing else we want to accomplish, but have fun.
Vince - Counting our blessings. Counting our ranch dressing.
Joel - I hate when people put ranch dressing on pizza.
MarQ – What were the highlights of Mandown to you guys?
Vince - “Helicopter” was a big hit.
Joel - Having a song on the radio. Playing the House of Blues in LA. Potentially getting signed and doing some showcases.
Dave - We did a showcase in San Diego and played in front of two radio execs in suits in the middle of the day.
Joel - That wasn’t a highlight-that sucked. Plus, we hit a skunk and stunk. Sitting in the House of Blues in L.A. in the dressing room was a big deal for us. That was a highlight.
Dave - When “Helicopter” was on the radio that was our summer of headlining the Ranch Bowl.
Joel - There was a time when all the bands were getting along, and partying and there were a lot of happy people.
Joel - That is why we are having 8th Wave and the Fonzies play.
Dave - That was a show that happened a lot back then.
MarQ - Who are some of your other contemporaries from that era?
Dave - We played with Pomeroy, Anchondo, Jank 1000, Straight Outta Jr. High, Backlight Sunshine. We were plugged into that Weezer/Foo Fighters pop rock scene-that up-tempo pop rock scene.
MarQ - You have recently put the album “Shoulders” up online again on Spotify and iTunes. It still holds up. How does that feel?
Dave - I felt good that a few people told me that. A guy in Texas told me that. I want it to still be meaningful.
Joel - There is always the wish of what we could of done with what we put on it, but living in Arizona for a long time people that heard it there said’ you should still be playing this music.
Dave - That is why we haven’t played in a long time is because Joel moved to Arizona.
Joel - The songs that we played live, that we didn’t record – we are going to try to record them. There are some loose plans to do more. People want this show to happen and maybe they will want us to put something down. I want to record those songs as they are memories and moments for me that I want to have.
Dave - They are our body of work and we want to have them for ourselves.
Joel - This isn’t about “Hey look at us!” This is about come rock out with us.
Vince - The people that still remember us.
MarQ - Well you guys got quite the reaction on social media when it started to leak that you guys were hanging out and then eventually doing a show.
Joel - That may be one of the better moments around the band. The vibe of the picture that Chris Crutcher took.
Vince - Every year someone asks me about Mandown.
MarQ - Just one per year?
Joel - It’s his mom.
MarQ - When Mandown played, what did you want to accomplish on stage?
Joel - We went for pure adrenaline. We beat ourselves to death in practice. We definitely tried to pull energy out of a crowd.
Dave - We felt like we found our sound on “Shoulders” and that it had a lot of hooks and that was what we were going for. I think we all liked rock music.
Joel - We were all closet hessians.
MarQ - What have you guys done in the past 10 years?
Joel - I became an adult. I worked at one place for nine years. I bought a house. I kind of grew up. I kind of got away from music. That is what makes this so much more awesome. I miss it. I got away from it enough that it is new, exciting, and real and fun again. Down there I just took a break and recharged the batteries. I am still kind of grown up but I still like to get crazy. I have gotten married and have a baby girl on the way.
Dave - When he would tell me that he didn’t have a guitar anymore-I was like ‘wow he really went away’. We missed him. It is exactly what he said. It’s full circle, back to the beginning and its fun for us again. We are friends again. We were doing it for real then and things got serious.
Vince - We were touring and trying to take it somewhere.
MarQ - What about you Vince and Dave? You have both remained very active in the Omaha music scene.
David - I have played in Prospect Ave, Malpais, Lonely Estates, Old Boy Network and Secret Weapon all kind of at the same time.
Vince - Ten Club, Blue Bird, I was in Secret Weapon for a moment. We revisited Old Boy Network for a moment.
MarQ - How about the drummer Scott Evans who is actually practicing with another band tonight?
David - He is and was in Secret Weapon, Two Drag Club, Malpais, Lonely Estates and Old Boy Network.
David - In my personal life I got married and that was nice. Honestly, I have been chugging along. I have always been playing music….if something breaks up I always have a group of talented friends to play with in new projects.
Vince - I rebuilt my front steps last summer.
MarQ - What have practices been like?
Dave - A lot of laughs, a lot of fun and a lot of memory juice. Like Joel said we were always trying to better the songs and make them better. So we tried to remember them the way they were live before we broke up not how they are on the album.
Joel - We are putting some new twists in there also. When we are playing in the basement it feels like we are playing in front of 10,000 people. This has been one of the longest months of my life. I haven’t played a show forever. I have been telling the guys that I wish I could take a nap and just wake up on Monday. I cannot wait to play in front of these people again.
Dave - Mandown was a time when we were really trying to do music. We toured a lot and tried to make music a career. It is fun to get with the guys again to get back with them again.
Joel - It’s fun being with the guys and it’s like we are playing the first show that we have ever played. It’s almost explosive at times.
By MarQ Manner
I have been catching up online with longtime Omaha artist and now Seattle transplant Jonathan Friedman about his new solo album, Pop Rock Overflow. The album was released this past Tuesday and features fun, pure pop songs – some retro-flavored at times, and even piano ballads (a rarity in pop music these days). Jonathan is well known to both original music fans and those that enjoyed popular cover band Hi-Fi Hangover. There are no plans for Friedman to tour at this time, and no Omaha solo shows on the books, but people can grab his new work online at CD Baby through this link http://cdbaby.com/cd/jonathanfriedman1
Jonathan and I talked about the new album, his career and the differences between Omaha and Seattle music scenes.
Marq - Tell me about your career thus far.
Jonathan Friedman - I've had a long career in music. I have played in some great original acts (Orange, The What Ifs, Old Boy Network). I've been a solo artist, a front man, a sideman, a songwriter, a producer, a collaborator, but I always seem to keep coming back to the solo artist thing. I put out my last solo album "Seattle" in 2007, in the time since then, I played a ton of shows as a solo acoustic act, opening for Smithereens, Robert Randolph, and Vertical Horizon. Most recently, I was playing in Omaha party band Hi-Fi Hangover. I learned a tremendous amount while in the band about entertaining and was fortunate enough to play with the best of the best....but during that time, I never stopped writing.
Marq - You live in Seattle now. What brought you there?
Jonathan - I relocated to Seattle last January with my wife and kids. She works and I'm a stay-at-home dad now, but I do make myself write or record every single day. My family lets me call myself a songwriter as my main gig, so I do try to act like one.
Marq - What are some of the differences musically between Omaha and Seattle?
Jonathan - I think that the differences in music scenes between Omaha and Seattle are enormous. So many more venues and eclectic styles. Not all of it is my style or liking, but I definitely respect the energy that comes out of living in a "music town." It's pretty huge. EVERYONE is a musician.
Marq - Is your new album “Pop Rock Overflow” something that you did just yourself?
Jonathan - I have recorded most of my solo stuff on my own and this one certainly is not much different. Scott Evans played drums for me and I also was honored to have two of Omaha's greats (Dereck Higgins and Dana Hancock) both lay down some solos for me. I also managed to get Jim Homan (owner/engineer/producer at Screendoor Studios) to actually play guitar on a couple of tracks, as well, as mixing it for me, which he did 100 percent through email. I'd record the parts in my home studio and then send them to him. We've worked together a lot in the past, so I think he knew exactly what I was looking for. I really can't recommend Jim enough for this kind of project, or any for that matter.
Marq - This album as many of your past works has a pure pop feel to it. Are there some new band in the genre that you are enjoying?
Jonathan- I have always been a pure pop fan, even during the deep dark days of '90s alternative. Funny that I should end up in the birthplace of all that. Seattle is pretty punk still, but I think my love of popular music kind of makes me punk rock in my own kind of way. It takes a brave man to publicly honor some of the dirty secrets on my iPod. I could really freak some people out. I mean my first three concerts were Billy Joel, Huey Lewis and the News, and Richard Marx. As far as new influences, I have to admit as I get older, I do find myself looking back more often than looking forward. That being said, there's a great new band in Seattle called Pickwick. I definitely am into what they are doing.
Marq - This may be your strongest vocal performance on an album. Have you done anything differently?
Jonathan - I appreciate the kind words about the vocals. I think for the first time in a very long time, I actually believe the lyrics I wrote and it shows. There's some real emotion going on there. It's an album about the aspects of love, and that's pretty easy to get emotional about. Add to that, the fact that I just got out of a 2 1/2-year stint with a band that played every single weekend of the year. Because of that routine, I figured out a few things about my voice that work better for me. It took me a long time to learn to appreciate my own voice. I mean, who really does? I'm at a place now where I recognize my voice and style and it feels organic and true. I guess that translated to confidence.
Marq - Tell me about the song “Jake Ryan”? This song obviously speaks to people our age.
Jonathan - Jake Ryan is a song that I wrote for my wife, as is the entire album. He was the dream, right? She obviously had the same crush on him as every other teen girl from the '80s. What better comparison is there? I'm just simply telling her that in essence, I'll be your '80s dream forever. My wife and I have had some special moments together that have felt like a John Hughes movie and we have often joked about it through the years. I got to have a lot of fun with some of the references in that song, as well as the overall arrangement. It's very true to the era.
Marq - How about “Live or Memorex”?
Jonathan - "Live or Memorex" is about a real thing that happened. I found an old cassette mix tape belonging to my wife in a box of memories, from an old high school boyfriend of hers. It was all very innocent and all, but it got me thinking about the pain of break ups and does one ever really get over them? Basically, the song is a big metaphor for feeling yesterday's pain today. "Is it live (happening now) or Memorex (from the past). Seemed like a clever way to tell that story. There's a lot going on in that one. Past vs. present, digital vs. analog. Lots and lots of metaphors.
Marq - Will you be touring on this record? Any Omaha shows?
Jonathan - I will not be doing any touring right now. I am currently much more interested in developing my writing and recording skills. I am still kind of shell shocked from the sheer volume of gigs that I have played over the last five years. It feels good to hang out in the studio for a while. As far as playing any Omaha shows, I will be returning back to town for Thanksgiving for about a week, and I am going to have to drop in on my old band, and if the mood and timing is right for a solo show, then maybe.
Marq - What are your current goals for the future?
Jonathan - My goals right now are quite lofty, but that's why we have them. I am currently recording my next project, which is a 23-song concept album. It should be out sometime in 2014. Along with that, I am also working on my own record label and will doing something very exciting with it in the very near future.
4-day festival moves to Sokol Park in Belleviue, opens Thursday, Sept. 4
Hullabaloo Music Festival
Thursday, Sept. 4 - Sunday, Sept. 8
Sokol Park, Bellevue
By MarQ Manner
In its third year, the Hullabaloo Music festival has booked its biggest lineup to date. Spearheaded by Nebraska touring artists Kris Lager Band and specifically band member Brandon Miller, this year marks a move from Riverwest Park by Elkhorn to Sokol Park just past Bellevue. Miller promises much of the same experience that Hullabaloo fans had at the previous location, but enhanced. The four-day festival begins Thursday, Sept. 4, and runs through Sunday Sept. 8. Included amongst the more than 40 artists are hip-hop duo Blackalicious, Aaron Freeman (Gene Ween formerly of Ween), Monophonics, Icky Blossoms and Samantha Fish.
There will be many bands that Brandon and the band have become fans of through their touring around the country, as well as a wide variety of local musicians. I have attended the past two years, and this is one of the most relaxed and enjoyable festivals I have been to. I met up with Brandon a couple of days before the festival to learn about the new changes and where he would like to see Hullabaloo go from here.
MarQ – How did you come up with the idea for Hullabaloo?
Brandon Miller – Four years ago, when I joined the group, I wanted to do a farm party. I thought it would be fun to have some bands out there. I thought this could be that band that goes out there. The owner of the barn thought about how big it could become and the liability out there. So we decided to move it to the Anchor Inn and then that flooded. So we had it at Riverwest Park, and that was three years ago.
MarQ – Why the move from Riverwest Park?
Brandon – Bill Novak started to have about three or four festivals out there last Summer and the neighbors complained about the noise. They circulated a petition and there was only like 25 signatures on there but the city made them stop at doing music at 10 p.m. And that pretty much kills having a camping festival out there.
MarQ – What can people expect at Sokol Park?
Brandon – Sokol has a lot more room for growth, a bigger parking lot, it has an indoor venue and bar area, there is a shower, working toilets, and it is really easy to find. It is closer to downtown and midtown, there is a built-in grill, and there is a tunnel walk like at Riverwest, so we can trip out and do the Electric Forest still.
MarQ – What has been the reaction to the lineup this year?
Brandon – It’s been really solid. There are a lot of people excited about Blackalicious and the entire lineup. This one of the best lineups that they we have seen here in town.
MarQ – Who are some other bands that people might not know about yet?
Brandon – Henry and the Invisibles are going to blow minds this year. He was at Wakarusa and he stole the whole weekend. Sophistifunk was one of the show-stealers last year and we got them back again. Those are two of the highlights, but there is a lot more.
MarQ – You also got Icky Blossoms on the lineup.
Brandon – I really wanted them last year, but at the same time Maha wanted them. They will fit really well with our Friday lineup. They have some great acts playing with around them. We had to wait to announce them a month ago because they were opening up for Phoenix. So Friday is going to be a great night of music.
MarQ – The festival gets branded around the Kris Lager Band, but this is your baby right?
Brandon – I do the majority of the work for this festival and Kris is doing a lot more this year and Jerimiah and John and my father and my mom. I want the glory to go to the band, but it is funny and Kris Lager laughs at it because a lot of people go to him and say great job. It is an ongoing joke between the both of us.
MarQ – What is new this year?
Brandon – We are adding a lot of stuff. We are going to be doing midnight movies every night, a burning man-style bonfire, a parade on Friday night, a community art project, and a nine-hole Frisbee golf course. Every year we are going to be more extreme. Going back to the surprises for bands this year – Blackalicious is going to be bringing Lifesavas, a crew from Oregon, with them. So that is going to be a surprise and that is going to be dope.
MarQ – How large would you like this festival to grow?
Brandon – I would like it to keep growing, but I want to keep it intimate still. I would like to one day pull in an act that is Bonaroosa level but keep ticket sales to a minimum and keep it interesting. It might be tough to do that. I would like to have the same headliners from that festival in a smaller more intimate setting without all the big crowds. I really want to throw the best party that we can and make this the best festival. We will do that with more years, attendance and support from the community.
MarQ – How many stages will you have this year?
Brandon – We are going to have three official stages and then one stage that is already built out there that we are going to let anyone do what they want. They can do drum circles and acoustic or whatever they want to do.
One stage is going to be inside during the peak heat hours so people are not roasting in the sun.
MarQ – What sets this festival apart from other events in town?
BRandon – The heart of a music festival is in the camping and the overnight stay. It becomes a community and you are going to be living next to these people for four days and four nights. Everyone is really accommodating and everyone is very generous and kind. They treat the property very well and people here actually pick their trash up and make sure they keep their area clean. Having that multi-day festival is where it really lies. We are trying really hard to put a lot of emphasis in production and attractions. We want to make sure there is a lot to do to give it that big festival feel. We will have big screens with a camera crew getting shots of musicians. I love the other festivals around here also and we are all different. Musically, we have a wide variety of music as we have funk soul, blues electronica and everything in between all rolled up into one event.
MarQ – What vendors will you have this year?
Brandon – We have some great vendors. We have Chik-Fil-A, Star Deli, Ty’s Amazing Cajun, Island Seasons, Dippin’ Dots, Hy-Vee, vintage jewelry, tie-die, massage therapy, pottery, paintings, and one really cool things is that we have Sammy Sunshyne on board. She will be doing workshops with some of the artists. The Flying Worm will be there, Irie Moon sunglasses. A wide variety of food and art.
MarQ – Make your closing pitch to get people out.
Brandon – I give my personal guarantee that this is going to be one of the best events of the summer and I hope the community comes out and supports it this year. Everyone that has been there until now knows how good it is. This festival really has something for everybody. It’s not your standard hippie festival and we have a diverse lineup and activities that everyone is going to keep everyone entertained.
By MarQ Manner
We Be Lions
With Purveyors of the Conscious Sound, Sidewise, and Artillery Funk
9 p.m. Friday, August 30
Waiting Room, 6212 Maple St.
Popular rock band We Be Lions plays Friday at the Waiting Room Lounge, 6212 Maple St., with a focus on raising money for their upcoming CD. The band features some long-running members of the local music scene, dating back to their time headlining the Ranch Bowl on numerous occasions as Slang 5.
Members have been swapped out since I last spoke with them a couple of years ago. We Be Lions are trying to get to the point where they have members that can tour and play out of town. Vocalist Cody Fox says that he has been focusing more towards singing, with less of their hip-hop influence. I met up with members of the band before a recent practice at Louis Bar and Grill in Benson.
MarQ – So what has changed since we last talked?
Cody Fox – Everything has changed. We have three new members and added a second guitar player.
MarQ – I asked you the other night why you guys are not out on the road more.
Cody – I have been getting that question all the time. Why are we not touring? We are getting people in the band that will allow us to do that.
MarQ – How extensive would you like to get with touring?
Cody – I think right now it doesn’t make sense to tour during the week. We are doing more shows trading with other bands to build up those markets. Next year, we would hope to have the support to go out on a tour that makes sense. Dave (Campbell with Midwest Elite Concerts) is good about getting us shows with good bands. I think we are going to like California and Missouri. I really want to get out to Colorado.
MarQ – You have put out some recordings since then.
Cody – We had an EP about six months ago. It was about two months after the new members joined and we wanted to get feedback on what people liked. We made 2,000 of them. We gave them out for free and we had feedback from people. Basically this new album now is based off of the feedback of that EP. We want to be happy with it for ourselves and we are happy with it, but we want to make other people happy with it, too.
MarQ – So this isn’t your CD release this coming Friday?
Cody – We didn’t want to rush it. If we can’t be 100 percent professional like the big bands, we don’t want to do that. We want to look the part. We are going to probably do it in December. We are going to do a Kickstarter and this is the kick off for that.
MarQ – How has the band evolved of the last couple of years?
Jake Pirruccello – We lost a member and so the keyboards are gone. The new members are more rock based.
Cody – I do a lot more singing and it is definitely different. We have a group of songs and whenever we put out an album they say it is a good thing, but I think it is a bad thing that the songs have a different feel to it. I want to have a fingerprint and these songs have a particular sound and you can’t put your finger on in.
Jake – Yeah, you are doing more singing and not as much rapping.
Cody – I think I did my fair share of rapping and hip-hop and the stories. I am trying to play that wordplay and work it in different ways. That is what I am trying to do with the lyrics and signing. I have been taking singing lessons for a year and a half. My throat for a while was really bothering me as I was signing the wrong way. The lady I have been going to has fixed that. It’s changed the way I look at music, too. I am learning piano and theory.
MarQ – You have been doing this a long time. What is your take on the rock scene in Omaha right now?
Cody – I will see some shows and I will feel like the people are not into it as much as they should be. Like when Jane’s Addiction came to Omaha and everyone was looking at me like I am weird for jumping up and down and dancing. Then you go on a Monday night to the Waiting Room and there are 50 people in there and they are into it and yeah, and they love it. You can go to somewhere any night of the week and see a good musician in this town. Sometimes people do not recognize it. It needs a place or a leader or someone to get it together. That is one of the reasons we are working with Dave. He is trying to make it about being friends and he is trying to build that scene up and build that up to support each other. I feel like that is happening again. That hasn’t happened in a long time.
MarQ – When you are writing where do you get inspiration for your songs?
Cody – When you are trying to find something write about 3 a.m., I try to write about personal stuff because it is like therapy and it allows me to get it out. We were handing out fliers at Irritation and this kid was like, " You wrote a song about a family dealing with addiction," and this kid remembered the song and came up to me and told me how much he related to that song. That has never happened to me. That is why I do this.
MarQ – What subjects do you write about?
Cody – I have a lot friends that are into conspiracy theories and we kind of find it interesting, and so I like to write about that stuff also. I always used to write about girls and I felt like I got worn out in that vein. I am trying to find new things to write about. Conspiracy theories and family and that is me stepping out of the box.
MarQ – What is the ultimate goal for the band?
Cody – We really are trying to go all the way. We want to have this for our jobs. That is the ultimate goal. I always tell these guys that we are trying to get to that point to make it an easy choice. We are trying to be as smart as possible. We are trying to go all the way.
The multi-act, daylong event is finally here
By MarQ Manner
It seems like Maha took a lot longer to get here this year, but this Saturday August 17 is finally the day. The weather is looking good and the sun looks like it will be shining on Stinson Park again this year. The lineup is two indie rock heavy hitters, a punk legend, an Omaha favorite, a big buzz band, a possible breakout artist and many great local mainstays. Maha will also be featuring an expanded non-profit display area, a comedy tent and the usual drink and food options.
This year, much like the past two years, it is recommended to come and stay the full day. There is not a bad or mediocre act on the lineup, so why not hunker down for the long haul? Here is an overview of what is in store for you.
The first band onstage Saturday will be Purveyors of the Conscious Sound, an Omaha hip-hop group that was the top vote-getter at the Omaha Entertainment and Arts Awards Summer Showcase, which got them this spot. The band has been opening for a lot of national hip-hop artists coming through town over the past couple of years and their recent Maha showcase and CD release party was in front of packed houses. They are a fun group to watch live and have some very catchy songs. Liz Graham’s vocals puts these guys over the top.
Kicking off the Weitz Mainstage is Omaha band Millions of Boys. The indie-pop band is a go-to for many of the larger Saddle Creek bands to take on tour or have on their local shows. The band's debut album "Competing For You" is 25 minutes of fun, raw pop songs. And though only a trio, the band can fill up a large stage.
Back at the Centris Stage is Hers, which is an intricate four-piece band with a lot of focus on instrumentation and outside-the-box thinking. I haven’t seen the band live since they changed their name from Honeybee & Hers, and it has been said that their sound has changed some since that time. A quick listen to some samples from their upcoming album “Youth Revisited” also point to that. There might be a few more slightly aggressive and gritty moments from the band coming up. I am sure we will get the picture of where the band has evolved to at Maha.
The first non-Omaha band is next on the mainstage, with Sons of Fathers, a Texas-based folk-rock act. The band's harmonies and rootsy instrumentation should be perfect for a nice afternoon in the park. The band of course draws comparisons to Mumford and Sons, Dawes and Avett Brothers, and I am not here to dispute that. If you are a fan of this new folk rock movement this is the up-and-coming band to see.
Next up on the local stage is Rock Paper Dynamite, who have been headlining shows around Omaha for years now. The RPD boys have released multiple albums and EP’s and have toured the country. They are one of the most energetic live bands in the area and seriously have songs that will stick in your head for days. The band has a slightly southern lilt to their music, a la Kings of Leon and Black Keys.
Over on the main stage is Thao & The Get Down Stay Down from San Francisco, California. This band has been putting out eclectic albums for almost a decade now and are just recently starting to see their name rise in the indie ranks. This is my second-most anticipated national band on the Maha lineup. Musically, the band is all over the map with their songwriting and instrumentation and I cannot wait to see how it all comes out on stage. I have a feeling that front-woman Thao Nguyen is going to be a treat to watch onstage.
Legendary Lincoln band the Millions(NE) will close out the afternoon with what is said to be their final performance. The group got together for a one-off show recently to promote some of the band's reissued music. They decided to stick around for a few more shows, but this is the end. I just saw the band recently at the Waiting Room and they are just as good as they were in the early '90s during their heyday. One of only a handful of artists out of Nebraska to sign with a major label, the band’s songs are going to sound great soaring over the park.
There was a time when I could not go into a midtown bar and not
hear the Thermals' “No Culture Icons” off the band's debut album on a jukebox. The Omaha indie scene has loved this band right from the get-go. Now they are signed to Omaha’s Saddle Creek Records. They are a great live band and their songs will bring a certain intensity to Maha. The front of stage should be filled with many standing and dancing at this point.
Saddle Creek Records band Criteria will perform on the Centris local stage after the Thermals. The band pops up every now and then and does a show seemingly to prove that they haven’t disbanded. It’s been 8 years since we have gotten an album out of the band. No worries, though, because we are perfectly happy that the always-great live band still shows up and plays. The band’s debut album “En Garde” is one of the best albums in the label's catalog.
The artist I am most looking forward to is Bob Mould. Mould is the leader of Minneapolis punk band Hüsker Dü and alternative jangle pop band Sugar. He has put out many amazing solo albums also – his current album “Silver Age” is amongst his best. This should be a full-on rocking set and hopefully loud. Bob Mould might be in his prime at just-over 50 years old.
Digital Leather will close out the Centris stage and should be one of the more entertaining sets of the day. This is the band that will turn the heads of any of the uninitiated in the audience. Shawn Foree transplanted to Omaha years ago and has been using Omaha musicians in his project, which now includes the Faint front man Todd Fink. The band is excellent live and it will be interesting to see if they bring out some of the earlier synthy material or stick with the guitar-driven sound they had been running with.
Matt & Kim are next on the mainstage and I think they will probably give the Flaming Lips a run for their money. This band has been slaying on the festival circuit this summer. I can’t think of a more energetic duo, as they give the audience everything they have throughout the entire show. The band’s upbeat pop songs will have the audience dancing and jumping for sure. It’s going to be a party.
Headlining this whole Maha shindig is of course the Flaming Lips. This is the biggest headliner they have had to date and one of the biggest bands out there. This is actually the band's 30th year, although they really didn’t hit big until “She Don’t Use Jelly” in 1993. The band kept growing at that point, both in terms of popularity and as a band. The experimental and psychedelic band produced some of the most cherished albums of the late-'90s and early 2000s. They are now known just as much for their live shows, which can include confetti cannons, mascots, and gerbil ball crowd surfing from front man Wayne Coyne. It will be a spectacle that everyone should love except maybe the clean up crew.
The Beat Seekers
New album puts Omaha band at center stage Friday @ Waiting Room
With the Architects, Bullet Proof Hearts and the Warnings, plus special appearances from OK Party Comedy
9 p.m. Friday, August 2 @ the Waiting Room, 6212 Maple St. (waitinroomlounge.com) $7
By MarQ Manner
The Beat Seekers new album Loud and F***king Clear sounds like a mix of the many things that frontman and songwriter Keith Fertwagner has been involved with throughout his career. There are huge pop hooks, punk ethos, snotty aggression and at times that retro feel of something out of the garage, circa the 1960s.
Fertwagner’s storied career has seen him in one of the bigger Omaha bands at the turn of the century, the Fonzarellies, touring Japan, living in Los Angeles, and joining a band with L7’s Jennifer Finch before moving back to Omaha to start again with his band the Beat Seekers. That band has gone through many lineup changes over the past couple of years, including the departure of Keith’s brother Kyle Fertwagner. Keith has soldiered on with a group of young musicians, including 17-year-old Michael Minckler. I met up with Keith and the band this past week to talk about Keith’s history and the new album. You can catch the Beat Seekers live at their CD release show at the Waiting Room, 6212 Maple St., on Friday, August 2 with Bullet Proof Hearts, the Architects and the Warnings.
MarQ - First, let's talk about the video you just released in which there are punk rockers and hipsters involved in a game of dodgeball. Who came up with that idea?
Keith - That was me. I was working at School of Rock and there was that old gym and I thought it would be great to make use of that gym. I originally had a basketball idea with people pushing off and taking the ball and then one night it became dodgeball. I let Aaron Gum run with the idea and he started rolling with that. I got Thad (Teply of the Fonzarellies) involved and it was his idea to do Beat Seekers vs. hipsters. Everybody had some ideas and some made it in and some did not. I had that initial seed and that brought it in, but Thad and Aaron really brought it in. Thad has a great sense of humor and I have to give him credit for that video.
MarQ - When did you start playing music? What was your first band?
Keith - I played in a little garage band with my brother and Mike Akenbauer. Mike was the dude and he got me into everything, as he is four years older. He lived down the street and collected records and got me into the Ramones, the Stooges and and soul and blues music. At an early age it was cool to listen to this and this and this and listen to Albert King after. We never went anywhere but then we joined the Magpie Faction and that was pretty thrashy. That was the catalyst to the Fonzies.
MarQ - The Fonzarellies were involved in a lot of stuff. Message board fights, big shows and tours of the states and Japan. Is this where were you knew that you are going to be a lifer in this rock and roll circus?
Keith - I think that happened before that. I think I figured out that is what I wanted to do. This band has been the same way as with the Fonzies in that people tend to move on. I try really hard to keep it together. If you have any dead weight you have to cut it. It is unfortunate.
MarQ - Do you find at your age it is hard to keep people in the band because they are having families and kids?
Keith - Yeah, but I have two kids. It is situational, though, and people are different. I have always considered myself to be a lifer and I don’t know anything else and I don’t want to know anything else. Some people have one foot in the water and one foot somewhere else and I am a dive in head first kind of guy. I have run into this in this type of band. Before I had kids, I didn’t plan on having kids, but this wonderful lady that I had kids with knew what she was getting into it with and I am a pretty good dad. This is something that I had to do and it keeps me sane. Without it there would be a huge void in my life and I would be an a**hole. At the end of the day, it is better for the kids that I do this.
MarQ - How old are your kids?
Keith - 5 and 3, I have two girls and they are super sweet. They are used to it and they see it a lot. I have a lot of people that come out here from all walks of life. I have an eclectic fan base and they are well-cultured. Some times they will draw on their arms so they can have their own tattoos and I am not encouraging it. They will probably grow up to be doctors or lawyers, as they are really smart.
MarQ - Tell me about your time in LA.
Keith - I was in the Fonzie’s and it was coming to a head and I decided to hop on a bus and go to LA. It was an irrational decision and I hopped on a Greyhound and was sleeping at my buddy's house and working at Fender Guitar and getting up at 5 a.m., which I never did well with. He knew her, Jennifer Finch, and caught wind that she was looking for a guitar player. I learned the record and got the gig and I did that for six months. Toured around. They were called the Shocker. That is how I met the mother of my children as she was the bass player for that band. Once the band caught wind of that it was weird and we bolted.
Through that band I met the guitar player for my next band. It was from a guy form F Minus, Duane Peters of the Huns and US Bombs. So I started playing with them singing and playing guitar. We did an EP and went on tour in England and went on tour with Social Distortion, but people started not getting along and I was sick of LA at that point. I had been there for three-and-a-half years at that point. I was doing some reminiscing about Omaha. I just wanted to play in a band with my friends and started the Beat Seekers with all the guys in the band who are not in the band any more. It was very business-oriented out in LA, not that there is anything wrong with that, but people take themselves too seriously. I think it is fun and a lifestyle whether you sell a million records or 100. I wasn’t getting the vibe.
MarQ - Tell me about Loud and “F***ing Clear
Keith - I think that this stuff that I revisited that past and I am getting back to my roots a little bit. We did a record between the last two that I think should have been a solo record. I wrote that in a couple weeks and we were on tour and a couple of guys wanted to go home, and I went home and was depressed. I was all over the place and that record is kind of downer. It's funny, as that is my dad’s favorite record. I used a lot of piano, organs and synth and stuff…a lot of vibraphones…I like it. We were playing that stuff live and I was not feeling it. I wanted a record that we could go out live and play aggressive and one that was more a kick in the nuts. Most of the music I listen to is old and the '60s and '70s are big for me, era-wise. There is some Thin Lizzy guitar on here and I have always been into pop music. If a song doesn’t have hooks, and that is my gripe today, where are the hooks? If it doesn’t have hooks, I don’t want to listen to it again. I want something I can sing along to.
MarQ - Are there any songs on the album that stand out to you?
Keith - A lot of it is social and political and I like to write about people. These are not my experiences, but kind of from the looking glass and observational. The first song “After Party,” it is almost about us as a civilization and that we are already too far gone. We are past the point of repair. That can go into things like things like climate change and what not. I am not either side, but I am thinking about it. A lot of these songs, like “Trails of Tragedy,” it is a simple line, but we do not know who we are anymore. Our generation is the last to not remember having a cell phone, accessing the Internet, riding your bike around without worry. So what is the next 20 going to look like? A lot of these songs…I have kids…I see the world a little differently…whereas 10 years ago I didn’t give a f*ck. I look at these songs and they are downers in a sense, and it is bittersweet because they have the pop in them and they have the hooks. If you look at the lyrics they are dark, but they are f**king pop songs and super catchy.
MarQ - Who are the new guys in the band now?
Keith - We started with Nate Van Fleet, and he joined the band about a year-and-a-half ago. He is younger and I met him through him teaching at School of Rock. I had hired him and he has a lot of energy and he is a jazz guy also. He is very good. We got along right away and he was there for the picking.
MarQ - Michael, how did you join the band?
Michael Minckler - I was 16 at the time and Keith was talking about how they were looking for a bass player and I brought it up as a joke. Then I brought it up every week that I would do it and eventually he was like, yeah.
Keith - Eventually, I was like rock and roll does not have age, and I have watched the kid on stage and after some thought I was like f**k it...you are 16, whatever, I will make it work. Really, whether he is 17 or not, he is my little brother and we get along famously. I never had a little brother, I had an older brother.
Michael - Same thing for me. I had a sister and wanted an older brother.
MarQ - Who rounds out the band?
Keith - Ben Stratton, and he was in the band on our last record. I have known him since high-school. Right after I recorded that last record I was doing an acoustic show and he was running sound and we caught up and I gave him a some of that stuff and loved it and it seemed appropriate. So that is how that happened. He is a good dude.
MarQ - How do your parents like you playing in a full on rock and roll band with Keith and these guys?
Michael - My parents know it is my life and that they are not going to turn me into an office manager. They are supportive.
MarQ - What did you think when you first met Keith?
Michael - He showed me a lot. That was the first time I met a full-blown musician. Someone I aspired to be and someone who I could follow his example, so to speak. We basically had pretty similar music taste.
Keith - There is some stuff that I like that he is not into.
Michael - There is some stuff that I like that he is not into
What: The Travelling Mercies,
The Decatures, Rock Paper Scissor,
and Matt Cox
When: 9 p.m. Saturday, July 27
Where: Waiting Room, 6212 Maple St.
The Travelling Mercies have undergone a lot of changes over the past few years, both in sound and personnel. The end result is one of the strongest roots/Americana bands in town, and a darker sound that is more Wovenhand than Mumford & Sons. The band is made up of some of Omaha’s top talent, including John Klemmensen, Vern Fergesen, Colin Duckworth, Edward Spencer and front-man and songwriter Jeremy Holan (known by many as Jeremy Mercy).
The band recently completed a successful Kickstarter campaign that raised over $4,000 to help with the release of their second album, Motel. Included in the perks was Jeremy’s own personal well-worn Bible, which is not to insinuate that this is a Christian band. But elements of religion play a part in the story, as it does with many classic roots and songwriter albums. There is a theme to this album and a storyline woven within. I had a sit-down with Jeremy Mercy a couple of months ago in anticipation of this release, and to discuss the thematic nature of Motel.
The band will be celebrating the release of the album on Saturday, July 27, at the Waiting Room, 6212 Maple St.. They will be joined by Matt Cox, Rock Paper Dynamite and the Decatures. The Decatures will also be celebrating the release of their debut album on this night.
MarQ - How did the writing for Motel take shape?
Jeremy - The first song I wrote was “Five Dollar Bill,” which is the first full song on the album. I was messing around with something that I wasn’t planning on keeping. I thought it was funny. After I wrote that song the wheels stared turning and it fit into Motel. Then I was like, "What if I wrote another song about a motel?" And then I came up with other stories to put into it. Each son either directly or indirectly references another character in another song. I don’t know if I fully understood at first or intended it to be what it began to be in retrospect. I guess kind of…it ended up where a lot of the Motel situated on a southern border town. I kind started thinking about borders in terms of geography, but then also laws and physical state. The idea of a motel is all of these self-contained units of people that have different stories…the arbitrary borders where we just construct different boundaries. So as that kind of became obvious to me I wrote the last few songs of the album.
“Holy Mary" ends the first side of the album. I guess she is illegal….she is an immigrant…and she works in the motel. She talks about how she had this affair with a cop. I wanted to do two sides of the story with one that tells the perspective of the cop. It’s got a lot of people who are either trapped on the wrong side of the law, or luck, or whatever.
MarQ - Did you write by yourself or with your bandmates?
Jeremy - Generally what happened on this album is I wrote out the songs on acoustic guitar. Sometimes it stays pretty close to what it was like. The song “Holy Mary” was pretty much played just like I originally played it. Heather Berney from the Betties sings on that song. She sings it from a female perspective. Then there is a song like “Border Run,” which is the heaviest song on the album, and it was written a bit slower and more country and folky. It is like ¾ time which is really odd. Vern kind of served as producer or musical director for the album and he and I spent a lot of time on the ideas behind it and where we wanted to grow things. I don’t have any kind of musical vocabulary at all, and he was able to direct it when we recorded with Jeremy Garrett and Curt Grubb. He was able to communicate what we were going for a lot.
MarQ - Since there is a theme, how are you playing out the songs live?
Jeremy - Since John has been drumming with us the last three months that has made it a lot more difficult, as a lot of the songs we have still not played live. (This interview was two months ago). The second-to-last song “Am I Your Man,” we have never even played as a band. It was written for the album, whereas a lot of the other songs we fleshed those out onstage. A lot of them.
I see a distinction in the making of the album and playing it live. Some songs do not lend themselves to live playing because of logistics. Some of the songs that we play live are played a lot different than how we recorded them. I won’t feel bad if have never played a lot of these songs live.
MarQ - What are some of the stories on the album?
Jeremy - “Five Dollar Bill” is a guy that has been kicked out of his house and his name is actually Bill, and all his wife left him is five dollars. We have sort of a crumbling love affair that has almost a schizoid traveling Pentecostal preacher. “Million Dollar Recipe” has some people cooking crack in a motel. I don’t think meth was practical, but I talked with someone who cooked crack in a motel room so that is where I got the idea for that. "Trigger” is about a veteran that was from Afghanistan.
The album really has strong side one and side two. When we were creating it they had sister songs on the second side that stylistically fit together. The two ending sides are literally responding to each other and they are two sides to the story. I initially wanted to put it on vinyl…and hopefully we will do that, too.
MarQ - How heavy does religion come into play?
Jeremy - I had in my mind on some level that I wanted this to be a critique or examination of where we are in this country, and I don’t mean that politically. Religion is still a huge talking point or political tool, and I was raised in a very religious home. It is going to be there. It is part of who I am and where I come from. No one is going to confuse it with Christian rock.
MarQ - What would you like people to take away when listening to this album?
Jeremy - I hope they play it. Hopefully the songs musically stand up and if people think it is some great artistic statement….whatever.
Musician Andrew Bailie returns for a visit, a few gigis, after year in Big Apple
By MarQ Manner
The man who was once one of Omaha’s most in-demand musicians is finding plenty of work in New York City. Andrew Bailie just got back to Omaha after a year in the Big Apple, but his stay here will be short. He is in town for fellow Nebraskan musician (and now NYC resident) Nick Semrad’s wedding. Bailie will be playing a few gigs in town while he is here, of course.
On Sunday, July 21 he will be at the Hive, 1951 St. Marys Ave., with Dana Murray and Mitch Towne. He will perform at the Side Door, 3530 Leavenworth St., on Friday, July 26 with Mojo Po and Diana Arp. He will then be back at the Hive on Saturday, July 27. Many in Omaha are familiar with the guitar player who performed in bands such as It’s True, the Jazzwholes and Moscow Mule.
I had a short chat with Andrew moments after he arrived in Omaha after a 21-hour car trip.
MarQ - So, what will you be playing at your homecoming gigs?
Andrew Bailie - Some soul tunes, and some news songs, along with some older stuff that people might know. It is going to be a fun hang and I am really looking forward to it. I am in town for Nick’s wedding. It is surreal to be back after a year in the city. It’s like I never left at all.
MarQ - Tell me what you have been up to in New York.
Andrew - When I got there it was a pretty big adjustment on a number of levels. Mostly, getting accustomed to taking an hour and hour-and-a-half to get everywhere. You do not have as much time to do things there. You start going to jam sessions to meet people. Lenny Reese and Phase 1 (two musicians he brought with him from New York City to Omaha) host a hip-hop open mic and so I started going to those sessions. Going to open mics to network is how you meet people. We are always keeping our eyes out for who needs a bassist and drummer and they do the same thing for me if someone needs a guitar player. I get calls for rock and roll groups, indie stuff and soul. The music part of it reminds me of a bigger Omaha. I have some teaching jobs and am just trying to play music for 24 hours a day. It has been really fun exploring the city for a year and meeting people. Playing with hip-hop groups and gospel stuff. I am doing my own solo stuff also. We did this big showcase with people on this A Minor Music Group....and had a dude from BET that was hosting it and that was packed. It is fun to see what everyone is doing. You don’t really get to choose what you do. You have to come prepared to do what you do in your skill set - the city then shows you what to do. I am still on that wave.
MarQ - Have you had any run-in’s with someone that you didn’t think you would play with?
Andrew - Funny story. I showed up to play a gig at this school through one of the gospel guys that I know. He tells me he just got a call for a gig with Mariah Carey....and he said if you were black you would have got the gig. They wanted an African American guitar player, as it was on TV. The longer you stay in the city the chances are you will play with someone notable. I am playing with people that play with people notable. I think every gig is an important opportunity. It’s always going to lead to the next gig if you do your job. I try to treat every gig as if it is a big-time thing.
MarQ - When you play your original music where do you play?
Andrew - I have been doing a lot at this open mic at Bar 4 in Brooklyn. I would compare it to a Barley Street in terms of vibe. You go in there and it is all about what is happening. Music and sometimes they have comedy. It is all centered on the performers. The people understand that and no one shushes anybody. You can have an intimate kind of audience there. I have also been doing a couple restaurant gigs with my solo stuff. I am trying to network in that scene. It is always good, too, when you don’t have a gig to go on the subway and make a few buck busking.
MarQ - Do you find that there is support for original music in New York, and is it harder to find that support there?
Andrew - There are pockets of that. On one hand, everyone has heard everything out there. So sometimes it can be pretentious. It can be a little overwhelming. There are pockets of scenes that really support music and original music. If you are doing something really kind of on edge or pouring yourself into that – people are going to recognize that. If you are playing a club you are going to pull in a lot of people off the street. They might not know what they are going to see, but they go off of the reputation of the club. It’s like here where there are pockets of people that are into seeing original music and that is one of the great things that makes Omaha great for its size.
Screaming For Silence returns to Omaha – briefly – after consistent touring
By MarQ Manner
Omaha hard rock band Screaming for Silence has been out on tour for much of the past 10 months to prove that they are the next band that deserves you front row and center at their show. This means hitting some of the same clubs and cities multiple times, being away from loved ones for weeks, and living off of usually minimal road wages. There is a big difference between an artist who tours, and a touring artist and Screaming for Silence has fallen into the later category. It’s something an artist needed to do 15 years ago to “make it” and it is even more so the case today.
I had a conversation over the phone with guitarist and vocalist Danny Irwin this past week. It was one of the only times I have had to interview an Omaha band over the phone. It sounds like all the touring is paying off and Irwin seemed on a post show high as they had played Rockapalooza the night before with like-minded bands such as Taproot, Smile Empty Soul and '90s rockers Candlebox. He also seemed happy to be doing a homecoming show this weekend at the Waiting Room Lounge where they will celebrate guitarist Casey Newsom’s birthday. Joining them on the Saturday show is tour mates Blameshift and Omaha act the Zero Sum. What comes after the holiday weekend? Yes, more touring.
MarQ - How long have you guys been out on the road?
Danny - We have only been back two and half weeks, otherwise we were all over the East Coast and Colorado, New Mexico, Texas. We have been going to the east and hitting it hard. We have gone through three vehicles this year and are on our third van. Bright blue van with red interior that we call Optimus Prime. We have been all over. This next one we will meet with Blame Shift, who we will be playing the Waiting Room. It is a homecoming show for us and Casey’s birthday show. We are going to try to tour up until winter and then try to record in the winter. We toured in the winter in the east this past year so we were around the cold for a long long time.
MarQ - You have been playing as a band for many years now. What made you decide to go at it so hard this past year?
Danny - This is something we want to do and have it be our one and only job. We are seeing that it can be done if you are being smart and playing as many shows as possible. You have to put yourself out there 100%, especially when you are at the level that we are right now. We want to do that the rest of our lives. The way to get there the quickest is to stay out. It is the one thing in life that we love the most. That is the real motivation.
MarQ - What has been the reaction to Screaming for Silence on the road?
Danny - I can tell you that people are going out to shows. A lot of the places now we have hit up five times. We have seen it work - being out on the road constantly and building fan bases. We really saw it last weekend at Rockapalooza in Michigan. We have played 10 shows in Michigan and on Saturday we had a hell of a crowd in front of us there. It’s not like Omaha with the same friends and family that are out there - it’s nice to see new faces. We had a nice crowd out there, and had a nice response. We got to share the stage with Smile Empty Soul and Taproot, who are favorites of ours.
MarQ - Since you have been on the road so much, are you finding that you are having to write more on the road?
Danny - It’s kind of the way it is working out. We try to write on the road as there is only so much time for so many things. When we make it our focus we bust them out. We have been trying to get in and do some scratch tracks when we can. So yeah we get a chance to do some writing while we are out on the road. We mainly like to get out there and meet people and see the scene in each town and get the buzz going. We like to experience new music scenes and by doing that you learn how to better promote your band.
MarQ - One can assume that we will see a very tight Screaming for Silence on stage at the Waiting Room on Saturday.
Danny - The chemistry gets tighter and tighter. You have to build up tolerance, because when you play 15 shows in a row you want to be able to perform well each night. The music has evolved and we are better and we get to play with so many bands and we get ideas from that and we learn from that. We have our unique thing with our sound, but will look at any element that can beef up our sound. Every show we learn something that will amp it up ... there are just so many little secrets.
By MarQ Manner
The Hullabaloo Music and Camping Festival returns for its third year, and will take place Sept. 5-8. The festival will be moving from Riverwest Park to Sokol Park in Bellevue this year. They are stepping up the main stage talent pool also, with headliners Aaron Freeman (that is Gene Ween from the band Ween), hip-hop group Blackalicious, the Monophonics, Pimps of Joytime and much more. They will be announcing one more headliner on August 6, and you can check out the whole lineup at http://hullabaloomusicfestival.com/
Even though we have just scratched the surface of the summer season and the summer festivals, it is that time of the year when tons of fall and late summer shows get announced. Here is a rundown on some of the more interesting ones from the past couple of weeks:
The big announcement this past week was that “Thrift Shop” rappers Macklemore and Ryan Lewis will be returning to the metro area on Oct. 29. The rappers started here in town at the Waiting Room, and then last year played Sokol Auditorium. Where will they be this time? Yup, the Century Link Center, and they are sticking with local promoters One Percent Productions, who will be doing their first show ever in the arena.
A show that might be flying under the radar is Nellie McKay, who will be performing at the Arts Center at Iowa Western. McKay had a huge buzz around her 2003 Sony debut "Get Away," but never turned into the superstar that she was poised to be. She is a very creative artist and is listed as a special guest of the Grammy Award-winning Turtle Island String Quartet. That should be quite the collaboration.
Blue October will follow up their Rockfest date here in the area with a show at Sokol Auditorium on Oct. 25. Then, '80s hit-makers Psychedelic Furs will be in Lincoln at the Bourbon Theatre on Sept. 19. Also at the Bourbon Theatre, and just announced, is former Misfits and Samhain frontman Danzig, who will be at the venue on August 18.
The Cold War kids will follow up their recent performance in Lincoln opening for the Lumineers with a performance at the Slowdown on Nov. 4. Songwriting legend Ray Wylie Hubbard will make a long-anticipated appearance here in Omaha at the Waiting Room Lounge on August 25.
Country superstar Dwight Yoakam will be at Papillon’s Sumter Amphitheater on August 21. Indie legends Yo La Tengo will perform “an evening with” at the Waiting Room Lounge on Sept. 21 and LA surf band Best Coast returns to the Waiting Room on Sept. 19.
Gypsy punk band Gogol Bordello will be at the Slowdown on August 16. People have been clamoring for this return for quite some time, so I would not wait on purchasing tickets.
Rock music fans will be excited to see former Three Days Grace singer Adam Gontier performing in town again at Sokol Auditorium. He will be joined by other touring bands that are popular in town: Hurt, Art of Dying, Smile Empty Soul, and Edisun.
Finally, funk and soul group Black Joe Lewis and the Honeybears have been announced for the Bourbon Theatre on Oct. 2. They will be joined by soul rockers Pickwick for what is an excellent double bill.
Omaha songwriter Matt Whipkey releases concept album
By MarQ Manner
Matt Whipkey has been performing music around the area for the past two decades in bands such as the Movies, Anonymous American and his current project, Whipkey Three. His style could be considered singer-songwriter or Americana, and influences such as Rolling Stones and Bruce Springsteen are inevitably put into most articles written about him.
Whipkey is a well-known musician in the area and a name known to pretty much anyone that follows music closely in Omaha and Lincoln. In the past year he started talking more and more about a large-scale project, one that he seemed to have quite a bit of passion for. It turned into a successful Kickstarter campaign, studio time was booked, home recordings happened and this past week I was handed a beautiful physical piece of art on the porch outside of Caffeine Dreams.
The double album is called “Penny Park” and it is about the summer of 1989. It’s about a girl and it’s about Omaha amusement park Peony Park. For longtime Matt Whipkey listeners and Whipkey himself it’s an expansion and experimentation of his sound. Keyboard and synthesizers take the place of harmonica and pedal steel. Guitar tones and rhythms reflect a different time. Yet there is very much traditional Whipkey songwriting at the base of it all. Whipkey was going to do this project right and so he is releasing a limited number of double hot pink vinyl albums with inlays and lyric sheets (and a CD). The album art, both inside and out, is perfect for the subject matter and it is something that he should be very proud of. Here is a portion of the interview that happened that day on the porch.
MarQ- Tell me about how this idea got started in your head?
Matt Whipkey- We were sitting around bullsh***ing...Doug (Kabourek of Fizzle Like A Flood) and I mentioned his album “Golden Sand In The Grandstand." I loved the idea of what it was about (Aksarben Racetrack), it was always in the back of my head. Don’t know why I thought about Peony Park. I was like OK...we got this idea...what do we do? I wrote two songs pretty easily. I didn’t labor over them much and they came quick and I didn’t have to think too much about the subject. Eventually, there was a lot of research that went into it and I spent hours at the library researching. Songs kind of came quick and I bounced the idea off a lot of people and a lot of people got excited about it and when the storyline came into place it became daunting and I was like, "what the hell...it’s an amusement park that has been around 100 years." I watched the movie "Virgin Suicides," and that helped flesh out the idea some. I don’t know why. It’s a movie about girls, but it is really about boys. Is this album about girls or is it about boys?
MarQ- Do you feel that it will be hard for this album to translate to people who did not know Peony Park or live in Omaha?
Matt- I think I had that in mind when we wrote it. I am a big Hold
Steady and Springsteen fan and they use specific places. I think all those places in different cities have their Peony Park. A lot of them do. I was only eight when this took place so it is not my story. I am telling a story that I think may have happened, but in talking to people that worked there they did happen. I think the idea is that you know a lot of what happens as a teenager is pretty universal. There is a certain time in your life that you go back and think about that time, not when you are 25 and you are too busy being 25. You realize where you are and where you were and you had this period of bulls**t in the middle.
MarQ- What were the first two songs that you wrote?
Matt-”Rollercoaster” and “Waterslide,” though some of the
songs have been around for awhile and I re-worked lyrics and the songs, but those were the first two from scratch.
MarQ- Talk to me about the recording of the album. You did many different things this time.
Matt- Obviously, I knew early on that some of the songs were going to work better with just me and the ones with Travis (Sing) and Zip (Zimmerman), and they are kind of the unsung heroes of the whole operation. They are so on-point in the studio. I am allowed to elaborate on things as they are so proficient and I couldn’t ask for better people. I have one of the best rhythm sections in town. We have a nice connection. Those sessions went pretty quick and we would cut something with (Scott) Gaeta and then I got some equipment to allow me to work at home on stuff. It is adventurous as I could spend countless hours working on it. In a studio the bill can get pretty high. At home I could try all kinds of stuff. Some of the songs work better as just me.
Then down the road I got the idea to have other people do it and sing songs. It was good to get the female voice in there with the two songs where she (“Penny”) speaks. I knew I wanted Dan Sullivan. I work with him and I asked him if he played at Peony Park and he was like “I lived there." I had this song in my head and it was instrumental...and I had this Steve Lukather (guitarist for Toto) vibe to it and Dan did it and it turned into a little duel between us. It was pretty cool. And to have that connection to Peony Park musically I think it meant a lot to him. With Dan it was close to the heart I suppose. Down the road when some kid writes The 49’r concept album and asks me to play the harmonica on the record it will be like that.
MarQ- Tell me about the song “Cliff Burton."
Matt- I always knew that Zip went and saw them there so that is cool. I
always related to people through music and concerts they saw and that one stuck out in my head. I am not the worlds biggest Metallica fan, but that would have been cool to see. There were a lot of concerts there and I wanted to write about that, remember where this song came from. I like to run a lot and I run the same route and was on the Dodge Street overpass and for two weeks there was a CD on the street and it was Metallica’s “Ride The Lighting."
MarQ- What other songs stand out to you on the album?
Matt- All of them, but some of the slower ones. I like them because I don’t play them live ever. "Sunshine” has so much orchestration on it. A song called “Five Times So Far” I like so much, and it is because I don't’ play them a lot and they are so specific to the way they are recorded that I have hard time hearing them live. All of the band stuff I love and I can play them with my brain shut off at this point.
You know we dedicated the record to Gary (Flanagan-longtime Omaha music fan). Right after he passed away I recorded a lot of the vocals on this and it was kind of hard to do. “See Me Someday” is one of the more emotional songs to me. It’s been around a long time but I worked the lyrics around. There is a lot of people around me in my musical life that have passed away and I kind of see them at shows still and so that is where that song takes me.
There were some really bad songs that didn’t make the cut where I tried to write very specific themes. Hot Scott's Name got brought up in several songs. I was writing this one song about the ballroom that went through the '20s and '30s and I was like, "what am I doing? This is is the stuff that people make fun of you for." My favorites have more than a few of those actually.
MarQ- Talk to me about the record release party.
Matt- We are trying to present the album as close as we can. With adding the members to the present lineup it sounds the way the album sounds. It will be a great show. Moses Prey is fun and with Jess (Errett) and Tara (Vaughan) they are starting a band..so it’s not just their individual songs it is their own thing. The song Bec (Rebecca Lowry) sings is worth the price of admission alone. It’s the place to get the copy of the record and there are only 300 copies and I can see them going quick.
This past weekend featured the Omaha Entertainment Awards Summer Showcase in Benson where more than 80 bands and solo artists performed. I am on the board of the Omaha Entertainment and Arts Awards. We also teamed up for this first time with Benson First Friday as they celebrated the first anniversary of the popular Benson visual arts showcase. It was an extremely successful event, with Friday night having more of block party feel with the weather being so nice. The bands were also vying for a spot opening up the 2013 Maha Music Festival on Saturday, August 17 at Stinson Park. One of the bands out of 80 was chosen by public vote to perform with the Flaming Lips, Matt & Kim, Bob Mould, Thao & The Get Down Stay Down, the Thermals, Sons of Fathers, Millions of Boys, Digital Leather, Rock Paper Dynamite, the Millions, Criteria and Hers. The band that won is Purveyors of the Conscious Sound, an Omaha hip-hop group that has been making waves in that scene over the past couple of years.
PCS has been opening for a lot of touring hip-hop acts coming through the area, such as Dessa, Flobots, Kosha Dillz, Kendrick Lamar and many more. The band will be opening up for legendary hip-hop band Souls of Mischief on their 20th anniversary tour of their classic album 93 to Infinity at the Waiting Room on Tuesday, June 18 along with Galvanized Tron. They will also perform with the Luminaries on June 20 at the Bourbon Theatre in Lincoln. PCS has been gearing up for their new album Lifers 2, which should be out soon. The band is poised to go well beyond just the Omaha hip-hop scene, as they have catchy hooks provided by Liz Graham and credible rhymes and fun beats. You can check out the first video for the song “Ketchup” at right. The band will be releasing a new song for download on Friday, June 15 on their Facebook https://www.facebook.com/purveyorslive. The track is called “The Battle” and is said to be a solo track from Graham from the Lifers 2 album.
Witness Tree CD Release Show
With Bullet Proof Hearts, Thunder Power, Two Drag Club
9 p.m. Friday, May 31
The Slowdown, 729 N. 14th St.
$5 in advance, $7 day of show
It is rare to see a band come back from a break up and not only do so successfully, but also reinvent themselves at the same time. Omaha band Witness Tree has done just that and will be celebrating the long road to the release of their new album Breathe In this FRIDAY at The Slowdown, 729 N. 14th St., with Bullet Proof Hearts, Thunder Power, and Two Drag Club.
Witness Tree first made the rounds starting in 1992. This was during a high time in the Omaha music scene, which saw 311 leave town, Blue Moon Ghetto all over the radio, and packed shows at the Ranch Bowl, the Capitol, the Saddle Creek Bar and Sokol Hall with bands like Five Story Fall, Old Boy Network and Grasshopper Takeover. Witness Tree was very much in this mix and had a solid fan base to draw from. It was surprising, after hanging it up in 2000, when the band reformed eight years later not just for a one-off reunion.
The band has spent the past five years re-inventing themselves and re-introducing themselves to a brand new music scene with a lot of new players. The transformation was successful because of stronger songs, a fresh sound, and exemplary musicianship. Witness Tree is a cross between power-pop and power rock, with some influences coming from the college rock scene of the '80s. The band fits on stage with many of the current bands of today and some of the younger musicians in town, such as All Young Girls Are Machine Guns frontwoman Rebecca Lowry, even perform on Breathe In. The album was recorded with Jeremy Garrett over quite a long period of time. I expected this record a year ago, but the band wanted to make sure they got it right so they could put out the best product possible. The effort put into the album can be heard in its tight songs and production, hook-filled guitar riffs, and driving rhythms.
In a live setting, the band puts on a straightforward, energetic rock show that relies on nothing but their playing and feeding off the audience. Vocalist and guitarist Steve Kudlacek is very serious about his craft and it shows, as he is the quintessential frontman. Alan Mansfield is widely regarded as one of the best guitar players in the area and his excitement playing live onstage is hard to miss. The rhythm section of PJ Harding and Wade Hephner hold it all together when needed, but more often they drive it forward. The bottom line is that these are fun guys and they put on a fun rock show. They are out supporting other local bands all the time and have a genuine love for what they do and for our Omaha music scene. Check out a couple of tracks from Breathe In above and head down to the Slowdown on Friday and see a great local lineup with some special guests rumored to be taking the stage with the band.
What: The Decatures
With Artillery Funk and John The Bastard
When: 8 p.m. Saturday, May 25
Where: Barley Street Tavern, 2735 N. 62nd St.
The first time I saw the young, pure rock-and-roll band the Decatures, I – and a lot of my fellow chronologically gifted colleagues – were the ones to take notice. It was a noticeably young group churning out classic rock-influenced riffs and songs with experience and manic energy that turned our heads and made us walk to the front of the room. This is the reaction the Decatures do not want. Sure, they want heads turning and people energetically eating up their every note – they just don't want that reaction to be because of their age.
It’s a natural reaction, though, and probably something the band will have to deal with for a while. The Deactures is not a novelty act – this is a real deal rock and roll band that woke up and warmed up a mellow cold afternoon crowd recently at Omaha’s Earth Day event. The band is recording with Omaha producer Curt Grubb, and plans to have a full-length out soon. The band has been hitting all the major clubs in town and will be performing at Barley Street Tavern on Saturday May 25 with Artillery Funk and John The Bastard. I recently hung out with the three-man band at the Pizza Shoppe and discussed where they came from, their influences, and where they would like to go from here.
MarQ – How did the band get together?
Charlie Encell – Well, they were in a death metal band before I met them. They broke up and they didn’t have anyone to play with for a while. We started jamming at our friend's house on Decature, and that is how we got our name.
Ryan Call – Lots of jamming
Charlie – Played our first show July of 2011 at the Sandbox.
MarQ – How did you guys evolve from death metal to what you are doing today?
Ryan – We just kind of jammed and we just developed.
Charlie – There is still some metal influence. There is more classic rock than there is metal. They didn’t just give up the metal cold turkey.
Patrick Stutzman – It is kind of like with hot sauce – there is just enough in it.
Ryan – I also think we have a little Midwest twang . Not country, but just a little twang it.
Charlie – My parents are Deadheads and so I grew up listening to the Dead and Phish, and then I started listening to these guys and they opened me up to Black Sabbath and Zeppelin.
Patrick – We did a lot of extended jams. We would jam for three-hour sessions.
Charlie – We never played any songs – we just played for the hell of it. We actually went through a couple of drummers, too.
MarQ – I have seen great reactions to your live sets. How does that make you feel?
Charlie – It’s great, and we are really glad that people like it a lot. We don’t want to be liked because we are young. We do not want to be “good for our age.” So we are trying to do this with a certain level of professionalism and maturity.
MarQ – What are the advantages to playing as a three-piece?
Patrick – I think we function well under the three-piece setting. We act like a triangle with space between for different parts. We are not trying to out-do ourselves.
Charlie – Jimi Hendrix is a big influence because they were a three-piece.
MarQ – How has you sound evolved since you first started?
Charlie – There are songs that we played at that show that we don’t play anymore. They didn’t cut it and I guess that is how we have evolved. We are making better songs and shedding the skin of being a new band. I think the challenge is doing something that other bands in town do not do. There needs to be more bands that are not afraid to get out of the Omaha comfort zone. We don’t want to get in that rut.
MarQ – Who are some of the bands you like to play with in Omaha?
Charlie – There are not a lot of bands that play the same style of music. It’s hard to find bands to play with. Rock Paper Dynamite is one we like. We would love to play with the hardcore bands but we just do not fit in.
MarQ – What is the reaction you would like to get from a live audience?
Charlie – I want them to not just watch the band and clap because the song is over. You wonder, are they clapping because the song is over and they are being polite? We want them to want to see us again. We want people to be genuinely excited.
Ryan – We want them to tell other people and have those people tell other people.
Charlie – I want people to say they are seeing something they haven’t seen in Omaha. I think if you play rock and roll and play it well people will like it. There is this kind of mindset where people think that rock and roll is kind of already done and let’s move onto this other stuff. I think that is bulls**t. You have to change it up and make it current but rock and roll is not dead.
MarQ – How is the recording going?
Charlie – Slow but steady. We have never done it before. So it is kind of a new experience. We run into a lot of newer things. Those microphones are unforgiving. We want to make it good but not overproduce the Decatures out of it.
MarQ – How do you want to release the record?
Ryan – Vinyl and download cards and CDs.
Charlie – I don’t want to have to force people to get the vinyl.
MarQ – Why have you chosen vinyl?
Charlie – It just sounds cool.
Patrick – We are all collectors.
Charlie – It is not a computer reading something, it is a needle going across the record.
MarQ – What are some things that inspire the songs?
Charlie – It comes from really simple things like having a girlfriend and getting sick of her and breaking up with her. Right now, I have a girlfriend that I love to death and I will draw inspiration from that. Or that rock and roll is dead thing that piss me off. Policemen and how I want them to leave me alone. Mostly, it is just about women and the complications that come with them.
With Cowboy Indian and Twinsmith
When: 9 p.m. Saturday, May 25
Where: The Waiting Room, 6212 Maple St.
My interview with Skypiper was one of the more refreshing interviews that I have done in some time. The band has been around for a while, despite their relatively young age. The band has played all the major stages in town, opened for many touring acts and is considered one of the more mature and professional acts, both in their musical arrangements and the way they carry themselves on stage.
So what is refreshing about this interview? Well, the band that considered chamber pop felt like maybe they got ahead of their age and are feeling the need to drop back and live it up a little. We will call it less Wilco and more Weezer. The band will be releasing a new EP on May 25 at the Waiting Room Lounge with Cowboy Indian Bear and Twinsmith. I met up with Gabriel Burkum and Conner Giles of the band at Jerry’s to talk about the switch in sound and attitude.
MarQ-Tell me what you have coming up?
Gabriel - We are coming out with a brand new EP on May 25th, and it is easily our favorite thing that we have ever done. I think we have found our exact sound of what we are going for. We had a member change and we have a drummer who is in our band permanently. This is our first actual drummer. We have had six drummers previously . We brought on Connor, who is a cellist from the area. He now plays piano, accordion, mandolin, baritone guitar, cello - he is our go-to guy. He gives every song the flavor that we need.
MarQ - How have you evolved your sound since your last release?
Gabriel- This new EP is a truly fresh sound. We turned up the pop knob. It’s a little heavier than our last stuff.
Conner - Melodically driven and rhythmically driven. It’s dance music.
Gabriel - Now it is more power pop and less chamber pop.
MarQ - What made you change your sound?
Gabriel - We decided to just put away the maturity of the past influences and act our age. We are between the ages of 21-25. We have been playing music more as musicians, such as Wilco, who are in their 40's and there is time for that later. We have other influences, too, and we want to be energetic and have fun with that also. The new EP is more poppy and more aggressive than our other stuff. It is the first album that I have ever done that we have produced. We tracked live in Minneapolis with Levi Stugelmeyer. We originally went up there for a show and we had a day to hang out before. We asked to demo and everything was set up and we went through one song and it sounded awesome and we were like, "Should we just record the entire EP right now?" We just decided to do it right then. We had three songs done and when we finished recording those three songs we had an idea for another and recorded and did four songs in one day.
MarQ - Where does the “more aggressive” come from? Not something I thought I would hear from Skypiper.
Gabriel - Three of us came from metal bands and my favorite bands are all power pop bands and rock n roll bands. We just kind of are into having more fun with the music.
MarQ - What did you find appealing about the band to make you want to join?
Conner - I have been in just about a year now. I have known the guys for quite a while. Gabe was a student of my dad.
Gabriel - He played mandolin for the Kanesville Boys and when we had the member change we were all depressed and we were like, "Kyle (Christiensen), you are a left-hand guitarist, you want to play lead guitar?" And he became the lead guitarist. We thought of who could play that part of piano and accordion and he came down and already knew all of our stuff. He just clicked and we knew him and he was in.
Conner - I was just pounding these songs out and learning them so fast. I have done a lot in the classical realm. I have always just been playing music and recording music as a creative process with the math and science behind it, which is what much of the classical world is based on. This was a prefect opportunity to do what I want to do with music.
MarQ - So you became more pop and more aggressive and less chamber pop, and yet you add someone with this much musicianship behind him.
Gabriel - Like I said, he adds flavor where needed. The piano is less Wilco and more Elton John, where you are almost breaking the piano and it is more rock and roll piano.
Conner - So much of Skypiper music is so melodically driven and with a lot of the songs the melody is in your song immediately. The cello is a second line melodically that really changes the song.
Gabriel - I would also like to throw out that we are classically trained, but I love playing loud with my upright and I like to stay away from the stereotypical rockabilly. I like to play like I am playing P bass. I use a distortion pedal on the first song called “Bag of Dicks” and it sounds like the bag of dicks. I like to stay away from the the flames on the bass and play it classy but play it heavy and not dumb it down.
Conner - You never see a cello and a bass having harmonizing parts that are substantial parts of the song.
MarQ - When you say power pop-what parts of the genre are you pulling from.
Gabriel - We like stuff like Rooney and we are friends with Robert Schwartman. We are into the power pop stuff like OK Go and Dr. Dog. We are heavily influence by them. We are totally into Elton John and Queen. On the other hand it is like I will never say that we are totally original. There is never a practice where we do whatever this band does. We do what we do and our influences just seep out.